tue 07/04/2020

20th century

Director Marjane Satrapi: ‘The real question is do you like everyone? No? So, why should everyone like you?’

Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and...

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Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and...

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Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factor

There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just keep listening to over and over again. It’s in Fritz Reiner’s 1960 Chicago Symphony recording of Respighi’s The...

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Francesca Wade: Square Haunting - Bloomsbury retold

These days, Bloomsbury rests in a state of elegant somnolence. The ghosts of Virginia Woolf and Vanessa Bell linger on in the shabby gentility of Russell Square and its environs, the bookish institutions that are the bones of the place conferring...

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Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant tale

“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants. It could be a contemporary Trump rally – or, indeed, the nastier side of current British political discourse – but in...

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Mahler's Eighth, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - a symphony of 600

“Try to imagine the whole universe beginning to ring and resound” wrote Gustav Mahler of his Eighth Symphony. “There are no longer human voices, but planets and suns revolving.” It’s an image that captures the impossible scale and mind-boggling...

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1917 review – immersive, exemplary war film

The greatest war films are those which capture the terrifying physical and psychological ordeal that soldiers face, along with the sheer folly and waste of it all –  Paths of Glory, Come and See, Apocalypse Now, Saving Private Ryan, most...

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National Youth Orchestra of Great Britain, Martín, Barbican review - songs of protest and resilience

In youth we trust. That can be the only motto worth anything for 2020, as the world goes into further meltdown. So it was startling, stunning and cathartic, two days after the big downer of 3 January - the American horror clown seemingly in...

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Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiere

Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello...

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Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP business

Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to...

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theartsdesk Radio Show 25 - with bohemian chanteuse Anne Pigalle

This edition of Peter Culshaw’s periodic global music radio show features guest special guest Anne Pigalle. A flâneuse and doyenne of the urban demi-monde, she came to our attention recording for ZTT Records in the 1980s and ran Soho...

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Kozhukhin, BBC Philharmonic, Carneiro, Bridgewater Hall, Manchester review - melancholy heart of Mahler

Mahler’s Fifth Symphony is a repertoire piece nowadays, probably as familiar to as many listeners as to orchestral players, which means you look for something distinctive in any performance to identify its essential quality against all the others....

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