19th century
Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves lessWednesday, 01 March 2023
It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical".On leaving the theatre... Read more... |
LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroicsMonday, 13 February 2023
So it turns out there isn’t a problem with Richard Strauss’s Ein Heldenleben (A Hero’s Life), a stroppy mock-epic I thought couldn’t ever love again, when constantly singing phrases from Antonio Pappano and the LSO turn it into an hallucinogenic... Read more... |
Tannhäuser, Royal Opera review - true goodness triumphs in the endThursday, 02 February 2023
It’s always a disappointment when the Venusberg orgy Wagner added in 1861 to his original, 1845 Tannhäuser to suit Parisian tastes gives way to foursquare operatic conventions. Especially so in this revival of Tim Albery’s 2010 production, where... Read more... |
Gerhardt, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - calm and clear conductingMonday, 30 January 2023
Ben Gernon’s calm and clear way of conducting an orchestra (something he once told me he’d observed in the work of his mentor, Colin Davis) is good to watch and, I would guess, welcomed by those he directs. Since his time with the BBC... Read more... |
Benedetti, Hallé, Elder, Bridgewater Hall, Manchester review - essays in transparencyFriday, 13 January 2023
Nicola Benedetti and Sir Mark Elder are both in the enviable position of being able to take audiences with them into music territory that might scare some away. So it was a gratifyingly near-capacity house that heard Szymanowski’s Second Violin... Read more... |
The Pale Blue Eye review - telltale heartsTuesday, 27 December 2022
Edgar Allan Poe fathered the detective genre as well as a school of Gothic horror, and Scott Cooper’s adaptation of Louis Bayard’s 1830-set novel acts as an origin story for the author and the whodunnit.Augustus Landor (Christian Bale) is the... Read more... |
Newsies, Troubadour Wembley Park Theatre review - bombastic musical let down by its songsMonday, 12 December 2022
What do you mean you haven’t heard of the newsboys’ strike of 1899? It’s a classic David and Goliath story: a group of New York kids selling newspapers for Joseph Pulitzer (him of the prize), who take a stand when their boss tries to charge them 20... Read more... |
Hewitt, Hallé, Schuldt, Bridgewater Hall, Manchester review - lightening the gloomFriday, 25 November 2022
If there was a certain doom-laden dimension to Clemens Schuldt’s Bridgewater Hall programme with the Hallé ( … Requiem … Mozart in D minor … Strauss describing Death and …), it was easily lightened by the conductor’s own approach and personality.... Read more... |
1899, Netflix review - Atlantic voyage turns into cosmic nightmareThursday, 24 November 2022
Baran bo Odar and Jantje Friese won delirious acclaim for their previous Netflix series Dark, a labyrinthine and fantastical account of children vanishing from a small German town. Anyone familiar with its baffling events and leaps across different... Read more... |
A Christmas Carol, RSC, Stratford review - family show eases back the terror and winds up the politicsSaturday, 19 November 2022
Life is full of coincidences and contradictions. As I was walking to the Royal Shakespeare Theatre, the Chancellor of the Exchequer was on his feet in the House of Commons delivering yet another rebalancing of individual and collective resources. On... Read more... |
Pioro, Julien-Laferrière, BBC Philharmonic, Schwarz, Bridgewater Hall, Manchester review - joy on a Saturday nightMonday, 14 November 2022
This was at first sight a somewhat ordinary looking programme for the BBC Philharmonic: Beethoven, Brahms … even Stravinsky doesn’t frighten a Saturday night audience in Manchester these days. They come for a good night out and quite a lot... Read more... |
The English, BBC Two review - Emily Blunt's date with destiny on the prairiesFriday, 11 November 2022
Writer and director Hugo Blick isn’t afraid of getting stuck into some knotty and morally complicated issues, whether it’s Middle Eastern politics (The Honourable Woman) or the Rwandan genocide (Black Earth Rising), but perhaps he wouldn’t be your... Read more... |
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