fri 26/02/2021

19th century

Hughes, Manchester Collective, Lakeside Arts online review - creating the occasion

There’s an atmosphere of tender restraint through most of the programme created by Ruby Hughes and Manchester Collective for Lakeside Arts at the University of Nottingham. It was streamed live yesterday afternoon, and, as is the way with most...

Read more...

Der Freischütz, Bavarian State Opera online review – marksmen as marketeers

Bavarian State Opera has led the way for live performances and associated broadcasts during the pandemic. Their series of weekly “Montagsstück” events have presented innovative chamber operas, specifically for web streaming. Their next goal is full-...

Read more...

Christian Blackshaw, Wigmore Hall online review - pure as the driven snow

From a distance, the pianist Christian Blackshaw bears an uncanny resemblance to Franz Liszt, silver hair swept back à la 19th century. At the piano, though, you could scarcely find two more different musicians. There seems not to be a...

Read more...

Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zeal

“Without a care” (Ohne Sorgen, the title of a fast polka by Josef Strauss performed here with deadpan sung laughs from the players) was never going to be the motto of a Vienna Philharmonic concert without an audience. Introspection and even sadness...

Read more...

Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency romp

At first glance you might mistake Bridgerton (Netflix) for the latest effusion from the pen of Lord Fellowes, since it conforms so closely to the Fellowesian pattern of manners, money and mores among the English aristocracy. Even the title sounds...

Read more...

Pagliacci, Opera Ensemble, Longborough review - stripped down but live

List all the problems that the pandemic places in the way of operatic performance, and you might well end up wondering why anyone would bother. Opera Ensemble, however, have bothered, in the shape of an accomplished and moving production of...

Read more...

Fidelio, Opera North online review - less is really more

Adaptability is the name of the game for big companies in the music business now. And Opera North’s streamed presentation of Beethoven's Fidelio from inside Leeds Town Hall is a prime example of just how adaptable things need to be.The orchestra is...

Read more...

Hallé, Elder, Bridgewater Hall, Manchester online review - re-consecration of the house

The Hallé have been slow off the mark, compared with some, in their response to the challenge of concert-giving in the Covid era. But now that they have delivered on the first of their winter season performances, it has clearly been worth the wait....

Read more...

The Good Lord Bird, Sky Atlantic review - picaresque account of the myth of John Brown

On the face of it, this new Sky Atlantic series sounded as though it might be a grave and sombre slice of American history, telling the story of the anti-slavery crusader John Brown and how his raid on Harpers Ferry, Virginia helped push America...

Read more...

Kanneh-Mason, CBSO, Gražinytė-Tyla online review - muted celebrations

“This year was supposed to be so very different” said Stephen Maddock, Chief Executive of the City of Birmingham Symphony Orchestra when he spoke to theartsdesk earlier this year. Talk about an understatement. The CBSO has hardly been alone in...

Read more...

Proust Night, Wigmore Hall review – the music of memory

In a bold first strike – straight to the gut, surely, for many in the audience – the Wigmore Hall’s “Proust Night” began with an old recording of the Berceuse from Fauré’s Dolly Suite. Clever. How apt that the signature tune from Listen...

Read more...

Gigantic Cinema: A Weather Anthology review - wild writing to stimulate the senses

Among the French composer Claude Debussy’s greatest and characteristically subtle innovations was to put the titles at the end of his pieces. He did this in his piano collection Preludes: the titles, trailed by ellipses and clothed in brackets...

Read more...
Subscribe to 19th century