Dance
'We are bowled over!' Thank you for your messages of love and supportFriday, 14 November 2025
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts lovers and professionals alike – but the response to our appeal to help us relaunch and reboot has been something... Read more... |
The Midnight Bell, Sadler's Wells review - a first reprise for one of Matthew Bourne's most compelling shows to dateThursday, 19 June 2025
Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of lockdown, is far from being a high-octane people-pleaser. It won’t send its audience out teary-eyed and... Read more... |
Ballet to Broadway: Wheeldon Works, Royal Ballet review - the impressive range and reach of Christopher Wheeldon's craftMonday, 19 May 2025
Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in Singin’ in the Rain, or Laurey’s dream in Oklahoma!, whose first interpreter was its choreographer Agnes de... Read more... |
The Forsythe Programme, English National Ballet review - brains, beauty and bravuraTuesday, 15 April 2025
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American choreographer first came to notice with what became the defining dancework of the late 1980s.In the Middle, Somewhat... Read more... |
Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadnessFriday, 11 April 2025
Who goes to the theatre to feel sad? That is, knowing full well that they won’t be going home with a skip in their step. Many people, it would appear, given the success of a small touring dance show based on a book by the poet and broadcaster... Read more... |
Balanchine: Three Signature Works, Royal Ballet review - exuberant, joyful, exhilaratingTuesday, 01 April 2025
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer who has helped keep the choreographer’s legacy intact since his death in 1983 and a living link with his teaching.... Read more... |
Romeo and Juliet, Royal Ballet review - Shakespeare without the words, with music to die forThursday, 20 March 2025
1965 was a year of change in Britain. It saw the abolition of the death penalty and the arrival of the Race Relations Act. It was the year of the Mary Quant miniskirt and “Satisfaction” by The Rolling Stones. While cinema-goers queued around the... Read more... |
Help to give theartsdesk a future!Saturday, 01 March 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic team of arts and culture writers went ahead with an ambitious plan – to... Read more... |
Light of Passage, Royal Ballet review - Crystal Pite’s cosmic triptych powers backFriday, 21 February 2025
“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in Henryk Górecki’s rhetoric-free symphonic memorial and Crystal Pite’s response to the dynamism under its... Read more... |
Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris Charmatz, Sadler's Wells review - clunkily-named company shows its lighter sideMonday, 17 February 2025
Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he pours. And pours, and pours, and pours and pours. The water spills over the rim and splashes into your... Read more... |
Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre review - a double dose of Greek mythMonday, 10 February 2025
Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world. The latest such project is a pithy double bill of opera and dance, both halves (though the first... Read more... |
Onegin, Royal Ballet review - a poignant lesson about the perils of youthTuesday, 04 February 2025
It would be hard to find an antihero more anti than Eugene Onegin. The protagonist of Alexander Pushkin’s long verse novel of 1833 is a wrecker of lives. Charismatically handsome yet arrogant, cynical and bored, his effect on those who fall under... Read more... |
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