Reviews
Matt Wolf
It's not easy witnessing your own death. But that's the situation in which we find the lyricist Lorenz Hart at the start of Blue Moon, Richard Linklater's startling film about a creative maverick who is well aware that his own shining star is on the wane. Boasting longtime Linklater collaborator Ethan Hawke in his finest screen performance since this same director's Boyhood, the movie casts an unsparing glance at a great talent run amok even as it offers Hawke a renewed shot at the Oscar that has so far eluded him. (Hawke's last nomination, in fact, was for Boyhood 11 years ago.) Read more ...
Rachel Halliburton
The battle of the Scrooges is fast becoming an unofficial London theatrical tradition, as – for the third year – audiences must choose between the mince-pie-laden delights at the Old Vic and the atmospheric ghostliness of Ally Pally. Jack Thorne’s spikily imaginative, sumptuously staged version has been winning hearts and minds since 2017, but in 2021 Mark Gatiss, king of the ghost story, began his bid for Dickens devotees with an adaptation that’s Christmassy and crepuscular in equal measure. Since Gatiss’s deliciously ectoplasmic take is – comparatively – the newest kid on Read more ...
Guy Oddy
Even people who are unfamiliar with Kneecap’s sharp but raucous music may well be aware of the legal issues that have beset the Irish-English bilingual rappers over the last eighteen months. As support for the oppressed people of Palestine has caused them no end of grief in the UK, the USA and beyond.Fortunately, this has done nothing to tame this mouthy and opinionated trio, and with a partisan crowd which included many who loudly proclaimed themselves to be part of Birmingham’s Irish community, they dedicated “Get Your Brits Out” to “all the paedophiles in the Royal Family”. Similarly, Read more ...
Jonathan Geddes
According to legend, Glasgow can be a tough place for a support band a crowd do not warm to. Therefore brotherly duo Faux Real were perhaps taking a risk when they elected to bound into the audience during the first number in their Wet Leg support slot. It was greeted with mostly puzzlement from early attendees, but when they repeated the trick 30 minutes later - finding space and sprinting towards each other before jumping into the air with high kicks - the reaction was much more enthusiastic. The pair had mixed up synth-heavy pop of varying quality with relentless, hard working Read more ...
aleks.sierz
Hail the spirit of the dance. And of acting. And of driving and flying. At a time when new writing is clearly in decline, and the most successful shows are adaptations or revivals of the classics, the National Theatre returns to one of its big hits from a year ago, thrillingly recast. Unsurprisingly, it’s an adaptation of a popular book of yesteryear: Kendall Feaver’s version of Ballet Shoes, Noel Streatfeild’s classic 1936 coming-of-age novel about three adopted sisters who go to drama school. Set in a fossil-filled crumbling house in Cromwell Road, the plot is about the absent-minded Read more ...
David Nice
Even top conductors can have difficulty with Elgar’s late romantic suppleness. Vasily Petrenko of the Royal Philharmonic Orchestra and Santtu-Mattias Rouvali of the Philharmonia have made a heavy meal out of the “Concert Overture” (= symphonic poem) In the South (Alassio). Not Edward Gardner with his London Philharmonic players, strings on top, glowing form, woodwind hyper-sensitive, in a perfectly paced journey of a soul.Elgar took his melancholic as well as his boisterous side on holiday in Italy. Gardner’s trajectory was one of restlessness and unease eventually erupting in a vision of Read more ...
Adam Sweeting
She’s still best remembered for her portrayal of Carrie Mathison in Homeland, but Claire Danes is an actor with plenty of moves up her sleeve. In this eight-part drama penned by Gabe Rotter, she plays author Aggie Wiggs, renowned for her book Sick Puppy but now crippled by writer’s block. This is in the aftermath of her break-up with wife Shelley (Natalie Morales), following the death of their young son Cooper in a road accident, leaving Aggie living in splendid isolation in a mini-mansion in leafy Oyster Bay, Long Island. Indeed, this locale is so upscale that it has tempted real estate Read more ...
David Nice
Bah-humbuggers like me are happy to pass over seasonal fare, maybe excepting a Messiah or Christmas Oratorio, and look ahead to the birds that sing in the spring. That was the theme for this light-of-touch rattlebag, with versatile top quality on display from all performers.Maybe parts of it smacked of a tantalising taster menu. Violinist Braimah Kanneh-Mason came on at the start, advertised only through the first of Fantasia mover and shaker Tom Fetherstonhaugh’s short speeches, to twitter with leader Millie Ashton in the opening Allegro of Vivaldi’s “Spring” Concerto - so fresh and buoyant Read more ...
Veronica Lee
It’s good to have the old gang back together in An Evening With The Fast Show, more than 30 years since The Fast Show debuted on the BBC. And if many in the audience attending with parents, or even grandparents, weren’t yet born during the sketch show’s run from 1994 to 1997, they are testament to its longevity – and how good catchphrases can live for ever.Catchphrases were the show’s stock in trade, along with memorable characters, fast edits and lots of sketches in each episode. Paul Whitehouse, co-creator of The Fast Show, explains self-deprecatingly the high sketch count was so that Read more ...
Adam Sweeting
If you’re old enough to remember LPs and the lost art of reading sleeve notes (let alone writing them), this one’s for you. The titular session man is the fabled keyboard player Nicky Hopkins, whose teeming creativity and dancing digits left their indelible mark across an extraordinary swathe of records from the golden age of rock’n’roll.Among Hopkins’ most recognisable feats are his Jerry Lee Lewis-style romp through the Beatles’ "Revolution", contributions to several tracks on John Lennon’s Imagine including "Jealous Guy", rollicking ivory-tickling on George Harrison’s "Give Me Love", his Read more ...
Graham Fuller
Seemingly shot in a snow globe containing haunted mountains and a neo-noirish Alpine ‘burg, The Ice Tower is the most expressionistic but relatable of the French-Bosnian director Lucile Hadžihalilović’s eerie oneiric fables involving endangered motherless children.It’s also the prettiest and the queasiest, a glittering alt-Gothic showcase for Marion Cotillard as a toxic lynx-eyed movie diva. The long-damaged Cristina van der Berg, who as a girl was objectified and unhappily groomed for stardom, preys on the smitten adolescent orphan Jeanne (stealthy newcomer Clara Pacini) while acting – and Read more ...
Kieron Tyler
“Mrs Bluebird” is one of the great singles. Released in May 1968, it is airy yet lush. The filigreed harmony vocals are like velvet, the rhythm is insistent but soft. Overall, there is a sense of distance; that what’s heard is not quite within reach. When a guitar solo comes, it is sharp but muted. This is archetypal American harmony pop – but with a distinct freeze-dried character.It was the top side of the third single by Eternity’s Children, and made 69 in Billboard’s singles chart. It got to 54 in the Cash Box ranking. A UK release of “Mrs Bluebird” suggested there was chance this Read more ...