CD: Esben and the Witch - Older Terrors

Gothic moping finds teeth on Brighton/Berlin trio's fourth album

share this article

If you go down to the woods today...

Whatever you think of their music, it’s hard not to admire a band who wilfully make music as oppressive, uncommercial and solemn as British south-coast trio Esben and the Witch. They’ve been ploughing their unfashionable, gothic furrow for eight whole years. Funereal gloom, however, has limited appeal and they faltered somewhat circa 2014’s Wash The Sins Not Only The Face. Happily, with help from producer Steve Albini, 2014’s A New Nature saw them discover that lamentation can be balanced with dissonant, invigorating noisiness. Older Terrors continues to explore this idea.

For their fourth album, self-produced in their new home of Berlin, Esben and the Witch focus their energy on a canvas of four long-form songs, each coming in at around 10 minutes. Singer Rachel Davies has a strident post-punk banshee howl but her lyrics, like the album’s title, speak of some mystic darkness, and they do have power, pitched somewhere between Robert Browning’s “Childe Roland” and the weirder reveries of the Romantic Poets. “Sylvan”, for instance, sings of a fire immersing all – “Through blackened poles it wafts and wends/Ribbons weaving paths of flame/Yellow ghosts with fervent rage/In circles of an ancient hell” – before letting loose squalls of feedback combustion. Not for nothing is the album partly dedicated to the spooked, phantasmic paintings of early 19th century artists Caspar David Friedrich and John Martin.

The band’s name derives from a dark fairy tale and they revel in tuning into the ancient and, quite probably, abject. “The Wolf’s Sun” speaks of children on fire while “Marking the Heart of a Serpent” trembles “with a bad desire, desperate to pierce, the hungry creature, hissing devil speaker”. Throughout, the music veers between bleak atmospherics and doom-laden explosions of riffage, with the dirge-like tom-tom-led attack at the end of closer, “The Reverist”, being a particular highlight. On it, Davies asks, finally, “I've seen the older terrors, will you come with me?” On this evidence, the answer is, yes, it’s a trip worth taking.

Listen to "Sylvan"

 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Singer Rachel Davies has a strident post-punk banshee howl but her lyrics speak of some mystic darkness

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job
The youthful grandaddies of K-pop are as cyborg-slick as ever
Life after burnout and bad decisions for the Buenos Aires duo