Enlisting Hollywood giant Samuel L Jackson to host a series about the history of slavery, his own ancestors having been trafficked from West Africa to the Americas, was a headline-grabbing move, and scenes where we travelled with Jackson to the historic slaving hotspot of Gabon rang with a steely sense of commitment.

Famous dystopian novels are reliably popular with TV adapters, so it’s strange that this is the first time Aldous Huxley’s treatise on a society controlled by technology and psychological manipulation has been turned into a TV series. Of course, these days you need a pretty good fictional dystopia to surpass the one already running amok outside your window.

Classical music TV documentaries don’t often merit comparison to buses.

Before his retirement last summer at the age of 90, Bernard Haitink worked magic on the podium, no one is in any doubt about that. Lining up one friend and musician after another to admit they don’t know how he does it hardly seems the most promising basis for a feature-length documentary. Yet John Bridcut’s film also works, rather like one of Haitink’s performances, by placing trust in his material and moulding its form with a nudge here, a pause there. The result, no less than his much admired portrait of Janet Baker, is worthy of its subject, and praise doesn’t come higher than that.

Sky’s 12-part documentary series The Movies is an unabashed celebration of American cinema. Barrages of clips make it an entertaining survey of Hollywood (and occasionally Off-Hollywood) through the years.

This warm-hearted and informative documentary series about life in a Welsh special education school probably isn’t going to be a ratings buster for the BBC but it’s one of the most touching and well-made shows I’ve seen in a long time.

Fires are raging: by human agency – unthinking greed – in the Amazonian rainforest, by climate change, arson and accident in California and the American Northwest, and barely under control in Australia, another country whose leading politicians and media deny climate change.

ITV’s Sunday evening costume drama slot is filled for the next six weeks with this lacklustre adaptation of JG Farrell’s satirical novel, The Singapore Grip. Set in 1942, it was written in 1978 as the final part of his trilogy about British colonialism in Ireland, India and the Far East.

Could you cope with spending three years away from your family and loved ones while you went on the first crewed mission to Mars? This is the question that underpins Away, Netflix’s new space exploration drama.

Apart from her acting abilities, the qualities which made Sheridan Smith a star were her authenticity and lack of pretension.