Hilarious, potty-mouthed and mesmerisingly beautiful, Nadine Shah is on superb form at the Ramsgate Festival of Sound’s closing evening show. And aside from the banter there is, of course, that remarkable voice – hugely powerful and somehow perfectly suited to this enchanting outdoor venue. In fact, this is the first time the Winterstoke Sun Shelter has been used for a gig – I doubt it will be the last. It was simply magical.

“She is a 20-year-old white New Yorker who sings like a 55-year-old black lady from Mississippi. The experts say she will do for soul pop what Dylan did for folk.” Lillian Roxon’s verdict on Laura Nyro appeared in her ground-breaking 1969 book Rock Encyclopedia, issued before Nyro’s third album New York Tendaberry.

When I Hit You - You’ll Feel It opens with “When I Was Walt Whitman”. A French-language answer-phone message is abruptly cut off by a massive-sounding percussive pulse over which a borderline menacing voice enigmatically murmurs words which are hard to make out. There’re snatches about “repeating tiny fragments” and “when I was Walt Whitman you should have seem me…the words wrote themselves.”

She’s an artist who’s impossible to define. Producer, composer and multi-instrumentalist, Anna Meredith has a musical mind that cannot keep still. Her latest studio album, Fibs, which was released in 2019, is a genre-defying blend of electronic and acoustic music, conceived with raw zeal, true artistic integrity, and a huge sense of fun.

“Add some music to your day,” the Beach Boys urged in their song of the same name, from their 1970 album Sunflower. There’s far more than a day’s worth of music included on this immense five-CD package, which scrutinises the turn-of-the Seventies Beach Boys in miniscule detail as they made the awkward transition from their California surf-and-sand past to a more diffuse, more democratic and in many ways more interesting group.

Despite their implosion three years earlier, 1977 was a good year for The Stooges. The CBS budget label Embassy reissued their 1973 Raw Power album in the wake of their songs cropping up in the repertoires of The Damned and Sex Pistols.

Following on from last year’s online-only My Light Shines On programme, traditional music features heavily in the 2021 Edinburgh International Festival, with a series of live performances taking place outdoors, in the quad of Edinburgh University's Old College (pictured below).

Here we are, deep in the second summer of Covid-19 and the UK music festival industry is still giving the impression of being on life support. Yet again, there’s been no Glastonbury, no Womad and not even the return of the Supersonic Festival. Somehow though, the heavy metal community have managed to keep things going. In June, there was a reduced capacity Download Festival to keep 10,000 metalheads happy.

After a band’s back catalogue has been reissued countless times, any new release needs a fresh approach to attract attention. Archives and collections can be scoured to find previously unissued tracks. There might be otherwise unknown recordings released under aliases, or maybe something which escaped via an obscure continental soundtrack album. But on their own, such discoveries aren’t enough. They need to be married-up with the familiar. Hence what can be a last-resort release: a complete works collection.

Producer to the stars and creator of the monstrously successful “Uptown Funk”, Mark Ronson knows a thing or two about making noises. He has combined this know-how with a laid-back knack for presenting to make this six-parter for Apple TV+, delving into the history of how developing technology has driven innovation in the music business.