Madness: Take it or Leave it

"We got 42 years of music to lay on you" is an audacious opening statement for any live band, but when the speaker is Phillip Bailey, lead singer in the current reincarnation of the legendary Earth, Wind & Fire, it is a statement of intent. Playing at the palatial Albert Hall in support of their new album Now, Then & Forever, the current line-up of young session players, complementing the core trio of Bailey, bassist Verdine White and drummer Ralph Johnson, proved without a shadow of a doubt that they still have the energy and skill to hold a crowd enraptured.

Without doubt, 2013 has been the year of Rudimental on Planet Pop: a second number one single with “Waiting All Night”; a number one debut album with Home, hugely successful festival appearances, and plenty of TV coverage. It’s no wonder that the youth of the West Midlands (and some of their mums and dads, by the look of things) turned up to see the band in their droves at this O2 Academy show that’s been sold out for weeks.

You couldn’t help marvelling at how good Alison Moyet looked. It wasn’t just her dramatically slimmed-down physique, but also the sense of her being truly comfortable in her own skin. Partly, that may have just been a result of an increasingly optimistic outlook. But also it seemed to emanate from Moyet's confidence in her new material. Since its release in May, her new album, The Minutes, has been well received. Could the songbird from Billericay also work that synth-heavy magic, live?

Read anything about rock music in the Seventies - about British hard rock music in particular - and three bands are pushed forward as titans: Black Sabbath, Led Zeppelin and Deep Purple. However, while both Black Sabbath and Led Zeppelin have gone on to receive widespread critical acclaim and massive sales since their glory days, Deep Purple have assumed the position of a guilty pleasure – at best. How is it that the band who produced songs such as “Black Night”, “Highway Star” and “Smoke on the Water” have not been subject to a whole Friday night’s coverage on BBC Four?

If Glasgow was to find a little corner for the traditional spirit of vaudeville to live on, it would make sense if it was this one: set the basement of a 19th century church with an audience sitting in lines on gold-painted seats; and two highly accomplished songwriters introducing each other with the sense of ceremony you so rarely find at concerts these days.

The Kinks: Muswell Hillbillies

There was much to be said for attending the third and final show of Crosby Stills & Nash's Albert Hall stint, because this was the night when they played their debut album in its entirety. Clearly much – almost everything, in fact – has changed since 1969, but though the musicians are four decades older, their original collective spirit survives remarkably intact.

Puglia, otherwise known as Apulia, is the heel of the kinky boot that makes up Italy. It’s usually associated with the golden sands of the Ionian coast, the clear, sun-spun waters of Castellanata Marina, the palaces of Bari, and the sublime fish restaurants of Peschici. There is, however, another side to this Italian paradise. It boasts a music scene whose chief contenders resent being lazily lumped in with cheesy holiday Euro-disco or worthy local folksiness, bands and DJs who wish to engage with the wider spectrum of western pop, rock and dance music.

National Wake: A Walk in Africa 1979–81