“Rimbaud, I guess. W.C. Fields. The family, you know, the trapeze family in the circus. Smokey Robinson. Allen Ginsberg. Charlie Rich, he's a good poet.”
It’s 3 December 1965. Bob Dylan is in San Francisco to play the city’s Masonic Auditorium before setting off on other dates around California. He’s sitting down in front of journalists and TV cameras for a press conference. The response above was prompted by being asked “What poets do you dig?”
To experience a performance by Seattle’s ambient metal kings, Sunn O))) is not like attending a conventional rock’n’roll gig, by any means. For a start, there are no drums, no bass and these days, no vocals. All the music comes from just two guitars, wielded by Stephen O’Malley and Greg Anderson, and an awful lot of amplifiers, speakers and sustain pedals.
“Hull Suite” is an important work in the canon of British-Bengali pianist Zoe Rahman, because it evokes themes – voyage, migration and family – which resonate strongly with her. The composition was commissioned at short notice by the Hull Jazz Festival (as a work for solo piano) for World Piano Day in 2024.
“Guys, don’t grow old gracefully… it wouldn’t suit you,” The Who’s Pete Townshend told the Rolling Stones at their induction to the Rock n Roll Hall of Fame in 1989. They listened.
Fast-forward some four decades to 2026, and the surviving Stones have eschewed any state of grace for a raucous, almost confrontational new album in Foreign Tongues that bubbles over with energy and purpose. It picks up where their studio comeback Hackney Diamonds left off and turns it all up a few notches.
VINYL OF THE MONTH
Ed O’Brien Blue Morpho (Transgressive)
“Keys to Your Heart,” the only single by Joe Strummer’s pre-Clash band The 101’ers, was released on 27 June 1976 – 50 years ago this week.
Fantastic and still vital, “Keys to Your Heart” is a driving pop-rocker with a Sixties feel. It edges towards powerpop. But the urgency of delivery and its raggedness mark it out as broadly telegraphing what was around the corner with British punk rock. And its mid section, with Strummer's testifying, presages a fundamental element of the make-up of The Clash. An important single.
Between June 1964 and September 1966, London-area R&B band Downliners Sect issued ten singles, one EP and three albums on EMI’s Columbia imprint. A lot of records. Especially so for a band which barely charted. Only one of the singles, their Columbia debut, a dash through Jimmy Reed’s “Baby What’s Wrong” got anywhere – 29 on the New Musical Express Top 30.
The World Cup is everywhere in Scotland these days, even among the country’s gigging venues. Rolled up Saltires were visible on the balconies of the O2 Academy, a reminder that the Glasgow venue is hosting watch parties for the national team’s matches, and when Lola Young came back onstage for the encore she was serenaded by fans belting out “no Scotland no party”, to which the Londoner cheerfully joined in.
After his record-breaking and warmly remembered Love On Tour, Harry Styles is back with a fresh, slightly more experimental twist on universal, blockbusting live pop. The revision of his performance style is subtle enough that Together, Together feels comfortable and familiar but the minor rebrand that came with his latest album Kiss All The Time. Disco, Occasionally. sufficiently spices things up.
For many years Paul Weller had a conflicted relationship with the oldest parts of his back catalogue. It was rare to hear more than one of his pre-1990 songs in concert. Then he started slipping them in, but only a couple.