sat 12/10/2024

1970s

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

Brazilian artist Lygia Clark is best known for taking her abstract sculptures off the pedestal and inviting people to interact with them. Dozens of constructions named Bichos (Beasts or Critters) (pictured below right) are hinged...

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French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-running

It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely...

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Music Reissues Weekly: The Devil Rides In - Spellbinding Satanic Magick & The Rockult

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve time on the peace-and-love, flowers-for-everyone good vibes of the psychedelic era. A year later, the Stones’...

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Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four...

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Music Reissues Weekly: Peter Baumann - Phase by Phase: The Virgin Albums

When the first solo album by Tangerines Dream’s Peter Baumann was released in the US in 1977, its promotion was striking. Press advertising (pictured below left) said “he possesses the infinite vision that has made his group one of the most...

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A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathos

A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times.It...

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Music Reissues Weekly: Sex Pistols - Looking For a Kiss in Kristinehamn

After Sex Pistols have played “New York,” the fourth song in their set, someone from the audience shouts “Anarchy in the U.K.” "We've already played it, you fucking idiot" responds Sid Vicious. They have. It was the first song they did at...

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Album: X - Smoke & Fiction

X, although beloved of music journalists, are one of American punk’s most under-acknowledged. They took a tilt at fame in the mid-Eighties with the radio-friendly Ain’t Love Grand album and its lead single “Burning House of Love”, but it wasn’t to...

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Album: Blues Pills - Birthday

Swedish-American four-piece Blues Pills are new to this writer but have been around since 2011. Their fourth album makes me wonder why.Of its 11 songs, judged purely on sheer pop-rock chops, nine have real legs. If a friend had put Birthday on and...

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Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage

Peter Kennard: Archive of Dissent at the Whitechapel Gallery includes many of the artists’s most iconic political photomontages. Beginning in the 1970s, Kennard created images that by speaking truth to power, gave protest movements like CND (...

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Blu-ray: The Conversation

“I don’t care what they’re talking about,” says the best bugger in the business, Harry Caul (Gene Hackman). “I just want a nice fat tape.”In the minor-key masterpiece Francis Ford Coppola made in the brief interlude between The Godfather (...

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Music Reissues Weekly: Tomorrow's Fashions - Library Electronica 1972-1987

The conundrum central to library music is that it was not meant to be listened to in any normal way. Yet, in time, this is what happened. What ended up on the albums pressed by companies like Bruton, Chappell, De Wolfe and others was heard by...

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