Film: Farewell

The trailer for Farewell - released in Paris this week - was so dull I nearly didn't bother to go and see the film. The problem with selling Cold War thrillers to the masses is that realistic spy movies have little truck with trailer-friendly stunts, explosions and one-liners. But as any reader of Le Carré knows, the world of espionage is a world of smoke and mirrors, where no-one is who they appear to be, and where cynicism and expediency rub shoulders with slow-burning paranoia. In the right hands, these ingredients can have you on the edge of your seat, and fortunately for us, the hands of French writer-director Christian Carion are as safe as they come.

The trailer for Farewell - released in Paris this week - was so dull I nearly didn't bother to go and see the film. The problem with selling Cold War thrillers to the masses is that realistic spy movies have little truck with trailer-friendly stunts, explosions and one-liners. But as any reader of Le Carré knows, the world of espionage is a world of smoke and mirrors, where no-one is who they appear to be, and where cynicism and expediency rub shoulders with slow-burning paranoia. In the right hands, these ingredients can have you on the edge of your seat, and fortunately for us, the hands of French writer-director Christian Carion are as safe as they come.