Film
David Nice
Only one of the five films in Artificial Eye’s selection is palpably a classic, a turning point in Ingmar Bergman’s early career. It’s flanked by curiosities spanning 11 of the master’s 59 years as a film-maker – two of them flaunting the beginner’s uneasy mixture of melodrama and realism, two later specimens making good use of the actresses who came to dominate his world. All have characteristic moments of intensity and will be welcomed by Bergman buffs keen to add to the substantial roster already available on DVD.The masterpiece is Sawdust and Tinsel, Bergman’s fantastical 1953 take on how Read more ...
Tom Birchenough
There was a strange sense of ghosts, or rather absent presences, in the screening room where I saw Ben Drew’s iLL Manors (that orthography reflects the chosen spelling of the film’s title, and Drew is also as well known as Plan B, from his rapper music career).The late Alan Clarke turned up first, with a vhs of his Scum. Peter Mullan was down from Glasgow with NEDS, not the only Glaswegian visitor, along with Ken Loach, of the early vintage films. Gary Oldman was in from the East End, and of course Ray Winstone was already there in the company. Shane Meadows, certainly. Tim Roth, too. Some Read more ...
Marina Vaizey
BOAC, BEA, and Britannia: the recent past is so near and yet so far. All have now disappeared from the national consciousness but, in these two DVDs, the flagship planes of the British Overseas Airways Corporation and British European Airways appear – in improbable colourways – bookending royal tours in stirring shots by British Pathé News or British Movietone as commissioned by the Central Office of Information, to be shown mostly abroad.So, too, the royal yacht sailing serenely into ports world wide, a safe haven and elegant entertainment venue for heads of state. The COI Collection Volume Read more ...
Adam Sweeting
The world is awash with rock docs, most of them not very good, but it's best to think of Under African Skies as merely a superb piece of film-making. Marking the 25th anniversary of Paul Simon's Graceland, and included on DVD with the album's special reissue package, it's a gripping exploration of how Simon went to South Africa searching for fresh inspiration, made possibly the most memorable album of his career, but found himself embroiled in the poisonous politics of apartheid.Looking back a quarter of a century later, and 18 years after Nelson Mandela was sworn in as South Africa's Read more ...
Graham Fuller
The Turin Horse begins with a prologue in which a novelistic male narrator, talking over a black screen, describes the probably apocryphal incident that caused Friedrich Nietzsche to suffer a terminal mental breakdown (the more likely reason being syphilis). In a Turin plaza on 3 January 1889, the German philosopher supposedly saw a horse being whipped by a coachman and, sobbing, threw his arms around its neck. After two days of prostration, he proclaimed “Mutter, ich bin dumm”(“Mother, I am stupid”) and abandoned his vocation for good, living in the care of his mother and sister for his Read more ...
Adam Sweeting
The main problem with making a prequel to Alien is that the 1979 original was so shockingly successful. Even now, countless generations of CGI and special effects later, Ridley Scott's unstoppable monstrosity is surely the most hideous intergalactic threat ever burned onto celluloid.So, all credit to Sir Ridley (who wisely steered clear of the three Alien sequels) for making Prometheus almost worthy of the pre-match hype. One advantage of revisiting his notorious interstellar Frankenstein is that the creature is now so much part of movie-going folklore that its horrific qualities can be Read more ...
Emma Dibdin
What, honestly, is left to say about The Artist? For better or worse, Michel Hazanavicius' warm, wry, subtly audacious love letter to silent cinema dominated conversation, headlines and awards ballots for a good three months, during which time everything from rapturous praise to derisory jibes were tossed at its unsuspecting, perfectly coiffed head.But the important point is this: to dismiss the film, as many did once the inevitable backlash began, as "a simple story, well told", or worse as "a simplistic and predictable story, competently told", is to ignore the wealth of wit, specificity Read more ...
emma.simmonds
“The angels' share” refers to the two percent of whisky that evaporates each year during its maturation process - which the romantically or religiously inclined would have us believe is siphoned off by cheeky celestial beings. With two Hollywood monoliths (Prometheus and Snow White and the Huntsman) slugging it out at the box office this week it seems unlikely that Ken Loach’s Glasgow-set latest - a tiny wee film by comparison - will be left with much more than the angels' share of business. However, this comedic and compassionate film – the winner of the Jury Prize at this year’s Cannes Film Read more ...
Jasper Rees
Apart from “I did not have sex with that woman” and maybe “It’s the economy, stupid”, Bill Clinton seems never to have said anything quite as memorable. Indeed, of all the phrases with his name attached, none is quoted quite so tremulously as Clinton's description of an event that takes place annually on the border between England and Wales as May makes way for June.Clinton’s “Woodstock of the mind” is actually a misnomer. The Hay Festival, which is celebrating its 25th birthday, is much closer to a Glastonbury of the mind. It occupies its place in the calendar with an ever greater sense of Read more ...
Jasper Rees
Jasper Rees
There’s no particular reason, beyond the herd instinct of producers, why films should enter the multiplex two by two. But such is the case with twin reimaginings of Snow White within a couple of months. First Mirror Mirror went all out for post-modern irony with Julia Roberts camping it up as the Wicked Queen. Now Snow White and the Huntsman imparts a heavy dose of post-feminist top spin with Charlize Theron vamping it up as the etc etc. The reboot is on the other foot.In both cases you have to ask who the films are aimed at, because it’s certainly not the same audience snared by the 1937 Read more ...
Lisa-Marie Ferla
The last time racial stereotyping (or at least, its cross-species equivalent) could be passed off as shorthand for a certain kind of slapstick humour was probably back in 1962 - coincidentally, the year that the last of Hanna-Barbera’s 30 episodes of the original Top Cat cartoon ran. And yet you don’t have to be eight years old to laugh out loud at the spectacle of a red-eyed gorilla beating its chest and screaming for bananas. Bananas which, in a ridiculous subplot I won’t waste time going into, are strung around the waist of a chubby blue cat in the style of a Hawaiian skirt.Don’t even get Read more ...