Though set in a Czech village during the last months of World War 2, armed conflict is peripheral in Karel Kachyňa’s Long Live the Republic! (Ať žije republika). We do see the chaotic departure of German troops in an early scene, and though their actions are pivotal to the plot, the struggles which Kachyňa depicts are the everyday ones experienced by his young protagonist Oldřich. Kachyňa worked on the screenplay with his long-term collaborator Jan Procházka, who described his source novel as about “how I saw and experienced the end of the great war… my happy, painful, already so distant Read more ...

Billie Eilish’s second concert film joins a newly lucrative genre, following Taylor Swift: The Eras Tour’s $267 million box-office. Both are marketed as participatory filmgoing, turning cinemas into cut-price venues where fans can relive or imagine communing with their heroes. James Cameron’s co-direction with Eilish in his favoured 3D format adds supposed stature, but this remains incurious star-sanctioned product.  Eilish is the visual opposite of Swift’s traditionally glamorous feminine persona. The latter’s arch, “Oh, hi!” as she opened her Eras act in silver and red showgirl finery Read more ...

Carla Simón’s latest autofiction disinters the post-Franco plague of heroin and AIDS which killed her parents and that of Marina (Llúcia Garcia), her indefatigable 18-year-old surrogate in this lyrical story of shame, memory and love.Simón was orphaned by AIDS contracted from sharing needles by the time she was six, and Marina shares this biography, being raised in Barcelona by her mum’s family. Discovering a document she requires for a scholarship to study cinema states her dad had no child, she contacts his Galician family for the first time since his death. The quest to correct the legal Read more ...

In Rose of Nevada, written and directed by Mark Jenkin, George MacKay plays Nick, a family man living in an impoverished present-day Cornish fishing village. He joins a trip on a once-lost trawler because he needs money to repair his roof. When the boat returns with a big catch, Nick and his colleague Liam (Callum Turner) are calmly greeted by the villagers as members of the crew that had disappeared a few years before Nick's birth. Stuck in the vanished but more plentiful world of 1993, Nick and the morally laxer Liam respond in different ways. With typical understatement, MacKay Read more ...

Akira Kurosawa coulda been a contender. He used to be canon. Some of the critical sheen flaked off a while back, though. He hasn’t had a film in the top 10 of the Sight & Sound critics’ poll since 1982, the cognoscenti having pivoted to other Japanese masters such as Ozu, or Mizoguchi. Kurosawa is docked points for being too grabby, too Western, too prone to bourgeois sentimentality. His films commit the ultimate sin: they pander.No polemics here, but if you wanted to take up a critical katana on Kurosawa’s behalf, you could do worse than adduce Red Beard. The director himself called it “ Read more ...

Sky Atlantic’s new thriller, Prisoner, is a tense and twisty story involving a sinister crime syndicate called Pegasus, whose boss is a sneery tycoon called Harrison Dempsey. This bunch are planning to cause mayhem and chaos across Europe.However, there is one man who might be able to throw a spanner in Pegasus’s works. He is Tibor Stone, a professional hitman who worked for Pegasus, and is said to have killed at least 47 victims. Now, assisted by dogged prison guard Amber Todd (Izuka Hoyle), he’s prepared to give evidence in court which could bring down Dempsey and scupper the Pegasus Read more ...

We tend to indulge hagiography when it comes to biopics of pop icons. To get the rights to their music, producers often have to let the icons themselves pull the strings. It’s a pact much like the compromises we make all our lives with the music industry – becoming fans of a world riddled with rip-offs, scams and scandals. We’ll only pay to see the film if we’re given the music, as we’re only half-interested in the life.At the same time, stories of addiction and frailty and romantic fiascos, only to be overcome, are carefully laundered into the movie: they serve to bolster the cool of the Read more ...

In Mark Jenkin’s Cornish cinema, lost boats, drowned men and ways of life wash back in with the tide, nothing truly gone. Where his feature debut Bait (2019) tackled the violence stirred by second-home gentrification in a humiliated fisherman and Enys Men (2022) found elliptical folk-horror in tin mine echoes, Rose of Nevada falls through time in a fishing village which is barely hanging on.The new work is Jenkin’s biggest production by far, but still homemade in mainstream terms. Two name actors, George MacKay and Callum Turner, lead his cast for the first time, fitting happily into his Read more ...

Messiaen’s Turangalîla, his sprawling 10-movement, 75-minute extravaganza, is garish, graphic and glorious. It is a full-bore, Technicolor, over-the-top, spectacular blast of orchestral fireworks from beginning to end. It is, as the kids say, “a lot”. But not enough for the curators of Multitudes, a multi-disciplinary festival at the Southbank Centre this month, who paired the it with a specially-commissioned animated film by 1927 Studios. Bad idea.I’m not sure any film would enhance the experience of Turangalîla live – how can the music alone not be enough? – but this one positively ruined Read more ...

The main female characters in Christian Petzold’s films are kindred spirits – sisters in subversiveness. Petzold and Nina Hoss collaborated on six movies together, from the made-for-TV thriller Something to Remind Me (2001) to Phoenix (2014), the harrowing story of an Auschwitz survivor. Both those films drew on Alfred Hitchock's Vertigo (1958). So does his new one, Miroirs No. 3, in which a troubled Berlin piano student walks out of her unhappy ordinary life into a kind of fairy tale. Played by Paula Beer – previously Petzold's muse in Transit (2018), Undine (2020), and Afire (2023) – Read more ...

French director Maurice Tourneur (1876-1961) trained as an interior decorator and illustrator, the move into film a logical progression after working as an actor and designer in Parisian theatre. Emigrating to the US in 1916, he enjoyed a brief but successful Hollywood career before returning home in 1929 as a director ideally qualified to oversee the French film industry’s transition into the sound era.Released in 1943, The Devil’s Hand (La Main du diable) is a lively supernatural thriller, drawing inspiration from the Faust legend and WW Jacobs’s influential short story The Monkey’s Paw. Read more ...

“Since when was getting older an honour?” asks Tereza, rightly suspicious when she finds officials nailing up a cheap garland around her front door and presenting her with a medal. This is Brazil, sometime in the near future, and the government has decided that anyone over 75 is an economic burden on younger workers. No matter how fit you still are, you must hand in your work clothes and accept being shipped off to ‘the colony’ on a caged truck dubbed the wrinkle wagon. Gabriel Mascaro’s The Blue Trail is a dystopian fable, not dissimilar in its plot and casting to the more sombre Read more ...