Film
Katherine McLaughlin
The bitterness and jealousy of a relationship on the rocks is superbly handled in this disconcerting, witty and sharp indie which poses moral quandaries galore. Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are the couple at odds with one another. The abrasions caused by their long-term relationship have led them to therapy and as a last resort their therapist (Ted Danson) sends them off on a break guaranteed to cement their love and rekindle their passion.On arrival the pair realise that not all is as idyllic and straightforward as they think, with the discovery of a magical guesthouse in Read more ...
Adam Sweeting
A quick scan of the credits gives grounds for optimism about Transcendence, with Johnny Depp leading a copper-bottomed supporting cast which includes Rebecca Hall, Morgan Freeman, Paul Bettany and Cillian Murphy. Director Wally Pfister may be a first-timer, but since he's been Christopher Nolan's cinematographer since 1999's Memento and won an Oscar for his work on Inception, you might give him the benefit of the doubt.Hence Transcendence frequently looks superb, and for a good chunk of its running time tweaks your attention with ideas about the (over) appliance of science and mankind's Read more ...
Tom Birchenough
There might seem to be a world of difference between Israeli director Eytan Fox’s last film, the coming-out-of-grief, intimate drama Yossi, and his new movie, the delicious, prove-what-you-can-do comedy musical Cupcakes. But both are about moving towards a better place, and overcoming the obstacles encountered along the way, with a little help from your friends.Cupcakes is about camaraderie as much as anything else, in this case a group of neighbours who have a tradition of getting together every year to watch UniverSong (as close to Eurovision as it comes – we presume that the latter name Read more ...
Katie Colombus
Mighty oaks from little acorns grow – meet Allen Ginsberg, before the beard. Daniel Radcliffe plays an 18-year-old version of the infamous beat poet in the defining moments of the artist as a young man, and the true-life episode that created the genre.A bespectacled, sheltered, bookish Jew, Ginsberg frees himself from the shackles of a mentally ill mother and dodges the shadow of a middle-class education provided for by his bourgeoisie poet father Louis Ginsberg, by heading off to Columbia University. There, he is intoxicated by the kicks of jazz, a plethora of drugs and the heady thrill of Read more ...
emma.simmonds
Home is truly where the heart is in writer-director Joanna Hogg's extraordinarily astute and artistically alive third film, which takes in the minutiae of a marriage. Exhibition is the story of two artists as they prepare to move out of the beloved home they have lived in for the best part of two decades and it imaginatively illustrates how where we live can challenge and define us. The star of Hogg's previous films (Unrelated and Archipelago) Tom Hiddleston - who has since gone stratospheric - sportingly cameos as a smarmy estate agent.The couple in question, known simply as "H" and "D", are Read more ...
Tom Birchenough
We see the harshness of everyday life in Danis Tanović’s An Episode in the Life of an Iron Picker first in its snowy, subsistence landscapes, as hero Nazif goes out to the forest to bring in whatever wood he can find to keep the family home warm. But by the end of the film, which took the Jury Grand Prix at last year’s Berlinale, we have seen, much more chillingly, the harshness of human behaviour.Nazif and his wife Senada are from Bosnia’s Roma community, living with their two young daughters in a remote village. Home life is happy, even if sparse in comforts, and Senada is pregnant. Nazif Read more ...
Matt Wolf
Even Emma Thompson's finely honed deadpan delivery can go only so far in The Love Punch, a caper movie (remember those?) that moves from the implausible to the preposterous before sputtering to a dead halt. A revenge comedy nominally steeped in a desire to right social injustice, writer-director Joel Hopkins's film soon abandons all loftier aspirations in favour of one jaw-droppingly daft sequence after another. If you've ever wanted to see four distinguished British thesps d'un certain age don body-hugging scuba gear while they attempt to crash a French wedding by any means necessary, here's Read more ...
Graham Fuller
Sixty years a masterpiece, Akira Kurosawa's Seven Samurai is being released by the BFI on DVD and in a Blu-ray Steelbook. Digitally restored by Toho from an original 35mm master positive, it ought to be a mandatory purchase for movie-struck kids raised on CGI, 3D, and hyperbolic action epics that bear no relation to reality. They and everyone else should, of course, see it in a cinema, too.Set in 1587, during Japan's late Warring States period, it tells the story, both stirring and elegiac, of five seasoned ronin, a boastful charlatan, and a starstruck rookie hired to spearhead a mountain Read more ...
Katherine McLaughlin
If Crystal Fairy is about "the birth of compassion in someone’s life”, as director Sebastián Silva explained when it premiered at Sundance last year, then Magic Magic (which he shot at the same time) can be seen as a companion piece of sorts. It’s not too far a reach to assume Silva is testing his audience with this disorientating and incredibly taut look at mental illness. He explores how deep sympathies really lie for a disorder that some have difficulty empathising with and how the decisions arrived at by a pack mentality can lead to devastating consequences.Silva cleverly sets this Read more ...
emma.simmonds
The Swedish writer-director Lukas Moodysson first burst onto the scene in 1998 with the chaotically romantic Show Me Love (original title Fucking Åmål), a story of a love affair between two teenage girls which shocks a small Swedish town. He followed that with commune comedy Together (2000) before eventually segueing into darker territory with films such as Lilya 4-Ever (2002), A Hole in My Heart (2004) and Mammoth (2009) which focussed on sex trafficking, amateur porn and the ills of globalisation respectively.His latest We Are the Best! revisits Show Me Love's shy-girl-wild-girl dynamic but Read more ...
Nick Hasted
Spider-senses will be buzzing alarmingly before the end, as deadly danger approaches Peter Parker and his loved ones - just the sort of danger, in fact, that some viewers may remember from the distant days of 2004, and Spider-Man 2, Sam Raimi’s superhero movie high-water mark. It’s the problem that won’t go away for the series reboot Sony’s budget and creative conflicts with Raimi required, when the series had only just begun. Everyone has done an excellent job on director Marc Webb’s exciting, well-crafted sequel to his first Spider-Man film. But it’s impossible to reboot audiences’ brains, Read more ...
Tom Birchenough
This April is proving the kindest month for cinephiles. Hot on the heels of Mark Cousins’ engrossing A Story of Children and Film comes another documentary about cinema of captivating, encyclopaedic interest, Shivendra Singh Dungarpur’s Celluloid Man. The director’s immediate subject is PK Nair, the man who created India’s National Film Archive (NFA). It’s thanks to Nair that many early classics of that nation’s film heritage – India is as cinema-centred a country as any in the world, with many of its national languages giving rise to distinct branches of the industry – have been preserved at Read more ...