With new iPhone app Yo, Hodor, users send single-word messages to each other: 'Hodor', the Game of Thrones character who can speak only his own name

There's already been an Android keyboard app that replaces all letters with the word Hodor, and now Game of Thrones' most beloved cult character has an iPhone app as well. Yo, Hodor is a messaging app, but like the big and gentle character it's named after, it can only voice one word: Hodor.

It's based on the app Yo, whose slightly ridiculous concept  a messaging app that sends only the word 'yo' to recipients  was matched with a slightly ridiculous $1m in seed capital last month. According to Daily Dot, developer Tyler Hedrick built the Hodor version in four hours, announcing on Instagram: "I wrote an app called Hodor because Hodoring someone is so much cooler than Yoing someone."

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The casting of Sarandon as McCarthy's grandmother threatens to veer this road movie off-track, but when its star is safely behind the wheel  cruising guys and robbing stores Tammy bowls along fine

Is there a sororpack to go with Hollywood's fratpack? Since her supporting turn in Bridesmaids, that smart comic Melissa McCarthy is emerging as a key equivalent (along with Tina Fey, Amy Poehler, Kristen Wiig and others); her latest movie happens to be co-produced by comedy's alpha-males Will Ferrell and Adam McKay.

McCarthy stars and co-writes with her husband Ben Falcone, who directs. That round, pretty face with its poignantly muppety nose and chin is well suited to a classic type of pre-emptive ironic disdain which fails to protect against life's humiliations: the tears of rage of a clown. It also expresses vulnerability and intelligence and those who remember McCarthy's performance in the cult movie The Nines with Ryan Reynolds will know that the same face can be sexy too. It's tempting to call it a female version of Seth Rogen's face or Jonah Hill's face: that is, their earlier, less sleek faces. Perhaps if Hollywood success exalts McCarthy in the same way, she'll get to glam up as well.

She is Tammy, a character whose name may be intended to convey, subliminally, the bluecollar trials sung about by Tammy Wynette although she is also, perhaps a bit worryingly, slightly similar to the sociopath crook she played in the ropey and far inferior comedy Identity Thief opposite Jason Bateman.

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Adam Richman, star of Man vs Food and new show Man Finds Food, attacked commenters online with foul-mouthed tirades

Adam Richman, the US TV host whose former show Man vs Food has become a cult hit in recent years, has seen his new series Man Finds Food "postponed indefinitely" after he sent abusive comments during an argument on Instagram.

The furore began when Richman posted an Instagram photo with the caption: "Had ordered this suit from a Saville Row tailor over a year ago. Think I'm gonna need to take it in a little " He added the hashtag #thinspiration.

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Justice secretary says government is open to debate on legality of uploading sexually explicit media on internet without consent

Publishing sexually explicit pictures of former partners known as "revenge pornography" could soon become a crime, the justice secretary has said.

Responding to calls for the practice to be outlawed, Chris Grayling said the government was very open to having a serious discussion about the practice with a view to taking appropriate action when parliament returns from the summer recess.

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When Lavinia Greenlaw looks at the works of Eva Hesse, she is reminded of how a poem comes to her

I had known about Eva Hesse's work for years, but the moment I really paid attention was when I visited an exhibition of what she called "test pieces" in Edinburgh in 2009. Hesse, who was German-Jewish, emigrated with her family to New York in 1939 when she was three. She died from a brain tumour when she was just 34. "I would like the work to be non-work," she once wrote. "This means that it would find its way beyond my preconceptions."

The "test pieces" (also known as studioworks) are difficult to describe. They are small objects that initially appear to be offcuts, or abandoned starting points. They seem unrealised and unsustainable, not least because Hesse often used perishable materials such as latex, wax, string, cheesecloth and plaster, which she made luminously strange. This sense of incompleteness is amplified by the fact that many look as if they ought to contain something. They are almost envelopes, bottles, boxes or bowls things we usually discard on our way towards what matters.

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Most of the Monty Pythons are still alive, and for 10 nights will be putting on a live show at the O2

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O2 Arena, London
Everyone wants the Pythons to do the classic stuff and so they did in a staggeringly lucrative reunion show that is unlikely to make any converts

Share your own Monty Python silly walks

Comedy's greatest supergroup, in fact its only supergroup, gathered at London's O2 Arena like the Gratefully Not Dead, undertaking their staggeringly lucrative reunion show in the same cheerfully cynical spirit as their Contractual Obligation Album in 1980. It was a golden-oldie recapitulation of their greatest hits, padded out with song'n'dance ensemble numbers from a chorus young enough to be the Pythons' grandchildren. Stephen Fry made a self-conscious live cameo. There will presumably be other, different walk-ons later in the run.

Back in the days of the Hollywood Bowl or indeed the 1974 Drury Lane show which first revealed the singalong popularity of the parrot sketch they couldn't have dreamed of this kind of cash avalanche for doing an old set. This show is reputedly for John Cleese's alimony bill but in truth the whole surviving crew Cleese, Eric Idle, Michael Palin, Terry Gilliam and Terry Jones are submitting to the awesome power of market forces. A string of O2 shows selling out in seconds? When there's just so much to be made from doing I'm A Lumberjack or Every Sperm Is Sacred, you really can't say no. Perhaps only a new West End live production of Fawlty Towers with the original cast could be more sensational.

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England's theatres, orchestras, galleries and museums learn how much Arts Council England will be giving them in 2015-18

English National Opera is to have its regular public funding cut by £5m a year, one of the highest-profile losers in a high-stakes day of funding announcements which saw hundreds of arts organisations told of their settlements for the next three years.

was one of the most important days in the arts calendar as England's theatres, opera and dance companies, orchestras, galleries and museums heard how much Arts Council England would be giving them from 2015 to 2018.

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• Hi! My name is my name is my name is [chicka-chicka] Guide Daily
  
• Back from an unscheduled long weekend to bring you new music from Busta Rhymes feat Eminem, Bon Iver and Tricky, plus more on the Breaking Bad spin-off
  
• Why not be our Stan? Leave a comment below or tweet @guideguardian
  

5.15pm BST

Thanks for joining me today, even if you're new to Guide Daily and didn't really understand what was going on. We do this every day, so just bookmark the series page, come back tomorrow when Gwilym and Lanre will be your pop culture custodians and you'll soon get the gist.

Here's a little something for the confused commenter who's been waiting all day for a glimpse of Walter Smith.

4.52pm BST

Remember when we had to postpone our interview with rising Ellesmere Port trap star Evian Christ because he'd been summoned to model for a "global underwear brand"? Well here's the result: one minute of pretentious writhing interspersed with a few shots of currently hip musicians (Evian, Dev Hynes, Kelela) looking a bit perplexed.

Nice work if you can get it, though we're strictly Tom Ford round these parts.

4.18pm BST

Our Q2 Spotify playlist not enough for you? Behold some newer tunes to sate even the most voracious of musical appetites.

First up it's the return of our very favourite masked, maraca-waggling Swedish psychedelic voyagers Goat. Hide From The Sun will feature on their second album Commune, due in September.

3.50pm BST

Bit of a Game Of Thrones Season 5 spoiler here. Turns out Jon Snow marries Daenerys, their various exes come back from the dead to endorse the nuptials, and the leader of the white walkers proves he's actually a decent sort by cracking a few gags after the meal.

3.10pm BST

We're halfway through the year, time for another roundup of the best music to pass through the Guide's pages in the past three months. Here's a playlist featuring (almost) every Guide single of the week from April to June, plus key jams from artists we've interviewed during that period.

3.02pm BST

Having spent the last couple of TV years clad in wolfskin and pointing arrows at Jon Sneurrrgh, Rose Leslie actually an incredibly posh Scot rather than a Lancastrian comes south of the wall for the new series of Utopia.

As a really big fan of the first season, I thought it was a brilliant idea. It basically takes us back to the 1970s and shows us where it all began. We get to see Milner as a young woman, and we get to see why she turns into this ruthless killer. And we see what happens to Carvell as well, and how Jessica and Arby come to be. I was completely hooked by the concept. Its really a stand-alone episode, and a real treat for the fans.

12.33pm BST

There really aren't enough decent brother-sister feelgood comedies. In fact there are hardly any at all when I just searched for "brother sister relationship comedy" on IMDB, most of the results were completely baffling. The World's End? Bring It On? The Hangover?

Which is obviously why SNL alumni Kristin Wiig and Bill Hader have stepped in to fill the void with Skeleton Twins. Plenty of decent gags and wry facial expressions in this trailer, along with proof that lip-syncing to power ballads is still funny.

11.31am BST

Breaking Bad exec producer Peter Gould is a cheeky fellow. Yesterday he sent the geeknet into overdrive with some tantalising comments to New York Daily News about upcoming prequel Better Call Saul:

One of the great things about having a time line which is flexible is that perhaps some of it takes place before Breaking Bad, during Breaking Bad and after Breaking Bad. That gives us the ability to bring back characters that were killed on Breaking Bad.

To be honest, it's not gonna happen. There's rumours floating around that I'm going to be doing it, but that's simply not the case. I mean, we've joked around it, but it's a prequel. I have no idea how Jesse would show up. I'm much older now.

10.39am BST

Zach Braff's upcoming crowdfunded movie Wish I Was Here is sure to be the indiest / schmindiest / cringiest film ever. But he's managed to snag a lovely new track from hiatus-ing beardy crooner Bon Iver, so fair play.

10.15am BST

Morning all. Guide Daily is back back back after an unscheduled break that had nothing whatsoever to do with Glastonbury hangovers. If you're still keen on reliving your mad-splattered weekend at Worthy Farm, all the Guardian's Glasto coverage is here.

Meanwhile, we press relentlessly onward with a mighty collaboration between two grizzled rap veterans, Busta Rhymes and Eminem. Calm Down samples House Of Pain, references Van Halen and disses "internet bloggers" and that's all you need you know. Enjoy:

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• English National Opera sees annual funding cut by 29%
• 670 arts groups share annual grants totalling £340m a year
• Only small increase in funding outside London
  

4.28pm BST

We are ending this live blog. Thanks for reading and commenting.

4.01pm BST

A lament following cuts to jazz funding.

I'm so upset to hear arts council has cut @jazzservices funding schemes. We need to keep british jazz going & alive #britishjazz #jazzmusic

3.56pm BST

More Music based in Morecambe, Lancashire, has won NPO status and more than £300,00 for the next three years.

More Music's creative director and founder Pete Moser said: "We are thrilled to have been successful in our NPO bid and what it means, which is to give us a greater ability to provide 'great art and culture for everyone', in line with the Arts Council's overall strategy. This will help support our key aims to use the arts to develop pride and confidence in communities, including our local community of Morecambe."

3.35pm BST

Helen Pidd on Dove Cottage.

Just had ace tour of Dove Cottage, part of the Wordsworth Trust, which lost £80k of ACE annual funding today #NPO pic.twitter.com/UrorxA9K1e

3.26pm BST

Tangled Feet, the theatre group which did not make NPO status, has tweeted the Arts Council, which sent back a direct message.

@tangledfeet Hi - we've just sent you a DM on this

3.16pm BST

Northern Ballet received £3.1m from the Arts Council from 2015-16, an increase of £550,000 a year on its core grant. The council said the company manages extraordinarily well with low levels of funding. However, it suggests that Northern Ballet work with Phoenix, Leeds city council, Yorkshire Dance and others to explore how they might work together to build a broad dance culture in Leeds.

3.08pm BST

The Ridiculusmus theatre group has lost its NPO status.

Having been regularly funding for the last ten years, we are now beginning a dialogue with ACE regarding a Grant for the Arts application that will allow us to deliver our planned projects. These include the Wellcome Trust supported mainhouse works through which well continue our investigation into Mental Health: THE IDIOT AT WAR, examining identity through the lens of Post Traumatic Stress Disorder, and BILL & AGNES, Part 3 of our mental health trilogy focusing on ageing & dementia and celebrating elderly people. As a company we have been making seriously funny theatre for the last 22 years and, whilst disheartened, we will continue to be one of [the] most refreshingly provocative theatre companies.

2.59pm BST

The Arts Council says the ENO should cut down on big productions.

We suggested to the company that it should explore moving to a reduced number of performances at the large scale, with maintenance of its occasional and valuable programme of smaller-scale work in other venues. We also suggested that the company explore ways to make the Coliseum into a more viable operation, recognising the important national role the Coliseum plays as a venue for both opera and ballet.

In the course of further discussions, ENO expressed a wish to develop an approach and plan which would incorporate the lower planning figure while maintaining a full season at the Coliseum. In its National Portfolio application, ENO has embraced the need for a new business model based on reduced funding and has committed to working with the Arts Council to achieve that end. ENO has already established new partnerships and are exploring further ideas.

2.51pm BST

A bit more on the ENO. Arts Council England said:

In spite of the indisputably ambitious quality of work and the important role this company plays in developing talent, ENO has struggled to reach box office targets and to achieve long-term stability, despite receiving stabilisation funding between 2003 and 2006 and other significant interventions in the preceding years. Whilst noting recent improved performance, ENO has drawn heavily on its reserves and both the Arts Council and ENO agree there is now a need for radical change to its business model.

2.37pm BST

Tim Farron, the Lib Dem MP for South Lakes, has welcomed the news that three major projects based in the north will be funded by nearly £2m, but says the arts in the region are still underfunded.

This is fantastic news for them and is a testament to the leadership of their individual organisations... However I believe that these funding awards hide the issue of the inequality of arts and culture funding throughout England. The amount the North has won in this funding round includes the whole of the North West, the North East and Yorkshire & the Humber. We need to continue to press for fairer arts funding for the North and especially Cumbria.

2.27pm BST

Oxford Playhouse has been awarded national portfolio organisation (NPO) status for the second time. It will get a £379,474 grant from 2015 to 2018 as well as £483,764 for the refurbishment of the theatres auditorium, foyer and circle bar areas.

Were absolutely delighted to remain part of Arts Council Englands national portfolio and to receive funding for our capital project," said Polly Cole, Playhouse interim director. "Not only does it recognise the strength of the artistic work on our stage and its impact on the community, but it allows us to continue bringing world class theatre to Oxford and ensure as many people as possible enjoy it in amazing facilities .

2.20pm BST

Music has fared the worst but some sections have done well. There is increased funding to the English Folk Dance and Song Society for the creation of a new National Youth Folk Music Ensemble, and more money to Brass Bands England. The increase in funding to Oxford Contemporary Music is part of a substantial overall commitment to new music, says the Arts Council.

2.02pm BST

This useful Arts Council interactive map allows you to see funding by area and activity.

1.43pm BST

Alistair Smith, acting editor of the stage.co.uk website, writes that on the whole there was no big change in what was a brutal, Darwinian process

These decisions will have implications across the arts world, as it is trimmed into a new shape, but we should not forget it was also have huge ramifications for individuals, as jobs are made and lost and lives are changed. Spare a thought in particular for Paul Miller, who on his first day in his new job as artistic director of the Orange Tree in Richmond discovered that the theatre had lost all its funding.

That said, taken as a whole, this was not a radical shake-up. Much of the talk mostly in whispers before the funding round was of a rebalancing of funding away from London. Whether you believe that to have been necessary or not, it hasnt happened, at least not in any significant way.

12.59pm BST

Lyn Gardner, one of the Guardian's theatre critics, is sceptical about the arts council's claims of geographical spread.

58 arts orgs lose #npo funding of which 43 outside of London. How does that help geographical spread?

12.54pm BST

Kettle's Yard, an art gallery in Cambridge, keeps its national portfolio grant and gets a large capital investment grant of £3.5m. The money will go towards a new education wing and major improvements to the exhibition galleries, alongside better services for visitors including a small cafe.

Andrew Nairne, Director of Kettle's Yard, said: We are immensely grateful to Arts Council England for this major grant towards our plans, alongside generous existing support from the Heritage Lottery Fund. Our aim is to ensure that Kettle's Yard has state of the art facilities, so that our programme of exhibitions, concerts and learning activities can continue to be outstanding, inspired by the ambition and innovation that characterises the Kettles Yard house which Jim Ede created.

12.43pm BST

Circus companies are happy with today's announcements. Eleven organisations are being pledged a total of £5,2m - a new record for the UK circus. The National Centre for Circus Arts, received £1m.

The centre's joint chief executives, Jane Rice-Bowen and Kate White: We are tremendously grateful to the Arts Council for their continued support for the National Centre for Circus Arts and Circus in the UK more widely. This is yet another reflection of the hard work and determination of the sector and it is fantastic to see our art form moving from strength to strength. We are seeing more people around the country watching circus than ever before and the work that is being produced by British companies is truly rivalling our international counterparts.

12.34pm BST

The English National Opera, which has seen its funding cut by 29%, has responded by drawing attention to its new business plan.

We have been working for some time with the Arts Council to develop a new business plan which recognises the challenging funding climate and reduces the cost to the public purse, while also enabling us to create an exciting and sustainable future for ENO and maintain our artistic quality, ambition and reach, nationally and internationally." said its artistic director, John Berry. We announced a number of key elements in that new business plan in April specifically our approach to balancing commercial and public investment and we are delighted that the Arts Council is supporting our application with the funding announced today.

12.27pm BST

12.15pm BST

The Koestler Trust, a prison arts charity that awards, exhibits and sells artwork by offenders, secure patients and detainees has gained national portfolio status.

Thank you to all who have helped @KoestlerTrust's transformation in recent years - now recognised by Arts Council National Portfolio status

12.06pm BST

The Theatre Royal in Bury St Edmunds, Suffolk, which describes itself as the only surviving Regency playhouse has lost its funding. It has issued this response.

We are really disappointed to hear that from April 2015 the Theatre Royal Bury St Edmunds will no longer be funded by Arts Council England as a National Portfolio Organisation. Arts Council Englands current NPO funding represents 36% of our revenue grant funding and some 8% of our total income which effectively funds 20% of our running costs. This highlights the importance of the ACE contribution, and they have said that they will continue discussions with us to explore new ways to generate resources for our work.

The past six months have seen a renewed connection with our audiences and real interest in our creative programme. We know that the Arts Council has had to make some tough decisions, but loss of this funding is very important to the Theatre Royals stability and most importantly to people in this regions entitlement to high quality performing arts.

11.55am BST

The Little Angel Theatre in Islington has lost its funding at a bad time as it needs to raise £60,000 for restoration work.

11.52am BST

The Orange Tree Theatre in Richmond lost its national portfolio organisation status. Paul Miller, who recently took over as artistic director following the retirement of Sam Walters, told the What's On Stage website: "We will set about the hard work of hitting ambitious new targets for private fundraising. As we reshape our financial model we will continue to diversify our range of work and continue with plans to refresh the building, making a better offer to audiences old and new."

11.46am BST

Red Ladder, based in Leeds, has seen its funding cut by 100% - a reduction in funding from £162,000 in financial year 2014/2015 to zero. The companys only other current source of core grant in aid is £5,000 per annum from Leeds City Council.

Red Ladders artistic director, Rod Dixon, said: We are bitterly, bitterly disappointed but this is not the end for Red Ladder. We put in what we believed was a hugely exciting programme of work to 2018, and it is disappointing to know that those plans will not now come to fruition, at least not in the form we envisaged. What we do know is that we cannot and will not see this decision as a vote of no confidence, and that we will find a way to continue through our own passion and dedication to making theatre that represents the dispossessed, tells stories of the injustices of our world and changes lives. We have an army of twitter followers, friends, supporters and fans and we will survive this.

11.40am BST

The Unicorn Theatre in London, aimed at young audiences, received a 30% increase in funding, taking its annual grant to £1,3m from April 2015.

Purni Morell, its artistic director, said Childrens theatre has come a long way since the Unicorn was founded in 1947.. Were absolutely committed to making this vital public investment count, not just for the Unicorn but for the whole of childrens theatre in the UK, as we embark on an ambitious programme of commissions, productions, tours and talent development, as ever, working with some of the best artists around, and continuing to push expectations of what can be achieved in childrens arts ever higher.

11.31am BST

Two well-loved puppet theatres have lost their funding.

Sad to hear that @norwich_puppet and @LittleATheatre have both lost #NPO funding. Both beautiful wonderful Puppet Theatres.

11.28am BST

Our colleagues at the Guardian Culture Professional Network have tweeted the following.

In terms of artform funding, music worst hit with -4.8% change between 12/15 & 15/18; dance up by 9.4% #npo #acefunding

ROH, Southbank, National Theatre, ENO and RSC remain top five NPO orgs for 15/18, but guided to ask for less cash to support smaller orgs

#acefunding conf: NPO spending outside capital = 49% in 2008; in 2015/16 this will be 53%

11.23am BST

Mind the Gap, one of the UK's largest theatre companies working with learning disabled artists succeeded in its bid to receive national portfolio funding.

Its artistic director, Tim Wheeler said: "Mind the Gap is delighted to remain part of the ACE national portfolio of organisations. This will enable the company to continue to create exciting theatre experiences for audiences, and remain at the forefront of nurturing the talents of learning disabled artists. These remain economically difficult times for the arts sector. We are committed to supporting emerging artists and other organisations through partnerships and access to the facilities at Mind the Gap Studios in Bradford".

11.18am BST

The full list of organisations in new national portfolio can be found on this Arts Council England page.

11.13am BST

Arts Council England has a handy fact sheet on the numbers for 2015-18. The three largest new national portfolio organisations are: Derby Theatre, Tyne & Wear Museums, New Adventures & Re:Bourne, Brighton.

11.11am BST

Some details on the southwest.

Eighty three organisations in the region will be in the national portfolio for 2015/18, receiving around £60m in funding over the three years. Up from 79 in the 2012/15 portfolio.

10.58am BST

My colleague in Manchester, Helen Pidd, has sent this on Keswick's Theatre in the Lake District and its successful application.

If the Arts Council handed out money for views, then Keswick's Theatre by the Lake would surely be the richest playhouse in the land. Derwentwater is at the bottom of the garden, Skiddaw rises up to the rear and what Alfred Wainwright described as Catbell's "shapely topknot" dominates the western vista. And where else can you enjoy an interval drink in the company of a flock of Herdwick sheep?

But grants are not given for panoramas alone, and Cumbria's premiere producing theatre has had to work furiously to retain its £604,067 funding this time around. Patric Gilchrist, TBTL's executive director, declared himself "neither sick as a parrot nor over the moon" at the news. "There's certainly nothing to celebrate but we had no expectations and therefore we are not disappointed."

10.54am BST

Some highlights from today's announcements from Arts Council England. It will invest:

£339.5m to be invested in the national portfolio each year 2015-2018 (based on 2015/16 figures) for 670 organisations. This compares with £341.4m in 2014/15.

10.36am BST

Davey says only smaller organisations have been dropped from national portfolio, none were funded at more than £1m. Balzagette says arts outside London was an early priority, but found that Davey was already on the case. Cites regional ambition fund as an example of looking outside London.

10.29am BST

Balzagette is now taking questions. He says there is no shortage of ambition in national portfolio. Davey is asked about the ENO, which has seen a cut in funding. There will be discussions on a new business model as the current one is under strain, he says. On museums, Davey makes the point that museums outside London receive 90% of funding.

10.23am BST

Alan Davey, chief executive of the arts council, says some of the largest organisations such as Royal Opera House are seeing a cut in funding so smaller groups can get more cash. Over the next three years, there is a small shift to outside London, £16m more. "Purposeful steps without damaging London's contribution to global excellence," he says. Derby Theatre is back in the portfolio, as an example of funding for the regions. The English Folk Dance and Song Society will get money. Davey says it's one of his favourites. Strategic funding goes down to £104m this year from £153m last year to keep up national portolio funding.

10.10am BST

Peter Bazalgette, chair of the arts council says today's funding decision is a "balancing act with a purpose". He says 53% of arts funding will be going outside London compared to 51% in the last round. He makes a nod to George Osborne, the chancellor, for generous funding for the arts.

10.04am BST

My colleague Mark Brown has just provided some background and context to today's funding decisions. He says total national portfolio arts funding is £339.5m down from £341.1m. Seventy five percent of groups receive standstill funding. Forty six organisations join the portfolio, while 58 including the Orange Tree in Richmond are out. Some headlines: The English National Opera gets a 32.7% cut. The Royal Shakespeare Company and the National Theatre get a 6.7% cut. New entrants include the National Youth Jazz Orchestra, Jazz north, Corn Exchange Exchange in Newbury and Matthew Bourne's New Adventures with £1.3m.

9.51am BST

The southwest seems to have done OK.

Another early observation - south west appears to have done well this funding round. Although historically under-funded. #NPO

9.49am BST

Reaction is coming in thick and fast on #NPO from groups all over the country, but we should get some overall sense and context once the press conference starts at 10, livestreamed here.

9.31am BST

Max Humpries sums up today's fraught experience.

Twitter feed is a horror show this morning. Like we're under fire from an unseen sniper. Some friends are safe & some are getting shot. #NPO

9.27am BST

Tangled Feet is an experimental theatre group based in London but which spends most of the time touring.

Gutted.Will post full response later but gutted not to be #npo Will endure due to our ensemble but why are artists funded last? #acefunding

9.17am BST

The northeast seems to be missing out.

Seeing lots of poor news for the North East in my #npo stream. Really feel for my colleagues in the arts sector.

9.11am BST

Stoicism in the face of adversity. Unfolding Theatre is based in Newcastle upon Tyne, founded by artistic director Annie Rigby.

It's a no for us. Ah well. Gonna get on with as many of our fantastic plans as possible without the headache of KPIs & annual returns! #NPO

9.10am BST

An empathetic tweet.

Gosh - watching the fallout from #NPO #ACEfunding is quite heartbreaking. Makes you want to reach out and give everyone hugs

9.03am BST

Ali Robertson sees little evidence in the early decisions of a shift of funding away from London.

Early indications looks like there might be little addressing of regional/London imbalance? #npo

8.59am BST

Disappointment for some. Dark Horse is a national touring theatre company which premieres new writing for theatre. Based in Huddersfield.

Dark Horse dropped from #npo. Shocked and disappointed. More later.

8.51am BST

The first reactions are coming in as groups receive news.

Great news! Weve secured 3-years #NPO funding. Thanks to @ace_national for continued support. Exciting times ahead! #artsfunding

Congratulations to all @RuralArts staff on our successful #NPO funding decision!

Hurrah. Keswick's wonderful Theatre by the Lake has secured the same funding it currently enjoys - £604,000 per year. #NPO

8.44am BST

More nervous anticipation.

So, plugged into twitter & email, awaiting #NPO results.Thank goodness this particular result won't go to extra time, I can't take the pace.

There's waiting and there's waiting #npo

Arts Organisations across England waiting for the email from #ace #npo #future

8.30am BST

John Tusa, former managing director of the BBC World Service and author of Pain in the Arts, argues that arts funding should be ringfenced, just like the aid budget. He writes on Comment is Free:

A wise government would not worry about a minimal part of the national budget. Total spending on the arts accounts for just 0.5% of government spending. Why does it attract such excessive scrutiny? The usual response is that the arts, "known" to be inefficient, self-indulgent and profligate, require intense questioning and supervision. Yet the evidence is that arts organisations run themselves and use their resources efficiently, effectively and for the wider benefit of society...

Ministers should ringfence the arts budget. If it is right for overseas aid, it is surely right for the arts at home. This is not just being "nice" to the "luvvies". It would be to recognise and understand that the arts at their widest benefit people, places, ideas, curiosity and wellbeing. Nitpicking around the edges of a tiny budget is not an arts policy. It is bad politics too.

8.05am BST

Arts groups are on tenderhooks pending today's announcements.

Good luck to all awaiting #npo flavoured decisions from Arts Council England this morning. #60minutesandcounting #artsed

On my way to London for the Arts Council England briefing on its National Portfolio Organisations funding decisions

7.52am BST

Today is D-day for England's arts organisations. This morning they will hear if they are getting national portfolio money from Arts Council England for 2015-18. Will they get any? Will they get a cut? Or might they be deemed worthy of an increase? Around 900 arts organisations are thought to have applied but while more lottery money is being directed at the arts, there's still not enough money to go round and there is pressure to spread the largesse away from London. We'll have full coverage of the decisions on and be liveblogging the day's dramatic events so please do let us know how you fare and how you see things. Email mark.tran@theguardian.com and mark.brown@theguardian.com. You can follow the arts council press conference at 10 here.

The background

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The unpredictable quality of the original web series worked better than Comedy Centrals current production sometimes does

Being drunk can be hilarious. How hilarious depends on a lot of things, the most important of which is: the person being drunk must be you. The appeal of drunkenness falls off dramatically the more its someone else, and not you, whos feeling soused (as anyone who ever has encountered a bore in a bar can attest).

But here is an exception: Drunk History, the cable TV series in which people get drunk and then narrate a historical episode, to be acted out by star-filled casts. Its funny, but what we discover in the new season, which debuts tonight on Comedy Central, is that it isnt quite as funny when it isnt quite as trashed.

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Cumbrian trust unsure whether jobs will go as a result of cut, and Lib Dem MP says arts in the region underfunded

The Wordsworth Trust, which operates museums near Grasmere devoted to the Lake District's most famous Romantic, lost £80,000 of its annual grant in the latest Arts Council England (ACE) funding round.

That cash had been used to fund a contemporary literature programme, including poetry readings, a full-time literature officer and a poet-in-residence currently the Birmingham-born writer Zaffar Kunial, one of the Faber New Poets for 2014.

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Tell us about the times when trailers, cameras, stuntmen and celebrities have swarmed near you, and what you made of the bustle

One of the sure signs of summer is the mass dispersion of film and television production crews to cities and towns around the world. It can be exciting and seriously increase the chance of spotting a celebrity but it can also be disruptive. Take south Boston, where the filming of Black Mass means its 1982 again, crime boss Whitey Bulgers back in town, and neighbours on Twitter have a lot to say.

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Samples of work from a retrospective exhibition of the French nouveau réaliste artist who explored similar avenues to Hockney, Lichtenstein and Warhol
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Yahoo has picked up Community for a 13-episode sixth season. Why keep these washed-up shows on life support?

Community picked up for sixth season by Yahoo

Here's some tough advice that anyone who ever had a wilted houseplant or sick pet doesnt want to hear: sometimes it's best to let things die. It seems like all of television has forgotten that, because every show with even a slightly dedicated following (though still a fraction of Justin Biebers Twitter followers) has a chance to get resuscitated on the internet. This seriously needs to stop.

The latest Lazarus is Community, the former NBC sitcom that escaped its long, painful death thanks to Yahoo, which has ordered a 13-episode sixth season of the show. Yes, that means the shows predestined #SixSeasonsAndAMovie might actually come to pass.

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Singer most famed for his Beetlejuice suit and misogynistic lyrics of Blurred Lines took to Twitter for a Q&A in an epic PR fail

As far as mishaps involving Twitter and pop stars go, we didn't think anything could top the infamous #susanalbumparty hashtag that's Susan Album Party which befell Susan Boyle's PR team a couple of years ago. All they wanted was to let people know they would be celebrating Boyle's new CD with some cake and ice cream, but their hashtag looked like it belonged in an adult entertainment store (Su's Anal Bum Party, in case you're still wondering).

One of Robin Thicke's social media advisers, however, seemed to think it was a good idea to allow the singer who has been at the centre of a barrage of online criticism and accusations of misogyny ever since the release of his Blurred Lines video last summer to participate in a Q&A session on Twitter with VH1, using the hashtag #AskThicke.

Have a burning question for @robinthicke? Submit your ?s for tomorrow's Twitter Q+A using #AskThicke! pic.twitter.com/LwWKWlBysg

On a scale of R. Kelly to Phil Spector, how do you intend to "Get Her Back?" #AskThicke

#AskThicke It might seem like some of the questions on this hashtag are cruel and abusive but Robin, I know you want it

Is your next 'hit' just a lyric sheet, with a Rohypnol Sellotaped to it? #AskThicke

#AskThicke Did you really write a rape anthem as a love song for your wife and are you still wondering why she left you?

#AskThicke If we say your name three times, will you disappear? pic.twitter.com/htcvRtuBNX

What form of sexual or emotional abuse will you be normalising in your next jaunty hit? #AskThicke

#AskThicke Why do you have the stance of a Ken Doll? pic.twitter.com/rdprUWdp3e

#AskThicke Once you've cracked 'hug me', any thoughts on what rhymes with 'misogynistic douchebag'?

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Flying cat drones firebombing Wal-Mart, dildo drones hitting Facebook HQ, and Mr Spock riding a unicorn welcome to a world where our shops, homes and social media are under attack by digital art

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Cleese has said that Monty Python's silly walks sketch was only funny because of the 'brilliance of my performance', while Jagger has called the comedy group 'a bunch of wrinkly old men trying to relive their youth.' But tongue-in-cheek joking aside, this is still a seriously talented bunch of fools

Share your own silly walks in our GuardianWitness assignment

Following Michael Palin's claim that most of Monty Python's work was "crap", John Cleese is further trying to dampen the incendiary levels of excitement over the comedy troupe's return. He's said that the Ministry of Silly Walks sketch, in which Cleese ludicrously perambulates to a job in the aforementioned ministry, won't be a part of the O2 show because "the only reason it became so iconic was the brilliance of my performance, because I never thought it was a very good sketch."

This reads arrogant but he's surely being tongue in cheek, as is Mick Jagger, who's also weighed in on the lack of merit to the Pythons. "Who wants to see that again, really?" he wonders in a new promotional video below. "It's a bunch of wrinkly old men trying to relive their youth and make a load of money the best one died years ago!" See what he did there?

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Keswick's Theatre by the Lake is two hours from nearest city but retains its £600,000 cheque to bring drama to the Cumbrian stage

If the Arts Council handed out money for views, then Keswick's Theatre by the Lake would surely be the richest playhouse in the land. Derwentwater is at the bottom of the garden, Skiddaw rises up to the rear and what Alfred Wainwright described as Catbell's "shapely topknot" dominates the western vista. And where else can you enjoy an interval drink in the company of a flock of Herdwick sheep?

But grants are not given for panoramas alone, and Cumbria's premiere-producing theatre has had to work furiously to retain its £604,067 funding this time around. Patric Gilchrist, TBTL's executive director, declared himself "neither sick as a parrot nor over the moon" at the news. "There's certainly nothing to celebrate but we had no expectations and therefore we are not disappointed."

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Singer's estate boosted by $20m gathered by his manager since his death last year at 71

Lou Reed has proved to be more profitable in death than in life, with his estate swelled by $20.4m (£11.9m) since his death, in addition to the money distributed in his will.

According to documents lodged with Manhattan Surrogate Court by Reed's manager Robert Gotterer, the singer's estate totals $30m (£17.5m), with two-thirds of that having been gathered by Gotterer since Reed's death at the age of 71 last year.

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