Visual Arts Reviews
The Man Who Collected the World: William Burrell, BBC FourThursday, 22 August 2013
Had the wealthy William Burrell had a son, Glasgow might not have acquired the world-class art collection that the shipping entrepreneur amassed during his long life. But with the birth of a sole daughter came both ambitions and suspicion – he raised Marion to succeed to his art empire, then imagined every suitor to be a gold-digger, breaking off her third engagement with a public announcement in the newspaper that took even her by surprise. Read more... |
Mass Observation: This Is Your Photo, Photographers' GalleryWednesday, 14 August 2013
There was an unmistakable trend within Modernism to try and record absolutely everything about ordinary life. Think of Joyce and his attempt to set down all of Leopold Bloom’s thoughts, or the cubists and their use of even the tiniest scrap of newsprint in a collage. Read more... |
theartsdesk at the Edinburgh Art FestivalWednesday, 07 August 2013
The highlight of this year’s Edinburgh Art Festival is undoubtedly Peter Doig’s No Foreign Lands. As you enter the beautifully proportioned and wonderfully hung rooms of the Scottish National Gallery (until 3 November) the spirit of last year’s Festival exhibition of European Symbolist Landscape seems still to linger and has found its modern echo. Read more... |
Conrad Shawcross: Timepiece, RoundhouseSaturday, 03 August 2013
Last time I encountered a work by Conrad Shawcross, it made me feel sick. His kinetic light sculpture, Slow Arc Inside a Cube IV, occupied a room the size of a broom cupboard at the Hayward Gallery’s Light Show. Inside a dense metal cage on spindly legs was a metal armature on which a high-wattage bulb was fixed. Read more... |
Richard Rogers: Inside Out, Royal Academy, Burlington GardensFriday, 26 July 2013
Richard Rogers is addicted to colour. His wardrobe dazzles, and this biographical anthology opens with a selection of Rogers’ aphorisms and statements in bold black on a wall painted a coruscating knock-out fuschia. And then there are the buildings. Rogers, 80 this month, is now a world-famous multi-honoured “starchitect”. He has successfully practised for over 50 years. Read more... |
Hahn/Cock, Fourth PlinthThursday, 25 July 2013
It’s a huge cock! The Brits love double entendres. Maybe the Germans do too, but the Brits have cornered the market. Katharina Fritsch, the German artist behind the huge cock on the Fourth Plinth in Trafalgar Square, has certainly played to our humour, but says she didn’t give a thought to the idea that the cockerel is a symbol of France. Read more... |
Aquatopia: The Imaginary of the Ocean Deep, Nottingham ContemporaryWednesday, 24 July 2013
Undines, mermaids, selkies, nixies, kraken. You’ll encounter such imaginary creatures in Aquatopia, an exhibition which delves into the myths of the ocean deep, and thereby to the murky, fathomless depths of our subconscious. But more often than imaginary beings you’ll encounter real ones who’ve touched our imaginations by their unearthly appearance and tapped into our deepest fears and desires, which means, naturally, our sexual desires. There’s a lot of octopus love going on. Read more... |
Laura Knight: Portraits, National Portrait GalleryMonday, 15 July 2013
Laura Knight’s wartime masterpiece Ruby Loftus Screwing a Breech-Ring (1943) is a subtly glamorous picture, strikingly composed. A frieze of blue-clad women at an armament factory workbench are in the background, highlighting the profiled figure of Ruby tending her elaborately complex machine, at an oblique angle to the picture plane. Read more... |
The Spirit of Utopia, Whitechapel GalleryFriday, 12 July 2013
Some artists seem to need a reality check. The Spirit of Utopia is billed as a show of artists “who speculate on alternative futures for society, the economy and the environment”; but anyone anticipating cogent analysis or visionary ideas will be disappointed. The exhibition consists of a bunch of dreamers who imagine that an art context gives social significance to weak or wacky ideas. It doesn’t. Read more... |
Collecting Gauguin, Courtauld GallerySunday, 07 July 2013
A one-room display at the Courtauld of seven paintings, a wall of woodcuts, some drawings and a sculpture by the passionate and volatile Gauguin: for all its modesty, this is a staggeringly powerful show, replete with exotic dreams and embodying the power of the artist’s lasting influence. Read more... |
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