sat 25/11/2017

Thomas Rees

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Articles By Thomas Rees

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Jools Holland and José Feliciano, Royal Albert Hall review -...

It really is quite something to be admired, the sheer longevity and staying power of the Jools Holland franchise. The...

The Bear, Mid Wales Opera review - small stage, big ambition...

Go west, opera-lover: Mid Wales Opera is back in business. In fact, it’s been back since spring this year, when it toured venues in...

Radically different: Horn player Anneke Scott on The Prince...

The Prince Regent’s Band was formed in 2013 and, like very many chamber ensembles, was created when a group of us found that we shared a number of...

CD: Neil Young + Promise of the Real - The Visitor

Not since the 1960s has there been so much global shit to protest about! The Sixties, of course, gave us the protest song – and how well the best...

Remembering Dmitri Hvorostovsky (1962-2017)

A certain online scandalmonger and coffin-chaser likes to preface news of...

Sylvia, Royal Ballet review - Ashton rarity makes a deliciou...

On paper, the appeal of a Sylvia revival is questionable. If even the choreographer (...

Modigliani, Tate Modern review - the pitfalls of excess

Modigliani was an addict. Booze, fags, absinthe, hash, cocaine, women. He lived fast, died young, cherished an idea of what an artist should be...