fri 30/09/2016

Joe Muggs

joe.muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles by Joe Muggs

Björk, Royal Albert Hall

I'll be straight: I wasn't sure what to expect at this show, because I've never been a Björk fanatic as such. I loved – and saw live – The Sugarcubes as a teenager, I've raved to her Nineties ...

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CD: Warpaint - Heads Up

There's a lot of neurosis these days about retro-ism and lack of innovation in music, as if the shock of the new is all that gives things value. Of course, this is something worth keeping in mind: we...

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CD: Hifi Sean - Ft.

One of the great things about club music is that it deals with ageing in very different ways to rock – and as such can offer fantastic creative rebirths. Witness theartsdesk's recent startling Q&...

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theartsdesk Q&A: Musician/DJ Mark Hawkins aka Marquis Hawkes

This is not a standard dance music story. Marquis Hawkes is one of the club music success stories of the past couple of years – since the first release in 2012 on Glasgow's revered Dixon Avenue...

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CD: De La Soul - and the Anonymous Nobody

De La Soul are the posterboys for creative longevity in hip hop. While some contemporaries have maintained a presence by relying on “heritage” status while going in ever-decreasing circles musically...

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CD: Rae Sremmurd - SremmLife 2

The duo of Swae Lee and Slim Jxmmi – aka 21- and 23-year-old Tupelo Mississippi brothers Khalif and Aaquil Brown – are the epitome of everything that is baffling to ageing hip hop fans. Whisked from...

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CD: Wild Beasts - Boy King

In the early 2000s, a club called Trash in London, run by DJ Erol Alkan, introduced a wave of indie teenagers to the joys of electronic music, giving them a way into club culture that was all theirs...

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Detroit: Techno City, Institute of Contemporary Arts

Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late...

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CD: Ben Chatwin - Heat & Entropy

Ben Chatwin's music speaks loudly of solitude. He lives and records on the coast of the Firth of Forth, just outside Edinburgh – not exactly the most isolated of spots, but it's not hard to hear in...

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Carole King performs Tapestry, Hyde Park BST Festival

If last night made anything clear it's that some things are still some way beyond the reach of hipster reappropriation. The audience in Hyde Park for Carole King was 99% white and middle-aged, with...

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CD: Chrissy & Hawley - Chrissy & Hawley

The Eighties revival in dance music started in earnest with the Electroclash subculture, the first records emerging around 1996. That is to say, the Eighties revival has now lasted twice as long as...

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CD: Paper Tiger - Blast Off

Around the turn of the millennium, two producers – the Californian Otis Jackson Jr aka Madlib, and the late James Yancey aka J Dilla from Detroit – started a revolution in hip hop: knocking beat...

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Sónar Barcelona 2016

A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on...

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CD: Tom Odell - Wrong Crowd

This record passes the Rainy Day Greasy Spoon Test with flying colours. It's a vital one for any music that tends to the middle of the road: picture yourself in a cafe, mid-morning, mid-week, perhaps...

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CD: Bugzy Malone - Facing Time

In 2016, grime is facing a new test of its ability to operate on its own terms. At the start of this decade the genre was flirting with major label crossover that resulted in a few great pop records...

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CD: James Blake - The Colour in Anything / Skepta - Konnichiwa

Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic...

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How to contact Joe Muggs

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