thu 30/06/2016

Joe Muggs

joe.muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles by Joe Muggs

CD: Paper Tiger - Blast Off

Around the turn of the millennium, two producers – the Californian Otis Jackson Jr aka Madlib, and the late James Yancey aka J Dilla from Detroit – started a revolution in hip hop: knocking beat...

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Sónar Barcelona 2016

A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on...

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CD: Tom Odell - Wrong Crowd

This record passes the Rainy Day Greasy Spoon Test with flying colours. It's a vital one for any music that tends to the middle of the road: picture yourself in a cafe, mid-morning, mid-week, perhaps...

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CD: Bugzy Malone - Facing Time

In 2016, grime is facing a new test of its ability to operate on its own terms. At the start of this decade the genre was flirting with major label crossover that resulted in a few great pop records...

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Lush, The Roundhouse

It's peculiar seeing any band come back together after a serious length of time, but when that band were part of your adolescence the cognitive dissonance is exponentially increased. Along with the...

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CD: James Blake - The Colour in Anything / Skepta - Konnichiwa

Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic...

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CD: Jessy Lanza - Oh No

Canadian singer/producer Jessy Lanza's records – and this one more than ever – can feel like they're mapping an alternative history, one where populist and leftfield electronic music were never...

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Prince, 1958-2016

Prince Rogers Nelson was the most gloriously disruptive presence in popular culture from the very start to the very end. Everything about him was off kilter and wrong: it's not for nothing that the...

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Kathryn Williams, Sydenham St Bartholemew's Church

Kathryn Williams has a lot to live up to. The last time I saw the Liverpudlian singer-songwriter play live was a completely unamplified gig in the Tricycle Theatre some nine years ago, and its...

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CD: M83 - Junk

There's an area in American music that is oddly under-reported given its scale. Somewhere between the garish mania of mainstream dance music, “EDM”, and the cool cachet of more underground sounds is...

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CD: Pet Shop Boys - Super

The deadpan duo of Tennant and Lowe have never been easy to suss out at the best of times: maybe their way of layering wackiness on deep seriousness, eyebrow-flickering subtlety on roaring camp,...

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CD: Orlando Voorn - In My World

Once upon a time, techno was the future, and Orlando Voorn was right at the heart of building that future. The Dutchman was in early on the late-1980s wave of Detroit electronic production – in which...

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CD: Tonight Will Be Fine - Elephant Island

DJs and techno producers doing “real music” doesn't always inspire the greatest of confidence: they often seem in thrall to other musicians, blind to what makes their own music special, or afraid to...

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CD: El Guincho - Hiperasia

The career of the Gran Canaria-born musician Pablo Díaz-Reixa seems to work in an accelerated time-frame, speeding through decades and eras as he develops his sound. Though he has always worked with...

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CD: Rihanna - Anti

It's hard to imagine what the weight of public anticipation must feel like for 27-year-old Rihanna and her team. A pop star for ten years, and one of the planet's biggest since the all-conquering...

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Tony Allen and Jimi Tenor, Café OTO

Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was...

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Bugsy Malone, Lyric Hammersmith

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