tue 05/08/2025

james woodall

james.woodall's picture
Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

Read more...

The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

Read more...

theartsdesk Q&A: Theatre Producer Elyse Dodgson

Read more...

Titus Andronicus, RSC, Barbican review - blood will out

Read more...

Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

Read more...

The Tempest, Barbican Theatre review - sound and fury at the expense of sense

Read more...

It Was Fifty Years Ago Today! review - without a little help from their friends

Read more...

Shakespeare Trilogy, Donmar at King's Cross

Read more...

10 Questions for Director Lucy Bailey

Read more...

The Beatles: Eight Days a Week - The Touring Years

Read more...

The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

Read more...

theartsdesk at the Holland Festival

Read more...

George Martin (1926-2016), record producer and 'fifth Beatle'

Read more...

Rio+Film, Barbican

Read more...

Hot August Night: The Beatles at Shea Stadium

Read more...

The Story of The Beatles' Last Song

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...