tue 21/11/2017

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

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Brakes review - dysfunctional relationships laid bare

Breaking up is hard to do, sang Neil Sedaka, and Mercedes Grower plays out that sentiment in a quirky, original and often...

Singcircle, Barbican review - veteran ensemble bids farewell...

STIMMUNG is always an event. Stockhausen’s score calls for a ritual as much as a...

Semiramide, Royal Opera review - Rossini's Queen is bac...

It has long been a mystery why no new production of Semiramide should have been staged at...

The Elvis Dead, Soho Theatre review - schlock horror told th...

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The Best Films Out Now

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Bored with the great outdoors? So curl up in front of the telly with slippers, spaniel, chardonnay etc. We sift the schedules for you

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CD: Dark They Were And Golden Eyed - Design Your Dreams

At three decades deep in the creative industries, it's fair to say Trevor Jackson is a renaissance man. He is a designer,...

Marnie, English National Opera review – hyped new opera does...

The great and good of the London music scene were gathered at English National...

Javier Marías: Between Eternities review - matters of life a...

One of these years, Javier Marías will probably win the Nobel Prize in...