thu 02/05/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Boris Giltburg, Wigmore Hall review - power and grace in elegies and monuments

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Only an Octave Apart, Wilton's Music Hall review - instant charm, infinite variety

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Tosca, English National Opera review - a tale of two eras

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Purcell's Playhouse, Bevan, Barokksolistene, Eike, Purcell Room review - kaleidoscopic delights

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Aida, Royal Opera review - dour but disciplined

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Gurrelieder, LPO, Gardner, RFH review - everything in place, but still something’s missing

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theartsdesk at Musikfest Berlin - orchestral and choral rainbows around the clock

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Leonskaja, Staatskapelle Streichquartett, Wigmore Hall review - Brahms the chameleon

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BBC Proms 2022 - silence after Mass

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Prom 69, Beethoven's Missa Solemnis, Monteverdi Choir, ORR, Gardiner review - shock, fervour and total focus

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The Goldberg Variations, De Keersmaeker, Kolesnikov, Sadler's Wells review - keyboard harmony and atonal dance

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Prom 62, Mahler's Seventh Symphony, Berlin Philharmonic, Petrenko review - hallucinogenic night's journey into day

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Sheku Kanneh-Mason & Friends, Bold Tendencies review - intimate tenderness under a car-park roof

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Prom 59, The Dream of Gerontius, Clayton, Barton, Platt, LPO, Gardner review - most sure in all its ways

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Patience, Charles Court Opera, Wilton's Music Hall review - bar room bliss

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Duval, Isserlis, Beatson, Fidelio Cafe review - in seventh heaven with the greats

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Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...

Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...

It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...

Album: EYE - Dark Light

Skirting along the peripheries of doom metal,...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...