tue 23/04/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Messiah, Irish Baroque Orchestra, Whelan, Wigmore Hall review - wonderful, easy, light and dark in perfect poise

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Williams, Dunedin Consort, Truscott, Wigmore Hall review - star soprano, total teamwork

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The Dead City, English National Opera review - strong dream world, weak love story

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Fröst, Philharmonia, Lazarova, Kuusisto, Southbank Centre review - congenial new works complemented by live-wire classics

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Turandot, Royal Opera review - spectacle and sound wow in this significant revival

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Dance of Death, National Theatre of Norway, Coronet Theatre review - straight for the jugular

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Mahler’s Third Symphony, Philharmonia, Paavo Järvi, RFH review - phosphorescent glow, depths only glimpsed

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The New Electric Ballroom, Gate Theatre, Dublin review - fantasy and memory hauntingly interwoven

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Der Rosenkavalier, Irish National Opera review - world-class delight

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The Walworth Farce, Southwark Playhouse Elephant review - dysfunctional Irish myth-making

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Rusalka, Royal Opera review - ravishing sounds, torpid staging

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The Rhinegold, English National Opera review - tacky, edgy, brilliant

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Jerusalem Quartet, Leonskaja, Wigmore Hall review - freedom and rigour in perfect balance

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Boris Giltburg, Wigmore Hall review - tonal beauty trumps subjective romantics

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LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroics

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Dmitri Alexeev, Leighton House review - shadows and light from a master pianist

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latest in today

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...

Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...

Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...