alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Our Mothers review - revisiting the horrors of Guatemala...
Director Cesar Diaz’s debut feature film was...
Rhod Gilbert, G-Live Guildford review - cancer, constipation...
Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...
Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...
By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...
Album: Beth Gibbons - Lives Outgrown
It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008. She has lived through so many...
Britten Sinfonia, The Marian Consort, Milton Court review -...
Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...
Music Reissues Weekly: Little Girls - Valley Songs
The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...
Kingdom of the Planet of the Apes review - a post-human para...
Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...
Sappho, Southwark Playhouse Elephant review - a glitzy celeb...
Who is Sappho? What is she? Not much is known about the...