alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Two Strangers (Carry A Cake Across New York), Criterion Thea...
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...
Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...
Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...
Orbital, O2 Institute, Birmingham review - the techno titans...
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...
Fern Brady, Netflix Special review - sex, relationships and...
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...
Album: The Lemon Twigs - A Dream Is All We Know
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...
Götterdämmerung, LPO, Jurowski, RFH review - outside looking...
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...
Music Reissues Weekly: Warsaw - Middlesbrough 14th September...
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...
theartsdesk Q&A: Marco Bellocchio - the last maestro
The last of the old maestros is standing tall. Marco...
Testmatch, Orange Tree Theatre review - Raj rage, old and ne...
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...