mon 29/04/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Chiaroscuro, Bush Theatre review - music, sweet, sweet music

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Total Immediate Collective Imminent Terrestrial Salvation, Royal Court review - brilliant meta-theatrical experience

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Hansard, National Theatre review - starry argument ends poorly

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The Doctor, Almeida Theatre review - Robert Icke's long goodbye

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Go Bang Your Tambourine, Finborough Theatre review - out-dated and long-winded

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The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

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Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

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Rust, Bush Theatre review - slender yet invigorating

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Europe, Donmar Warehouse review - timely, tender, brutal and brilliant

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The Hunt, Almeida Theatre review - tense Scandinoirland drama

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Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat

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Citysong, Soho Theatre review - big writing, big heart

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Wife, Kiln Theatre review - queer epic is joyful and intense

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Rutherford and Son, National Theatre review - authentic northern tale

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ANNA, National Theatre review - great thriller, shame about the tone

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salt., Royal Court review - revisiting the Atlantic slave trade

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latest in today

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small scale shows, nurtured in offbeat places, are becoming all the rage in the...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...