mon 20/11/2017

new choreography

Dirk Gently's Holistic Detective Agency, Netflix

Dirk Gently’s shtick as a detective is interconnectedness. Everything happens for an incalculable reason, there’s no such thing as chance, and all neural pathways lead randomly to the correct outcome. It's a philosophy paper gussied up as a...

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The Invitation/Obsidian Tear/Within the Golden Hour, Royal Ballet

It shows you just how much Kenneth MacMillan changed ballet in this country that 1960's The Invitation, with its onstage rape, sexual grooming and child abuse, can act as the reassuring classic at the heart of the new Royal Ballet triple bill which...

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Frankenstein, Royal Ballet

Another year, another new full-length story ballet from one of the Royal Ballet's in-house choreographers. Time was – a long time, in fact, up to 2011 – when that would have sounded like science fiction, but no longer: Liam Scarlett, whose...

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Preview: International Dance Festival Birmingham 2016

International Dance Festival Birmingham (IDFB) is one of the unsung heroes not just of dance in Britain, but of festivals. It treats anyone within striking distance of the West Midlands to an exciting range of performers and public dance events over...

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Conceal|Reveal, Sadler's Wells

Any partnership that lasts for 20 years deserves a party, and last night at Sadler's was a celebration of the wonderfully fruitful working relationship between choreographer Russell Maliphant and lighting designer Michael Hulls. Both clinking with...

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Love, Art and Rock 'n' Roll, Rambert, Sadler's Wells

A good triple bill should have something for everyone, so Rambert have all bases covered with their latest: rare must be the person who likes neither love, nor art, nor rock 'n' roll. In fact, it's a safe bet that most people like all of them, and...

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Gravity Fatigue, Hussein Chalayan, Sadler's Wells

If you thought the era of the impresario died with Diaghilev, think again. Alistair Spalding, chief executive of Sadler's Wells, has commercial and artistic vision in spades, and masterfully combines them in his operation at the Wells. Witness last...

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Seven, Ballett am Rhein/RSNO, Edinburgh Playhouse

When the Royal Opera House told Kenneth MacMillan that Mahler was unsuitable for ballet, he went – where else? – to Germany. Though the success of MacMillan's Lied von der Erde for Stuttgart Ballet led to its happy adoption into Royal Ballet...

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Alston at Home, The Place

Parties in someone's back garden are often more fun than those in big fancy venues. Richard Alston Dance Company celebrated its 20th birthday with a big soirée at Sadler's Wells in January, but last night was their cheerful family gathering, held in...

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Sylvie Guillem, Life in Progress, Sadler's Wells

Sylvie Guillem is retiring in exactly the same way as she does everything: in her own time and on her own terms. She turns 50 this year, but it’s not that age is finally catching up with her – at least, not in her body, which she acknowledges has...

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Dark Arteries, Rambert, Sadler's Wells

After the disappointment of Wayne McGregor’s latest piece for the Royal Ballet, which opened on Monday, I thought last night’s trip to Sadler’s Wells for a new Rambert programme might cheer me up about the state of contemporary dance and composition...

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The Associates, Sadler's Wells

The Associates is not the title of a new Scandi crime drama, though in dance world terms we’re perhaps approaching that level of Event. Associates are what Sadler’s Wells, London’s dance powerhouse, calls the selected band of dancemakers it deems...

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