wed 22/11/2017

new choreography

Ceremony of Innocence/The Age of Anxiety/Aeternum, Royal Ballet

English National Ballet and Birmingham Royal Ballet have staged programmes of war pieces already this year; now here's the Royal Ballet bringing up the rear in its own inimitable (and rather oblique) fashion with a triple bill that picks up on and...

Read more...

Thomas Adès, See the Music, Hear the Dance, Sadler's Wells

The challenge was already in the title for me: as both a dance critic and a strongly visual person, in the normal order of things I see the dance first and hear the music second. Last night's show, the second of the Sadler's Wells Composer Series of...

Read more...

Cassandra, Ludovic Ondiviela, Royal Ballet, Linbury Studio

Madness is a favourite trope of opera, less so of ballet. There’s Giselle, but her insanity lasts only a few minutes. There’s Kenneth MacMillan’s delusional Anastasia, who believes she's the daughter of the last Tsar of Russia, but the advent of DNA...

Read more...

The Murmuring/ Metheus/ Mesmerics, BalletBoyz, Linbury Studio Theatre

The fabulous dancers known as BalletBoyz The Talent 2014 looked so at home in the Royal Opera House’s Linbury Studio Theatre last night that it was hard to believe they had never performed there before. The BalletBoyz themselves, Michael Nunn and...

Read more...

theartsdesk in Paris: San Francisco Ballet 1

In 2005, San Francisco Ballet were the first company to visit Paris as part of a new summer dance festival, Les Étés de la Danse. Helped not only by this auspicious start, but by the obvious demand for live dance in a month traditionally barren for...

Read more...

Dutch National Ballet Junior Company, Linbury Studio Theatre

It's always a bit of a thrill descending to the Linbury Studio Theatre in the Royal Opera House. A black box deep buried in the ground, it feels far away from all the glamour and glitter, but also the prices and pressure, of the main stage, plus the...

Read more...

Choreographics, English National Ballet, Barbican Pit

“We want to be the most creative and the most loved ballet company in this country,” Tamara Rojo told the audience in the Barbican Pit last night. “We want you to love us.” The director of English National Ballet knows a thing or two about gaining...

Read more...

Sadler’s Wells, Ambitious New Plans

Alastair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, today announced that the theatre is looking for a fourth London venue, which it hopes will open in just four years’ time.Not content with two proscenium spaces (the main stage...

Read more...

Five new Rambert choreographers

Rambert's fine dancers turn choreographer in a new season of four creations to be shown at the Southbank Centre on 31 May. In keeping with the high-quality ethos of the company, each has a new music commission with it, played live by members of the...

Read more...

FAR, Wayne McGregor|Random Dance, Sadler's Wells Theatre

This is a great spring for dance-lovers. Tucked in for two nights at Sadler's Wells (catch it again tonight) is the return of Wayne McGregor's FAR, well timed to appear just before his latest ballet at Covent Garden next week. Uniquely among...

Read more...

UnDance, Mark-Anthony Turnage/Wayne McGregor/Mark Wallinger, Sadler’s Wells

It is unusual in art for collaborators to be of equal star-wattage. The pairing of Benjamin Britten and WH Auden was one such. Another, much longer-lasting, was Stravinsky and Balanchine, a partnership of equals that endured for nearly half a...

Read more...

theartsdesk Debate: Dance's Question Time

What lies ahead for dance as arts spending cuts bite? Can it survive the withdrawal of public funds that support dancers' training, choreographers' creativity, employment costs and health care? Is protest necessary? A panel of the British dance...

Read more...
Subscribe to new choreography