mon 20/05/2024

Theatre Reviews

Edinburgh Fringe 2023 reviews: Tennessee, Rose / The Ballad of Truman Capote

Veronica Lee

Tennessee, Rose, Pleasance Dome 

Read more...

Edinburgh Fringe 2023 reviews: Adults / Bacon

David Kettle

Adults, Traverse Theatre 

Read more...

Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Veronica Lee

Flat & the Curves, Pleasance Dome 

Flat & the Curves – Katy Baker, Charlotte Brooke, Issy Wroe Wright and Arabella Rodrigo – perform a gig-style musical comedy show with risqué material about what it means to be a modern woman. And there's a generous side helping about the inadequacy of men, too.

Read more...

The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focus

Gary Naylor

There are many things that you are not told about being a parent, a vast landscape of details that batter you with unwelcome difference from that comfortable life of Friday night prosecco and pizza. One is a whole new palette of garish colours barging into your eyeline – fluorescent yellow, eye-bleeding orange, vomity green.

Read more...

Edinburgh Fringe 2023 reviews: Casting the Runes / The Return / Woodhill

David Kettle

Casting the Runes, Pleasance Courtyard 

Read more...

Trojan Women / Thrown, Edinburgh International Festival 2023 reviews - passionate all-women productions

David Kettle

Trojan Women, Festival Theatre 

Read more...

Macbeth, Shakespeare's Globe review - uneven production of intermittent power

Gary Naylor

That Shakespeare speaks to his audiences anew with every production is a cliché, but, like so many such, the glib blandness of the assertion conceals an insistent truth. The Thane of Glamis has had some success in life, gains preferment from those who really should have seen through his shallowness and vaulting ambition – he even says the phrase himself – and achieves power without really knowing what to do with it.

Read more...

Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

Veronica Lee

Groomed Pleasance Dome

“How can a truth be told? How can a secret be spoken?” Patrick Sandford asks in Groomed, his searingly honest account of his experience of abuse by a teacher at primary school several decade ago. Over 50 minutes he recounts his tale, weaving in other stories to illuminate his own.

Read more...

Edinburgh International Festival 2023 reviews: FOOD / Dusk

David Kettle

FOOD, The Studio 

Read more...

Edinburgh Fringe 2023 reviews: Heaven / Lie Low / After the Act

David Kettle

Heaven, Traverse Theatre 

Read more...

Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Clinton Baptiste, Touring review - spoof clairvoyant on grea...

Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4....

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...