Passenger Side | reviews, news & interviews
Passenger Side
Passenger Side
Director Matthew Bissonnette takes to the road for an exploration of brotherly love
Friday, 01 April 2011
A likeable diversion: Adam Scott and Joel Bissonnette in 'Passenger Side'
Matthew Bissonnette’s third feature Passenger Side is a mellow, honey-hued road movie which sees two discordant brothers combing the streets of Los Angeles with an initially mysterious purpose. A likeable diversion, for the most part it’s a nicely played two-hander depicting the rekindling of a sibling bond.
Matthew Bissonnette’s third feature Passenger Side is a mellow, honey-hued road movie which sees two discordant brothers combing the streets of Los Angeles with an initially mysterious purpose. A likeable diversion, for the most part it’s a nicely played two-hander depicting the rekindling of a sibling bond.
The script is snappy and intelligently written and the film features some nicely underplayed hilarity
Explore topics
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Film
Love Lies Bleeding review - a pumped-up neo-noir
There's darkness on the edge of town in Rose Glass's sweaty, violent New Queer gem
Nezouh review - seeking magic in a war
A movie that looks on the dreamier side of Syrian strife
Blu-ray: The Dreamers
Bertolucci revisits May '68 via intoxicated, transgressive sex, lit up by the debuting Eva Green
theartsdesk Q&A: Marco Bellocchio - the last maestro
Italian cinema's vigorous grand old man discusses Kidnapped, conversion, anarchy and faith in cinema
I.S.S. review - sci-fi with a sting in the tail
The imperilled space station isn't the worst place to be
That They May Face The Rising Sun review - lyrical adaptation of John McGahern's novel
Pat Collins extracts the magic of country life in the west of Ireland in his third feature film
Stephen review - a breathtakingly good first feature by a multi-media artist
Melanie Manchot's debut is strikingly intelligent and compelling
DVD/Blu-Ray: Priscilla
The disc extras smartly contextualise Sofia Coppola's eighth feature
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
All You Need Is Death review - a future folk horror classic
Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut
If Only I Could Hibernate review - kids in grinding poverty in Ulaanbaatar
Mongolian director Zoljargal Purevdash's compelling debut
The Book of Clarence review - larky jaunt through biblical epic territory
LaKeith Stanfield is impressively watchable as the Messiah's near-neighbour
Add comment