wed 27/05/2015

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles by Emma Simmonds

Girlhood

Confounding expectations from the first frames, Girlhood is the endearingly scrappy and staggeringly beautiful third film from French writer-director Céline Sciamma (Tomboy) and no relation to...

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The Salvation

Boasting one of the most appealingly eclectic casts in recent memory, The Salvation – from Dogme 95 director Kristian Levring – might have hoped to emulate the success of Sergio Leone's...

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John Wick

This shrewdly assembled, often near-monochrome actioner injects pathos from the off and mirrors the melancholic outlook of its grief-ravaged protagonist, played by Keanu Reeves, who dials down the...

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A Second Chance

Susanne Bier follows the disappointing Serena with a well-acted and worthy drama that confronts societal prejudice, the sticky issues around child protection, and our inability to see what's right...

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Chappie

An innocent is corrupted in South African director Neill's Blomkamp's third feature (co-written with his wife Terri Tatchell), but the kid in question is far from what you'd expect. Set in the near...

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It Follows

David Robert Mitchell's second ode to innocence lost is a rather more twisted take on the subject than his first film, The Myth of the American Sleepover. That was a beautifully judged ensemble...

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Selma

Few modern figures can match the towering legacy of civil rights luminary Martin Luther King, and any filmmaker should be rightly intimidated when approaching a biopic. Undaunted, Ava DuVernay has...

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Big Hero 6

Following the critical and commercial hits Wreck-It Ralph and Frozen, Disney's latest is a film which will win you over with its charming WALL-E-esque antics, oddball coupling and simple slapstick...

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Unbroken

This year's award-courting survival picture (after 2013's All Is Lost, and 2012's Life of Pi) is based on the genuinely remarkable story of Olympian Louis Zamperini. It's a tale of heroic resilience...

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The Homesman

Taking inspiration from classic westerns even as it vigorously sets itself apart, The Homesman combines the taciturn and muscular with a feminist bent, and manages to be stirring and sweeping while...

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Fury

As the bald title suggests, Fury is a work of righteous, focussed rage. It's a combat film which swaps preaching and profundity for pure anger at the brutalising, destructive war machine, and still...

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LFF 2014: Listen Up Philip

Listen Up Philip is so successful in its retro stylings that it comes across like a lost New Hollywood gem. Told in close-ups viewed through the grainy filter of Super 16 film stock, Alex Ross Perry'...

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LFF 2014: Thou Wast Mild and Lovely

Ushering in the mucky-minded art-house crowd like the Pied Piper lining up kids for the snatching, Thou Wast Mild and Lovely describes itself as an erotic thriller set amidst the Kentucky wilds,...

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Life After Beth

Zombies have feelings too. That's the message at the heart of writer-director Jeff Baena's debut Life After Beth, which begins its life as a sensitive indie comedy with a winning deadpan shtick and...

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Maps to the Stars

Hollywood's veneer has been cracked so many times it's possible to see right through to its cynical core; in an age of irreverence and intrusion the stars simply don't glitter as brightly. David...

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Ida

Sometimes a film has you swooning from the very first frame, and Polish director Pawel Pawlikowski's fifth narrative feature is one such film. The story of a nun's self-discovery is captured in...

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How to contact Emma Simmonds

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