sun 19/05/2024

Film Reviews

Mr Holmes

Adam Sweeting

In 1998, Ian McKellen starred in Bill Condon's Gods and Monsters, an account of the final days of the ailing and tormented film director James Whale. Echoes of it are discernable here, where Condon has recruited an older McKellen for a carefully-crafted depiction of the imaginary dotage of Arthur Conan Doyle's great fictional detective. Aged 93, the doddering sleuth struggles to...

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The Burning

Demetrios Matheou

A group of gunmen are roaming the Argentine rainforest jungle, terrorising local farmers in order to obtain the rights to their land. One farmer follows an ancient custom, praying to spirits to send a saviour. When a young stranger strolls bare-chested and barefoot out of the jungle, the farmer assumes his prayer has been answered.

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Entourage

Ellin Stein

Some people are irritated by Entourage’s superficial depiction of Hollywood as a bro fantasy world, but this is like condemning a soufflé for not being a roast chicken. For those like myself who enjoyed Entourage the television series, Entourage the movie will be very much the kind of thing they like, since it is essentially a feature-length version of the long-running HBO/Sky Atlantic show; non-enthusiasts, however, may find it shallow, shambolic, sexist, and smug...

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Les Combattants (Love at First Fight)

Kieron Tyler

A twist on the battle between the sexes and the romance which blooms after the dust has settled, Les Combattants pitches the reticent Arnaud into the path of the intimidating Madelaine. While the outcome is never in doubt, true love is only achieved after navigating a few bumps in the road, most of which result from Madelaine’s feelings that she and the world in general are at war with each other.

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London Road

Matt Wolf

So many plays and musicals are adapted from films (Bend it Like Beckham is up next) that it comes as something of a throwback to find a film that takes as its source an acclaimed musical play. The sheer fact that there is a movie of London Road is doubly extraordinary when one considers that the widely acclaimed theatre production from 2011 was anomalous even as a stage show, let alone transposed to the screen. A piece of verbatim theatre conceived very much without take-...

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Jurassic World

Jasper Rees

Jurassic World opens on a close-up. The smooth creamy surface of an egg is shattered by a claw attacking it vexatiously from within. In no time at all a scaly little critter is peeping out at us. It took a mite longer for the latest in the Jurassic Park franchise to hatch. The last film was 14 years ago and this fourth instalment seems to have been on the development slate almost ever since. Now that it's here at last, what’s new?

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The Damned: Don't You Wish That We Were Dead

Thomas H Green

What Wes Orshoski’s new documentary points out, above everything, is how much pop success relies on an ordered narrative and an easily understood package. First-wave British punk band The Damned, on the other hand, wrote as many great songs as their peers, but their career has been a mess of random creativity, changing line-ups and dreadful business decisions....

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The Look of Silence

Kieron Tyler

Any suggestion that the companion piece to director Joshua Oppenheimer’s The Act of Killing, his disturbing documentary on the state-supported mass killings undertaken for Indonesia’s Suharto regime, could actually be a more troubling film might seem surprising. The Act of Killing was extremely unnerving. The Look of Silence is even more distressing, even more frightening.

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West

Tom Birchenough

As its title might suggest, Christian Schwochow’s West (Westen) takes us back to the time of Germany divided. It's almost a chamber piece, catching the very particular experiences of a woman and her young son who leave East Berlin and end up in a refugee centre in the city’s American sector, where they’re forced to reappraise their expectations of what their new life in the West will be.

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Black Coal, Thin Ice

Tom Birchenough

A riddle, wrapped in a mystery, inside an enigma. Winston Churchill’s famous words on Russia serve as a very apt verdict on Black Coal, Thin Ice (Bai ri yan huo), the third film from Chinese director Diao Yinan.

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Queen & Country

Adam Sweeting

In Hope and Glory, John Boorman revisited the Blitz-battered London of his childhood, and managed to find infectious humour and optimism among the wreckage. Now, 28 years later, he travels back to the early Fifties for this belated sequel, depicting a Britain still exhausted from the European war while the conflict in Korea hinted at a different and scary new world.

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Listen Up Philip

Nick Hasted

Artists can be selfish bastards. Yoko Ono didn’t pay her babysitters; Bob Dylan has frozen out nearly all his friends; Norman Mailer stabbed his wife, and William Burroughs shot his. Philp (Jason Schwartzman), the young novelist who sociopathically meanders through Alex Ross Perry’s new film, causes no fatalities. Which is where his positive qualities peter out.

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San Andreas

Matt Wolf

Time gets called on California in San Andreas, a bone-headed disaster movie that sends huge swathes of the West Coast toppling to its doom even as one particular family not only makes it through intact but is even enriched in the process. Who'd have thought that the demise of several cities full of unnamed people would act as a perverse sort of marriage counselling for a couple in nuptial distress?

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Man Up

Katherine McLaughlin

American actress Lake Bell turns in a rather charming performance in a romcom written by newcomer Tess Morris, who handles the insecurities of a thirty-something woman looking for love in a funny and energetic way.

There's a manic screwball edge to the comedy and some witty one-liners but also present are some of the worst pitfalls of this genre. The Inbetweeners director, Ben Palmer, takes the reins in a film which dashes across famous London landmarks and the back roads of...

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Timbuktu

Emma Simmonds

The imposition of a brutal jihadist regime is relayed with formidable articulacy and a surprising lightness of touch in this gut-wrenching drama from Mauritanian director Abderrahmane Sissako. Although its narrative events are as horrifying as those of any thriller Timbuktu avoids the manipulative tricks of genre cinema.

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Danny Collins

Matt Wolf

Al Pacino gives it his barnstorming all as Danny Collins, an ageing, coke-rattled rocker who calls it quits in order to reconnect with his family and recharge his life. Sentimental (but not brazenly so) and buttressed by an ace supporting cast, the film finds Pacino hurtling through his 70s in irresistibly energiser bunny mode. Whereas such contemporaries as Gene Hackman and Jack Nicholson have pretty well faded from view, there's plenty of life in this celluloid mainstay yet.

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