Comedy Reviews
Edinburgh Fringe 2023 reviews: Ania Magliano / Elliot Steel / Alexandra HaddowTuesday, 08 August 2023
Ania Magliano, Pleasance Courtyard ★★★ |
Edinburgh Fringe 2023 reviews: Ed Byrne / Fiona Allen / Kieran HodgsonMonday, 07 August 2023
Ed Byrne Assembly Rooms ★★★★★ |
Urooj Ashfaq, Soho Theatre review - assured UK debut by Mumbai stand-upTuesday, 01 August 2023
It's takes a confident comic performing only her second show in English – her second language – to joke near the top of the hour: “I didn't know I wasn't as funny in English.” Urooj Ashfaq also told us she would get upset if the audience didn't like her – but she shouldn't worry. Her confidence proved to be justified. Read more... |
The Crown Jewels, Garrick Theatre review - star laden comedy fails to sparkleFriday, 28 July 2023
At first, it’s hard to believe that the true story of Colonel Blood’s audacious attempt to steal The Crown Jewels from the Tower of London in 1671 has not provided the basis for a play before. After two hours of Simon Nye’s pedestrian telling of the tale as a comedy, you have your answer. Read more... |
Josh Pugh Live at Birmingham Town Hall review - observational gags with a touch of the surrealWednesday, 26 July 2023
Josh Pugh made quite an impression at last year's Edinburgh Fringe, where he was deservedly nominated for best show in the Edinburgh Comedy Awards with Sausage, Egg, Josh Pugh, Chips and Beans. In this special YouTube version, recorded at Birmingham Town Hall, he reprises that performance. Read more... |
Amy Schumer, Netflix Special review - New York smarts about being a fortysomethingFriday, 30 June 2023
Amy Schumer opens Emergency Contact, her latest Netflix Special, by asking a young woman in the front row how old she is. When the answer comes back as “27”, the New York comic has found the perfect segue into material about being 42 and feeling her age. Read more... |
Theatre at Glastonbury Festival 2023 - so big and wild a hallucination, you're always left wanting moreThursday, 29 June 2023
And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic. Read more... |
John Kearns, Brighton Komedia review - Van Gogh, joining the circus and pooey nappiesMonday, 29 May 2023
John Kearns' comedy is what you might call niche; absurdist, surrealist, poetic – they all apply, underlined by his onstage uniform, or “mask”, of tonsure wig and oversize false teeth. Read more... |
Phil Wang, RFH review - smut and smartsTuesday, 23 May 2023
Phil Wang has an interesting background: he has a Chinese-Malaysian father and a white English mother, was born in the UK, and spent his childhood in Malaysia before returning to the UK at 16. His comedy has always mined this rich seam, and now in his latest touring show, Wang in There, Baby!, he mines it a bit more with his opening gags. Read more... |
Dear Billy, Traverse Theatre, Edinburgh review - powerful tribute to Scottish prideMonday, 22 May 2023
Anyone expecting to see the Big Yin himself, Gary McNair breathlessly explains as he dashes on stage, should nip out and ask the box office for a refund. It’s an ice-breaking gag that sets the tone nicely for McNair’s fast-moving, often snort-inducingly funny tribute to Billy Connolly, whose production by the National Theatre of Scotland is touring the country until the end of June. Read more... |
Pages
latest in today
Director Cesar Diaz’s debut feature film was...
Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...
The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...
Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...
Who is Sappho? What is she? Not much is known about the...
No soloist gets to perform Shostakovich’s colossal First Violin Concerto without mastery of its fearsome technical demands. But not all violinists...
If there is a more striking, more moving, more downright enjoyable way to experience...
Manchester Collective have come a long way since their early days of chamber music in dark and dingy Salford basements and former MOT test centres...