theartsdesk Q&A: Artist Mark Wallinger | reviews, news & interviews
theartsdesk Q&A: Artist Mark Wallinger
theartsdesk Q&A: Artist Mark Wallinger
The Turner Prize-winner talks politics, multi-tasking and meeting Dennis Hopper
Sunday, 06 June 2010
Mark Wallinger is fascinated by the idea of 'mirroring' and has recently ventured into unconventional self-portraiturePortrait images © Jillian Edelstein
For his new show at Anthony Reynolds Gallery, London, Turner Prize-winning artist Mark Wallinger will be unveiling a first: a life-sized, three-dimensional "self-portrait". But it won't be a straightforward representation of the 50-year-old conceptual artist. It will, instead, be a representation of himself as the letter "I" in Times New Roman. His Vauxhall studio, in South London, is filled with pictures of "self-portraits" of the artist as a series of letters. It is also filled with the debris of current and recent projects: bits of string and deflating balloons; scrappy reproductions of Velázquez’s Pope Innocent X; poster-sized pictures of sleeping commuters downloaded from the Internet; images of his Ebbsfleet horse that will eventually greet Eurostar passengers arriving from the Continent; and quite a few mirrors.
For his new show at Anthony Reynolds Gallery, London, Turner Prize-winning artist Mark Wallinger will be unveiling a first: a life-sized, three-dimensional "self-portrait". But it won't be a straightforward representation of the 50-year-old conceptual artist. It will, instead, be a representation of himself as the letter "I" in Times New Roman. His Vauxhall studio, in South London, is filled with pictures of "self-portraits" of the artist as a series of letters. It is also filled with the debris of current and recent projects: bits of string and deflating balloons; scrappy reproductions of Velázquez’s Pope Innocent X; poster-sized pictures of sleeping commuters downloaded from the Internet; images of his Ebbsfleet horse that will eventually greet Eurostar passengers arriving from the Continent; and quite a few mirrors.
I’m hell to live with and I moan, but I do generally come up with the goods. And thematically, different projects feed into one another
Share this article
more Visual arts
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Richard Dorment: Warhol After Warhol review - beyond criticism
A venerable art critic reflects on the darkest hearts of our aesthetic market
Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology
The South African artist evokes the Finnish landscape in a multisensory installation
Paul Cocksedge: Coalescence, Old Royal Naval College review - all that glitters
An installation explores the origins of a Baroque masterpiece
Issy Wood, Study for No, Lafayette Anticipations, Paris review - too close for comfort?
One of Britain's most captivating young artists makes a big splash in Paris
Add comment