ryan.gilbey
Bio

was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.

articles by ryan.gilbey

Read more ...
Read more ...
Read more ...
Read more ...
Read more ...
Read more ...
Read more ...
Read more ...
Read more ...

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Brahms: Trio Op. 114, Robert & Clara Schumann: Romances. Joachim: Hebrew Melodies Tabea Zimmermann (viola), Javier Perianes (piano)…
If it were true, as Timothée Chalamet has said, that ballet as an art form has become a museum, the job of running a national ballet…
Years have passed since the early days of Gorillaz, when the real musicians behind the cartoon band remained hidden from view onstage. Yet…
Tamerlano, tyrannical Emperor of the Tartars, is a burger-munching boor with a golf-habit, a bulbous belly and a crashing disdain for other…
The premise of a four-piece rock band hailing from Bedford sounds very unassuming when compared to the reality of the eclectic rockers, Don…
Playwright David Hare is on a West End roll. Not only is his new play, Grace Pervades, about super thespians Henry Irving and Ellen Terry,…
In 1988, in The Manual: How to Have a Number 1 The Easy Way, Bill Drummond wrote: “We await the day with relish that somebody dares to make…
The Channel 5 drama Power: The Downfall of Huw Edwards does what it says on the tin. We watch the fêted newsreader from initial online…
Are Seán O'Casey's Dublin plays good for theatre today, or just for the history of Irish drama? My limited recent experience makes it hard…