Liz Thomson
Bio

Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. The eighth festival will run from September 25 - October 4, 2026. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

articles by Liz Thomson

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Peace and Goodwill to All Men outside. Inside, on stage at least, there’s not much peace nor goodwill to be had on the horror-filled…
Fantômas was the creation of French pulp novelists Marcel Allain and Pierre Souvestre, whose titular criminal genius made his first print…
Vox Luminis, the vocal and instrumental group based in Namur and led by Lionel Meunier, continued their residency at the Wigmore Hall, hot…
Some albums announce themselves with a roar. Others arrive quietly, kind of casually strolling into your life when you weren’t looking.…
UK prog-rockers Gracious! acquired their exclamation mark when their first album was released in July 1970. Up to this point, they were…
When, in late 2021, I heard the UK premiere of Sir James MacMillan’s Christmas Oratorio, it truly felt like a heaven-sent gift of musical…
Whether there really was a poisonous professional rivalry between Mozart and Antonio Salieri, composer to the Imperial court in Vienna,…
Avril Coleridge-Taylor: Piano Concerto & Orchestral Works BBC Philharmonic Orchestra/John Andrews, Samantha Ege (piano) (Resonus…
“The wonderful Mirra exists in its own space.” Back in August, that was the conclusion of my review of Benedicte Maurseth’s then-new album…