Guy Oddy
Bio
Guy has been a regular New Music album and gig (and very occasionally Film and Theatre) reviewer for theartsdesk since 2013. He is also works as the Development Officer at B:Music, raising money for community, education and capital projects at Birmingham's Town Hall and Symphony Hall. Guy first had a music review published while he was a student at Manchester Polytechnic, when Spacemen 3 visited the Hacienda in 1989 to lay down their trippy psychedelia for an appreciative but not especially large audience. Since then, he has written for a number of publications (some of which have long-since disappeared), including Pulp, Beat Mag and the i newspaper.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
There was so much to be thankful for throughout the three days I spent at the Aldeburgh Festival this year. First, of course, to have…
Fifty years since Benjamin Britten died, and his operas are still in repertory: half a dozen of them at least. It’s a tribute to his…
One sometimes finds oneself wondering whether Harlan Coben is an author or a set of AI procedures designed to manufacture plots of…
Calcutta plays an important supporting role in Satyajit Ray’s The Big City (Mahanagar), though we only catch glimpses of it until the film’…
Language is a weapon in the RSC’s vigorous adaptation of Cyrano de Bergerac – we feel viscerally that wordplay is just one letter away…
VINYL OF THE MONTHEd O’Brien Blue Morpho (Transgressive)
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The last thing…
Terrorists are monsters. Or so we are told – pure evil. Well, it makes a good story. Even if it isn’t completely true. Actually, most…
Judging from her second album, young country singer Willow Avalon has kissed her fair share of frogs. She doesn’t let them off the hook.…
Modesty is the last refuge of fantasy franchises once too big to fail. Much like The Mandalorian and Grogu and Captain America: Brave New…