Mark Kidel
Bio

Mark has been writing about music and the arts since he was a teenager, following a range of passions that range from Delta Blues to film noir, Baroque music and opera to physical theatre. He’s also made documentaries in the UK, France, Germany and the USA, on a wide range of subjects that range from avant-garde composer Xenakis to the Bristol musician Tricky, from the painter Balthus to the Hungarian Revolution of 1956. He has never ceased to explore the ways in which people in the arts seek self-knowledge and transcendence be it Cary Grant’s LSD-fuelled therapy or Boy George’s voyage through addiction. He has just finished a book about his father’s very carefully planned suicide at 67, a meditation on the way we live and die. He’s very seldom been a cultural gun for hire, and follows his own instincts in a quest for the original and authentic. Most recently he has developed a practice as a Tarot reader – an intuitive tool for self-appraisal rather than divination

latest in today

What would ol’ Shakey think of such liberties? Two plays that may or may not be a single narrative, which may or may not have a missing…
Olga Koch comes bounding on to the stage and tells us she needs a time machine to tell her story, to prevent someone being born – at which…
Czech animator Jiří Trnka’s rise to international fame mirrored that of his contemporary Karel Zeman, both filmmakers producing work as…
Popular culture includes both will-o'-the-wisp confections, gone in 900 seconds pace Warhol’s aphorism, but can also creates a shorthand…
On paper, this Prom looked like a well-stocked display-case for collective choral virtues. Baroque wizard Peter Whelan (pictured below) led…
What does a spectacular backdrop give to – or maybe take from? – a music festival? Exit the Wigmore Hall and, however transcendent the…
Tread softly into Jon Batiste’s third volume of his Piano Series, Monk Meditations, drawing on and drawing out a number of introspective…
 Water Colour ★★★★Milly Sweeney’s powerful two-hander comes to one of the Fringe’s highest-profile venues bearing prestigious awards…
Although the sound quality is slightly boxy, the opening track on CBGB’s 1985 is a treat. “Gardens” is on a line between first-album Rain…
On first impressions, London vocal trio FLO’s music can seem very familiar. Their sound has always been that of American R&B rooted…