TV
Adam Sweeting
“Bela Lugosi’s dead,” as Bauhaus sang, in memory of the star of 1931’s Dracula. But of course death has never been an impediment to the career of the enfanged Transylvanian blood-sucker. Filmed and televisualised almost as frequently as Sherlock Holmes, Count Dracula would doubtless join the cockroaches as the only entities to survive a thermonuclear holocaust.Whether we needed another new TV version is at least debatable, let alone this lumbering behemoth (for BBC One) from the conjoined brains of Steven Moffat and Mark Gatiss, comprising three 90-minute slabs over consecutive nights. Moffat Read more ...
Adam Sweeting
Talk shows can go one of two ways. You can create a welcoming space where your guests can kick their shoes off and start telling daringly revealing anecdotes. Alternatively, there’s the Dame Edna formula where the guests are cannon fodder for the host.At 85, the Dame isn’t as laser-sharp as she was 20 years ago, and her guests wore barcode badges so Edna could flash up their details on a screen, but you wouldn’t dare play poker with her. The fiction for this BBC One show was that she had taken to the high seas on the cruise ship Ocean Widow to safeguard her ill-gotten earnings, having been “ Read more ...
Adam Sweeting
One good Sixties brouhaha deserves another. After last year’s triumphant revival of the Jeremy Thorpe affair in A Very English Scandal, here comes the sleazy saga of John Profumo, the Conservative Secretary of State for War who was forced to resign from Harold Macmillan’s government in 1963. The cause of his downfall was his brief affair with model and showgirl Christine Keeler, who was 19 when Profumo first met her.Amanda Coe is the screenwriter du jour, though it’s hard to see how the story has been made to stretch across its allotted six episodes. The first two instalments (on Sunday and Read more ...
theartsdesk
As symbolic moments go, the arrival of Martin Scorsese's new gangster epic The Irishman on Netflix took some beating. It exemplified the adage that "TV is the new cinema", and at the same time perhaps suggested a new and less digestible adage, something like "TV and cinema are now both parts of an ever-expanding entertainment continuum". Catchy, eh?The inexorable spread of the global media giants is reflected in our artsdesk critics' choice of 2019's Best and Worst TV shows. While it's well known that Succession or Game of Thrones are HBO productions, it's less widely advertised that Read more ...
Kathryn Reilly
Liam Gallagher knows exactly how "fucking fantastic… and fucking shit I am", and proceeds to tell us so for 85 minutes. This 10-year documentary project came about as a result of director Charlie Lightening’s friendship with Gallagher, formed as Oasis came to a predictable halt. It seeks to be mildly critical, although the only person vaguely putting the boot in is current girlfriend/fiancée/soon-to-be-third-wife Debbie Gwyther – now also his manager – who describes him as "impulsive and a bit silly", and "like a toddler". Otherwise, it’s up to the other brother, Paul Gallagher, and ex- Read more ...
Veronica Lee
What joy to be back with the Shipman and West families, created by writing team James Corden and Ruth Jones. It has been 10 years since sitcom Gavin & Stacey left our screens, and in this Christmas special there was some catching up to do as the two families, who alternate hosting Christmas in Billericay and Barry, were this year in South Wales.Gavin and Stacey (Mathew Horne and Joanna Page), who were expecting their first child when we last saw them, now have three children, and Nessa and Smithy's (Jones and Corden) boy is now 11, although still called Neil the Baby. Everyone was there, Read more ...
Adam Sweeting
The series of short films, A Ghost Story For Christmas, became a Yuletide staple on BBC One in the 1970s. Most of them were adapted from the works of medieval scholar M R James, and drew their unsettling supernatural aura from the understated and academic tone of the writing.Mark Gatiss is a fan of this televisual tradition, and in 2013 he adapted James’s story The Trachtate Middoth. After writing his own spooky yarn last year, The Dead Room, now he’s back on the M R James trail with this new effort. Unfortunately it won’t be remembered as a landmark of the genre.Perhaps it’s because all the Read more ...
Adam Sweeting
This divertingly daft sequel to the Cinderella story (Sky 1) was the brainchild of David Walliams, who introduced it as himself, sitting smugly by a roaring fire in his authorial smoking jacket. What, he wondered, happened after Cinderella and Prince Charming were married and lived “happily ever after”?Well they weren’t happy at all, as Cinderella (Sian Gibson) rapidly discovered. Charming (Walliams) was a braying, posh twit infatuated with his own reflection and obsessed with his hair. At their wedding celebration, he ignored poor Cinders and spent hours doing cringetastic hip hop Read more ...
Marina Vaizey
This charming BBC Two hagiography – which may be a contradiction in terms – opened on a montage of praise, with just a hint of irony for the hugely successful actor Hugh Grant. He was born in Hammersmith Hospital, although neither he nor his father can quite remember. He felt (he told us) that it was a kind of family tradition as about 800 of his own children have been born there since.Thus the tone was set for the classic English trope of self-deprecation. Variations on the choreography of backing into the limelight and making jokes at your own expense, so characteristic of many of Grant’s Read more ...
Adam Sweeting
If you came to this expecting to be reminded of such ghosts of Scrooges past as Alastair Sim or Bill Murray, you will have been reaching either for the brandy or the defibrillator. In the hands of screenwriter Steven Peaky Blinders Knight and director Nick Murphy (from BBC One in partnership with the American FX network ), Dickens’s perennial tale of seasonal repentance has been transformed into a gruelling journey of cathartic horror.Having said that, it was frustrating that the opening episode (with the final two following on consecutive nights) is the least compelling of the three. It took Read more ...
Jill Chuah Masters
Heston Blumenthal, of triple-cooked chips fame, is a mad food scientist. Well, that’s how we’re introduced to him in Heston’s Marvellous Menu. Tonight’s BBC Two programme had a rather theatrical premise: a chef recreating the complete dining experience (menu, team, decor, diners) from a pivotal year in their restaurant’s history. What’s unclear is if this show was intended as a one-off documentary or the first episode of a series. What’s certain? It was a wacky time capsule.The programme opened with Blumenthal and Giles Coren, The Times’ restaurant critic, choosing a year to recreate. The Read more ...
Adam Sweeting
All the TV networks like to big up their news journalists as major players, but are they as important as they like to think? Laura Kuenssberg, the BBC’s political editor, is a dogged reporter who rarely seems to sleep, and here we watched as she tracked Boris Johnson from his election as Conservative leader through his struggle to “get Brexit done” by 31 October, in the teeth of countless Parliamentary obstacles. But despite plenty of behind-the-scenes footage, there were few dramatic revelations, just familiar stuff seen from a different angle with added commentary by Kuenssberg. After the Read more ...