TV
Adam Sweeting
It’s impossible to tell whether this reality-doc series (C4) came to praise Best Western hotels or kill it off entirely. Some viewers have been weeping with laughter at the David Brent-style antics of the company’s Aussie CEO Rob Paterson and his motivational slogans (Smash It!, Give a *** etc), while others have hailed it as a red-flag warning about how not to run a business. With the pandemic crisis, there might not even be a business left to run.This final instalment threw caution to the winds and charged ever deeper into fantasy-land, not least with the company’s promotional Christmas Read more ...
Adam Sweeting
It’s too early for a definitive account of the Covid-19 pandemic, and this was very much a Sky News version of what we’ve been through so far. Although it seems the virus has peaked and we’re entering a tentative stage of partial de-lockdown, the message was relentlessly grim.The government’s catalogue of blunders was rehearsed once again, from the catastrophic decision to send hospital patients to care homes without being tested for the virus to the serial failures to establish comprehensive testing and tracing. As Sky’s reliably morbid political editor Beth Rigby outlined, the Johnson Read more ...
Adam Sweeting
Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Not to mention death, since this entertaining, though melodramatic, new French import (Channel 4) began with the dramatic collapse on the podium of veteran conductor George Delvaux just as he was launching into the finale of the New World symphony. He was pronounced dead at the scene.After Delvaux’s demise, the plot orbits around the return to Paris of ace French conductor Hélène Barizet, played with flair and tremendous dress sense by Marie-Sophie Ferdane. Though strangely, she carries a Read more ...
Veronica Lee
Since Donald Trump's election as US President in 2016, I imagine satirists have slowly lost the will to live – as nothing they can write can outdo his buffoonery. But when Greg Daniels (creator of the American version of The Office) and Steve Carell (its star) announced they were inspired to write Space Force from one of his ideas, it augured well.Trump never appears in Space Force, but his presence is felt in odd nods to the tweeting president, or his command to get “boots on the Moon by 2024”, or “boobs on the Moon", as the fictional president here tweets (but it could have been Trump Read more ...
Jasper Rees
Larry Kramer, who has died at the age of 84, was the Solzhenitsyn of AIDS who indomitably reported from the gay gulags of Manhattan’s quarantined wards and revolving-door hospices. “I felt very much like a journalist who realises that he has been given the story of his life,” he told me when I met him. “I don’t consider myself a writer. I don’t bring the question of art into it at all like most writers do. I’m a messenger. As with activism, you figure out your target and the best way of reaching that target.”His most celebrated work, The Normal Heart, was a polemic about the early years of Read more ...
Adam Sweeting
This short series of new dramas (on BBC Four) by a group of leading playwrights was commissioned by Headlong and Century Films, a week before the virus lockdown was announced on 23 March, and represents an artistic first response to a situation nobody can fully comprehend. As the introductory caption said, “it changed our society in a way that is… Unprecedented.”Three separate pieces had been squeezed into this opening half-hour slot, each finding its own angle on the crisis and each featuring actors delivering their performances via the pandemic lifeline of video conferencing. James Graham’s Read more ...
Adam Sweeting
David Olusoga’s A House Through Time concept (BBC Two) has proved a popular hit, using a specific property as a keyhole through which to observe historical and social changes. After previously picking sites in Liverpool and Newcastle, this time he’s chosen Bristol, the city where he has lived for over 20 years.Among Olusoga’s particular interests as a historian are the British empire, race and slavery, so it was no great surprise to find him homing on on Bristol’s links with the slave trade. His chosen house was built in 1718 by Captain Edmund Saunders, who trafficked slaves from Guinea on Read more ...
Adam Sweeting
Since it debuted in November last year, Apple TV+ has barely made a dent in a market largely shaped by Netflix, but this eight-part adaptation of William Landay’s bestselling novel is a decisive step in the right direction. It’s a mixture of courtroom drama, murder mystery and psychological thriller, and if it sometimes falls back on familiar genre-ish cliches, the show can boast some fine performances and possesses the critical ingredient of watchability. Once you start, you’ll feel compelled to know how it ends (and the TV version has a significantly different ending from the book).Casting Read more ...
Adam Sweeting
Do TV companies get some sort of financial incentive to use the phrase “A Very British…” in their programme titles? This now-meaningless descriptor has been applied to airlines, brothels, political coups, the Renaissance, Margaret Thatcher, sex scandals, Brexit and lord knows what else. When you can’t think of an original title, you know what to do.As for Best Western hotels, this company is so Very British that its new UK CEO is a former Aussie Rules football player, Rob Paterson. One of his early key decisions was to outsource the company’s call centre to Italy because most people now book Read more ...
Adam Sweeting
Former Liverpool manager Bill Shankly famously commented that football is far more serious than a matter of life and death. This couldn’t quite be said of Harry Redknapp’s renewed adventures of footballers reunited (ITV), yet behind its jokey facade of a bunch of Nineties-era England veterans drinking their way across Europe, Harry’s Heroes is strangely poignant and delivers some painful emotional truths. The cameras follow Harry as he tries to prepare his squad for a re-match against their German counterparts (England beat them in last year’s first series), but the real story is the Read more ...
India Lewis
The most obvious comparison for The Changin’ Times of Ike White (BBC Four) is 2012’s Searching for Sugar Man, with its story of a potential star having vanished into thin air at the brink of fame and fortune. The documentary began in the usual way of music biopics, with talking heads listening rapturously to the musician in question, then archive footage.However, although the first heads are true musos (drummers for Stevie Wonder and Sly and the Family Stone) the majority of the voices in this programme were those of wives and girlfriends, characteristic of its whole tone. Because he had a Read more ...
David Nice
If you're catering for wish fulfilment, you might as well go the whole hog. Some say that Ryan Murphy and Ian Brennan, in their latest peachy extravaganza, aim no higher than the cheesier fantasies of the late 1940s Hollywood they take into neverland. But there are two key aspects to consider, beyond the always tasteful cinematography, the fashions and the ever-present pastichey music. One is a true ensemble of 10 fine characterisations, roles for four oldies plus six young to youngish and decidedly glamorous aspirants. The other is that so much of Hollywood then created escapism in the Read more ...