thu 26/04/2018

Strauss

Matthias Goerne, Seong-Jin Cho, Wigmore Hall review - slow and slower Strauss

Matthias Goerne has an exceptional ability to sustain evenness and legato through a vocal line. His breath control and his tone production are things to be marvelled at. He is able to function at impossibly slow tempi, and to make an audience hold...

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Classical CDs Weekly: Hans Abrahamsen, Lully, Strauss, Duo Jatekok

Hans Abrahamsen String Quartets No. 1-4 Arditti String Quartet (Winter & Winter)The opening section of Danish composer Hans Abrahamsen’s 2012 String Quartet No. 4 is subtitled “light and airy”, and, aptly, the four strings produce extraordinary...

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Gerhardt, RPO, Payare, RFH review - personality muted by faceless conducting

Former Royal Philharmonic Orchestra principal conductor Charles Dutoit has been exposed, to little surprise from musicians, as something of a roué whose apparent refusal to take "no" for an answer has rubbed up against the new #MeToo world. So his...

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Ariadne auf Naxos, Scottish Opera review - superb singing in slick new production

"The Show must go on". So say the posters dotted around Glasgow and Edinburgh for Scottish Opera's production of Richard Strauss's Ariadne auf Naxos. Except on Thursday, it didn’t. A fire at a nearby Glasgow nightclub which ravaged several city...

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Louise Alder, James Baillieu, Wigmore Hall review - sensual heat thaws a winter's evening

Rapture, ecstasy, ardour, and a few cheeky fumbles in the bushes – Louise Alder and James Baillieu’s Wigmore recital promised “Chants d’amour” and delivered amply, giving us love in all its bewildering, technicolour variety. From the heady eroticism...

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Salome, Royal Opera review – lurid staging still packs a punch

David McVicar may seem too gentle a soul for the lurid drama of Strauss's Salome, but his production, here returning to Covent Garden for a third revival, packs a punch. He gives us plenty of sex and violence – or at least nudity and blood – but...

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Soltani, West-Eastern Divan Orchestra, Barenboim, RFH review - passionate pilgrimages

A legendary name and the chance to change the face of a cruel condition set the stakes high for what Prince Charles, in his programme preface for this Southbank spectacular, told us was called the Stop MS Jacqueline du Pré Tribute Concert. There she...

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Anne Schwanewilms, Charles Spencer, Wigmore Hall review - going deep in Schubert

They say that Wigmore Hall audiences know their Lieder singers, but last night's far from packed house dispelled that illusion; the hall has been full for much lesser artists than German soprano Anne Schwanewilms. No matter; she gave her usual...

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Pogostkina, BBCSO, Oramo, Barbican review - human emotions in Sibelius's heaven

It was on the strength of a single concert including a startling Sibelius Luonnotar and Third Symphony, thankfully reported here, that Sakari Oramo was appointed Chief Conductor of the BBC Symphony Orchestra. We had to wait a while for more major...

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Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasies

No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Even Richard Strauss's chaste nymph Daphne, achieving longed-for metamorphosis as a tree, finds darkness among the roots; and though Renée "The...

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Prom 10 review: Aurora Orchestra, Collon – a revolution taken to heart

When a trail-blazing orchestra takes on a world-transforming work, it would be pointless to leave the staid old rules of concert etiquette intact. Not only did the Aurora Orchestra under Nicholas Collon stretch their repertoire of symphonies...

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Jette Parker Young Artists Summer Performance, Royal Opera review - vocal promise, poor stagecraft

They get to work with the best music and language coaches in the business. They make their mark in small parts throughout the Royal Opera season and showcase their art more prominently at the end of it, proving to the world that there are major...

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