sat 25/09/2021

Royal Opera

The Magic Flute, Royal Opera review - all but a guarantee of a great night out

Rarely has the revolving door of opera twirled so efficiently. David McVicar’s venerable production of Rigoletto may have exited the Royal Opera on Monday (presumably with one final squeak of protest from that pesky revolve), replaced by a shiny new...

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Rigoletto, Royal Opera review - routine clouds the best in this season opener

Another season, another new production of Verdi’s nastiest masterpiece. For which we should be profoundly grateful after the tribulations of the last 18 months. Yet how quickly elements of the routine can corrode the soul of the spectator, just as...

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Jette Parker Young Artists Summer Performance, Royal Opera review – breathtaking young talent

Instant sell-out would have been guaranteed if the Royal Opera had advertised this as “Cardiff Singer of the World finalist Masabane and fellow Young Artists”. No doubt about it, South African soprano Masabane Cecilia Rangwanasha is indeed the most...

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Current, Rising, Royal Opera House review - a joyful celebration of storytelling possibility

This isn’t an opera review, because Current, Rising is not an opera. What it is, however, is the most convincing example yet that Virtual Reality arts might not just be possible, but desirable – an experience that glances beyond gimmick towards...

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La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance

It looked as if the Royal Opera might be trying to keep its distance with the first new production since lockdown. After all, Mozart’s last opera – only the Overture and March of the Priests in The Magic Flute remained to be composed in the fatal...

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The Seven Deadly Sins / Mahagonny Songspiel, Royal Opera online - modern morality tales mesh uneasily

There are so many good ideas, so much talented hard work from the singers of the Jette Parker Young Artists Programme and two dancers, such a cinematic use of the Royal Opera House, that Isabelle Kettle’s interweaving of two Brecht/Weill mini...

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Tony and the Young Artists, Royal Opera/Liebeslieder Waltzes, Blackheath Halls online review - love and joy

Young performers seeking platforms for their careers have had it especially rough over the past year, most slipping through the financial-support net and now facing the further blow of the Brexit visa debacle. So it’s always good to welcome quality...

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Royal Opera Christmas Concert online review – pajama party around the Nutcracker tree

So Hansel and Gretel can’t cuddle up together in the dark forest, Musetta doesn’t fall into long-suffering lover Marcello’s arms and there’s no audience to play to (as there would have been three days earlier). No matter: the Christmas-tree-grown-...

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Meet the Young Artists Week recital, Linbury Theatre – four big personalities

Throughout this most difficult of years, the Royal Opera has done the right thing for the singers on its Jette Parker Young Artists Programme. They were fortunate to finish the run of Handel’s Susanna before the Linbury Theatre closed down for over...

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4/4, Royal Opera review – desire, loss and lunacy in four surprising acts

Think you’ve seen enough of monologues and duets over the past few months? Watch this and reel. Four British directors, four conductors with close ties to the Royal Opera and five singers based here, from South African and Spanish-born sopranos on...

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The Royal Opera: Live in Concert review - Italianate fizz with a patch of flatness

What could be better than Mozart’s Overture to The Marriage of Figaro to celebrate the Royal Opera’s next step on the path out of lockdown? Ideally, the rest of the opera, especially remembering Antonio Pappano’s lively interaction with his singers...

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Classical music/Opera direct to home 19 – and two before a live audience

It’s begun: very limited access to live music, the chance to sit before one or two players in the same room – as we were doing only three and a half months ago, in some cases thousands of us before an orchestra of up to a hundred musicians. When the...

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