pop
Jasper Rees
There’s a lot of Seventies revivalism in the ether. Fleetwood Mac are back as a famous five after many years asunder. 10cc have on at the Albert Hall, although one astutely remarked that they really should have been billed 2.5cc. In When Pop Ruled My Life, the recent BBC Four documentary about fandom, it was lear that the Bay City Rollers are still very much a going concern. And this week it was announced that three titans of glamrock would stomp once again on British boards. They include The Rubettes, a band coyly billing themselves Mud 2 and – holy of holies – The Sweet.The Sweet were one Read more ...
Barney Harsent
Almost a decade ago, I went to a disappointing festival in Holland. Driven to distraction by the crowd – a sixth-form disco stuck between the third and fourth circles of Dante's inferno – I, on the advice of a friend, went to see Muse. Their theatrical pomp and overblown, muscular attack took the top of my head off and replaced my brain with a great big lump of wallop.The news, then, that their latest album, Drones, is a concept set to become a musical makes perfect sense. It also explains the, at times, over-expository lyrics and the big theme slapped on the front. Fans of Banksy will think Read more ...
Barney Harsent
Back in the Seventies, in between keeping an eye out for the unwanted attentions of radio DJs and waiting for punk, the internet or colours to happen, there was real beauty if you knew where to look. By which I mean telly, of course. From the haunting fairground tones of the introduction to schools programme Picture Box, to the rolling sci-fi thrill of The Tomorrow People theme, it seemed that, far from not wanting to scare the horses, these oddball music makers would have sampled their galloping retreat and used it as a rhythm track for an animated short about a deaf boy and his magic snail. Read more ...
Thomas H. Green
Most people like new music to sound as much as possible like music they’ve heard before. At the very least it should adhere to core genre tenets that don’t force listeners from their comfort zone. Music that’s regarded as brave by a conservative music media usually has the tiniest hint of something fresh, resulting in self-satisfied hurrahs for the excitements of Vampire Weekend, Arcade Fire and the like. A label such as Belgium’s Crammed Discs, then, which consistently backs artists unbound by genre or even locality, never receives the mainstream attention it deserves as one of the world’s Read more ...
Barney Harsent
After waiting a quarter of a century for Blancmange’s last album, 2011’s Blanc Burn, this new offering, effectively a Neil Arthur solo project, almost feels like a rush release. There’s a much changed visual aesthetic – gone is the stylised, Fifties cover kitsch, replaced by something much more stark and impenetrable. Now, I know you shouldn’t judge a book by its cover, but what about CDs?This new collection is certainly darker, but, before we address that, let’s get the negative stuff out of the way. Don’t worry, it really won’t take long. So… “Useless” sounds like the Wedding Present trying Read more ...
Matthew Wright
In 1984 Duran Duran were at the height of their fame. Seven and the Ragged Tiger, the band’s third studio album, became their first (and only) number one soon after its release in November the previous year, and announced a sharper, more dance-friendly, synth-driven sound. The world tour (apparently the band wanted to spend a year abroad to avoid tax), began in Australia, but was mostly spent in Canada and the US. It was the band’s first as major headliners.They played 51 shows to over half a million people, and were received with delirious abandon almost everywhere they went. It seemed at Read more ...
caspar.gomez
Once up on a time, a long time ago, the pop music of France was a joke to the outside world. Serge Gainsbourg and certain Parisian chanson auteurs received occasional plaudits but, for the most part, coverage consisted of throwaway sniggering at Johnny Halliday. No longer. From Daft Punk to David Guetta, from Air to Justice, the French are now colossi of dance-pop which, let’s face it, in 2014 is all pop. One day, when the dust settles and leather elbow-padded rave historians peek into how this change came about, three names will recur: Daft Punk, of course, but also techno visionary Laurent Read more ...
joe.muggs
The story of Busted and McFly was a weird case of pop lightning striking twice. Busted, an early 2000s attempt to put together a boyband-with-guitars for girls who don't like boybands, was a huge success – not least because one of its members, James Bourne, proved to be an extraordinarily deft bubblegum pop-punk songwriter. But not only that, but another auditionee for Busted, the then also teenaged Tom Fletcher, was taken on by the management as part of the band's writing team, and as apprentice to Bourne proved to be at least his equal – spawning offshoot band McFly, multi-platinum albums Read more ...
Heidi Goldsmith
“I have quit smoking!” the rock star exclaims to rapturous applause, taking a luxurious drag on an e-cigarette. And the artificial smoke dissipates across the stage, revealing a 67-year-old Marianne Faithfull perched on an antique leather chair, shoulder raised and pouting as if caricaturing her own youth. It is a subtle and triumphant reference to her past of destructive drug abuse and yet tonight quite clearly shows that for Faithfull the stage (alongside nicotine replacement and a wooden walking stick) is now her crucial crutch for rehabilitation. Though she fills many a Read more ...
Kieron Tyler
Madness: One Step Beyond - 35th Anniversary EditionLast time One Step Beyond was reissued on CD, for its 30th Anniversary, the album was expanded to cover two discs with added B-sides, tracks from EPs and a flexi-disc, a John Peel session as well some live cuts. The package was rounded out with five promo videos and liner notes by author Irvine Welsh.Now, five years on and 35 from its original October 1979 release, Madness’s debut long player resurfaces again in a multi-foldout digi-pack as a double-disc set. Disc Two is a DVD with four of the videos from last time (“The Prince” is Read more ...
Guy Oddy
From the sonic vantage point of the Ting Tings’ new album, Katie White and Jules De Martino’s explosive appearance in 2008 with hit single “That’s Not My Name”, with its lively mix of indie guitars, electronics and bolshy vocals, seems a long time ago. The dominant sound of Super Critical is emphatically funk, disco and chart pop.The title track is a lively, Prince-like groove with brass embellishments, a funky bass and even the Purple One’s trademarked high-pitched backing vocals. “Green Poison” is a mash-up of Prince-like funk pop and the riff from Stevie Wonder’s “Superstitous”. “Daughter Read more ...
Lisa-Marie Ferla
If you’ve ever found the idea of “cock rock” to be unnecessarily gendered, then the debut album from Ex Hex – an all-female trio who, between them, have created the best 35 minutes of ballsy rock 'n' roll I’ve heard since Sleater-Kinney’s “The Fox” – is for you. If you haven’t, and you’re just looking for something new to listen to that’s uncomplicated and up-front that will blow the cobwebs out from between your ears, then Ex Hex is also for you. And if you’ve been struggling to find a record that would match the giddy girl-rock high you got the first time you listened to Wild Flag’s first Read more ...