pop music
Michael Stephen Clark
Only an April fool would deny Emeli Sandé her right to rule as the home-grown pocket diva for the Smartphone generation. The current elfin queen of the UK pop charts took the stage in Edinburgh last night having already won over her capacity crowd on Amazon, i-Tunes and in miles of supermarket aisles.Her proclaimed heroines are Nina Simone and Alicia Keys, and both are audible in her output. Sandé can certainly sing to stir the senses, but can she move the soul? My suspicion is that beneath the polish of her long fingernails is a more engrained layer of spirituality. Songs like “Next to Me” Read more ...
Rob Copsey
Those who have seen the music video that accompanies NKOTB’s new single “Remix (I Like The)” may be shocked to learn they own a wicked sense of humour. The clip itself sees an unassuming fan - played by “It’s Always Sunny In Philadelphia” actress Artemis Pebdani - strutting her stuff a little too exuberantly at a pool party. While it’s a brilliantly self-aware nod to the now mature groupies they’ve no doubt encountered on their recent world tour with the Backstreet Boys, the song itself is a perky slice of dance-pop that sounds - whisper it - surprisingly fresh.Unfortunately, it’s also a Read more ...
Kieron Tyler
Bernard Herrmann: Vertigo and Music From the Films of Alfred HitchcockGreat film soundtrack music can have a tough time being accepted as thus. There’s the test of time: does the music continue resonating? Is the music a sympathetic foil for the visuals? Can it live away from the screen and still create its atmosphere? The questions are endless, but the music of Bernard Herrmann will always pass any test. With Alfred Hitchcock’s Vertigo declared the greatest film ever in last year’s Sight and Sound poll, Herrmann’s music for it was, by association, also cast as an all-time great. Previously, Read more ...
joe.muggs
You really don't need the context on this, do you? Event album, comeback, cheesy title, blah blah – it's all there splattered all over the internet if you really want it. I'll just cut to the chase and say: I love Justin Timberlake's music, and I'm very, very relieved to say I love this album, for a number of reasons. And rather than try and analyse anything too much, I'll just list them.It doesn't try too hard. There's nothing that explodes in your face with hyper-pop orgasms like "Cry me a River" or "Sexy Back", and neither should there be. This wouldn't be dignified for a movie star, keen Read more ...
Kieron Tyler
“Five years,” said former Mott the Hoople fan club president Kris Needs of the band’s lifespan. “That’s how long the Kaiser Chiefs have been around, but who cares?” It seemed an unfair measure. Mott split 39 years ago and the Leeds quirksters are still going strong. But in terms of stitches in rock’s rich tapestry, Mott’s, like the Kaiser Chiefs’, probably wouldn’t darn a sock.That’s not to say Mott the Hoople didn’t merit this documentary, or that their best records weren’t among the greatest of the early Seventies. But it did take David Bowie to write their first hit and boot them into the Read more ...
Russ Coffey
When Justin Bieber finally arrived on stage last night the volume of the screams from the teen audience topped 100 decibels. I know because I measured it on my iPhone. That, however, wasn’t the first deafening noise from the capacity crowd of 20,000. The previous half-hour had been punctuated by a series of boos borne out of growing frustration. Bieber had been scheduled to arrive at 8.30. By 10.25, when the stage lights started to rise, he needed one hell of an entrance.Fortunately he had one. Dressed in a white suit and with a giant pair of wings Bieber descended from the domed roof on Read more ...
Kieron Tyler
The Dark Side of the Moon and Frankie Howerd’s Roman-era television farce Up Pompeii! aren’t as unlikely bedfellows as it first seems. The link comes from Clare Torry, whose voice opened the show each week. She also provided the unrestrained vocal on The Dark Side of the Moon’s Rick Wright-penned “The Great Gig in the Sky.”As one of the most in-demand British session singers from 1970 to her retirement in 1996, Clare sang on ads for British Caledonian airlines and Glenrick pilchards. She appeared on French iconoclast Serge Gainsbourg’s Rock Around the Bunker album and sang the gentle Read more ...
Kieron Tyler
Marcos Valle: Marcos Valle/Garra/Vento Sul/Previsão do TempoIn 1968, having already done time in Sérgio Mendes & Brazil 66, Marcos Valle was selling bossa nova and samba to America, appearing on The Andy Williams Show in a blazer and roll neck. By the year’s end he was back in Brazil, which at the time was ruled by a fully-fledged dictatorship. Caetano Veloso and Gilberto Gil would go into exile but Valle wilfully chose the opposite path. His music and appearance changed: the former moving away from popular Brazilian styles and incorporating outside influences; the latter becoming Read more ...
joe.muggs
There are so many people ready to hate pop-rock-dubstep crossover band Modestep, and no wonder. They are good looking young men, taking what they want from whatever styles are around them, without any regard for cool or hipness. They make a massive racket full of screeching and crashing noises blended with cheesy melodies, which seems pretty much aimed at attracting girls and getting boys throwing themselves around like fools. They are, in short, everything old people have always hated about young people's music.If you want to hate them too, it's not difficult: there are some very crap bits Read more ...
Russ Coffey
Over the past 12 years I Am Kloot have quietly built up a faithful legion of fans who look to the poetic lyrics of lead singer John Bramwell for inspiration and comfort. Sky at Night (2010) won them a Mercury Nomination for its smoky, late-night reflections. It was a slight departure from their normal fare, with a cohesive theme and full arrangements. Partly responsible for the sound were old friends, Guy Garvey (pictured below) and Craig Potter from Elbow, who produced it. The pair also came in for the last leg of recording for the new LP, Let It All In, which is released on 21 January.The Read more ...
Lisa-Marie Ferla
Of all the festive institutions, the Christmas No 1 holds a special place in my heart. I was one of those kids who, over the month of December, would carefully plot which CD single I’d be pledging my allegiance to (usually not the ultimate winner, apart from that one year Gary Jules’s cover of “Mad World”, from the Donnie Darko soundtrack, fluked it). I’d then make sure I was in front of the television in time for Top of the Pops, while my Grandad would complain that these new songs were all just noise and at least the Beatles had tunes.He might have had a point: as The Christmas No. 1 Story Read more ...
theartsdesk
The Prodigy: The Fat of the Land 15th Anniversary Expanded EditionThomas H GreenAlmost a decade after acid house changed the landscape of British music, it seemed rave culture was finally about to take over pop. The Chemical Brothers hit the top of the charts, assisted by Noel Gallagher, in Autumn 1996 with “Setting Sun”, Goldie led a wave of drum & bass eagerly signed by major labels, 12” singles were selling by the ton and, leading the charge, The Prodigy topped the single’s and album’s charts in mid-1997 on both sides of the Atlantic with “Firestarter” and its parent album The Fat of Read more ...