police
Stephen Butchard
On Thursday the BBC will screen the opening episode of the television drama Good Cop. I finished writing it back in August 2010, and on the strength of that story and ideas for a total of four episodes, the series was green-lit in February 2011. We completed filming (pictured below) by the end of December 2011, then came post-production. Now at last we have our transmission date and it will be broadcast to the world.Those who watch will see a series of pictures, naturally, perhaps not realising that each of them began life as words on a page - not that it’s important that they make the Read more ...
Jasper Rees
It’s not usually a good sign when the second series takes two years to materialise. Vexed , a comedy drama with corpses, took its first bow a couple of years ago. It offered Toby Stephens as DI Jack Armstrong, a detective from the old school who’s rather more mouth than trousers. There can’t have been much confidence in it back then: August is the cruellest month for fresh television content when the target audience is generally off on its hols.The drama department may have eventually given it this second run around the paddock, but the schedulers continue to lack confidence in the finished Read more ...
Adam Sweeting
At the end of episode four, we left ferret-faced copper Steve Arnott (Martin Compston) seemingly having his fingers hacked off with a bolt-cutter by a gang of hooded thugs and their poisonous little child-sidekick, Ryan. Boringly, the glum and dislikeable Arnott was rescued in this finale when the supposedly corrupt DCI Gates organised a police rescue, and got away with all his fingers mostly intact.It seemed to symbolise Line of Duty's annoying habit of setting up ever-murkier scenarios, then wriggling its way out of delivering a real punchline. It really, really wanted us to believe that it Read more ...
Adam Sweeting
Those quaint old TV shows in which we were invited to support and admire the police unreservedly have long been overtaken by real-life events. Now evolution has brought us to Line of Duty, a series that presents the police as a failing bureaucracy hamstrung by paperwork and political correctness. From what one gathers of how our contemporary rozzers operate - inviting you to report crimes by email, for instance, because police stations are only open some of the time, or arresting victims instead of perpetrators - this may be unpleasantly close to reality.Perhaps writer Jed Mercurio picked up Read more ...
emma.simmonds
If action speaks louder than words, then The Raid is positively deafening. The third feature from Welshman Gareth Evans is ingeniously, almost absurdly exciting - for the most part it’s shorn of story and propelled not by plot but by peril. That it’s basically a series of imaginative smack-downs and shoot-outs will be off-putting to many but this Indonesian actioner is entirely engrossing and executed with gobsmacking gusto and precision. An unashamed proponent of the poetry of violence, it’s a superb showcase for the lesser seen martial art Pencak Silat and for the audacity of its helmsman. Read more ...
Kieron Tyler
Explaining the difference between the first series of the uncompromising French policier Braquo and the second, which he has come on board to write, Abdel Raouf Dafri says his take is “even more violent, even more sarcastic. The line between the good guys and the bad guys is even more fluid”. Dafri knows about bad guys. He wrote Mesrine and A Prophet. He also knows series one of Braquo is a tough act to follow.With series two premiering on British TV this Sunday, Braquo joins Saturday night’s The Bridge to fill out the weekend’s foreign-language crime TV schedule. The pacing, shocks and tonal Read more ...
Adam Sweeting
It must have been a toss-up for the BBC whether to scrap Waking the Dead or Silent Witness, but evidently the latter won the race against extinction by a putrefying nose, probably attached to a hideously-charred corpse which may or may not have been raped but had been stabbed 47 times and bludgeoned with a... Funnily enough there was one a bit like that in this first episode of Series 15, along with an asphyxiated child and a man killed by knife and stun-gun.It's hard to fathom how murder most graphic and the disgusting perversions of serial killers have become such a staple of middle-brow TV Read more ...
Veronica Lee
There are any number of television detective shows and to differentiate themselves they all need a USP. The excellent Sherlock is a very knowing modern reworking of the original, Life on Mars was set in a time warp, Dirk Gently uses weird global interconnectivity and Whitechapel's coppers solve crimes by referencing Victorian cases. So a cop show that has none of the bells and whistles of the above is somewhat unique.That's sort of true, for Scott & Bailey has its own USP in its strong female slant. It's about two female detectives Janet Scott (Lesley Sharp) and Rachel Bailey (Suranne Read more ...
emma.simmonds
A police procedural played out over a long dark night of the soul, Once Upon a Time in Anatolia is the magnificent sixth feature from Turkish writer / director Nuri Bilge Ceylan (Three Monkeys, Uzak). So much more than a simple thriller, it transforms a murder investigation into something gratifyingly profound and perversely beautiful; its grizzled, largely unfamiliar faces and their tales of woe will remain with you long after the end credits roll. Swathed in scintillating sadness and infused with life’s grim realities, it’s lit up by bursts of black humour and an overwhelming sense of Read more ...
fisun.guner
As he readily acknowledges himself, Jeremy Deller can’t paint and he can’t draw, so he never went to art school. For many artists of his generation (he’s 46), this lack of traditionally based skills seems not to have presented a problem. But Deller clearly isn’t one for trying to be good at things he’s so self-evidently bad at, so instead of going to art school he studied art history, and then began to follow his interests. Luckily for him, and us, all the stuff that interests him falls within the periphery of what one might call art.Deller’s interests are diverse, but are primarily based on Read more ...
emma.simmonds
A bent cop movie with style, swagger and a sometimes questionable approach to characterisation, Oren Moverman’s latest at least gifts Woody Harrelson one of his best roles in years. Set against a backdrop of the Rampart police scandals of the late Nineties, it takes as its target one (fictional) Los Angeles law enforcer and his towering demons. Harrelson’s Dave Brown is an intelligent but difficult man, buckled into the straight-jacket of thuggery. From the pen of pulp writer James Ellroy (who co-wrote the script with Moverman), Rampart veers fascinatingly between cinéma vérité authenticity Read more ...
emma.simmonds
In Gerardo Naranjo’s Miss Bala, an aspiring beauty queen becomes an unwitting accomplice in the dirty deeds of a criminal gang. If it sounds like the plot of a cheap thriller, it isn’t – it’s visceral and uncommon, capturing the ferocity and reach of Mexico’s criminal underworld and the terror of being caught in its crossfire.
After witnessing a massacre and confiding in a (unbeknownst to her) corrupt police officer, a shell-shocked Laura Guerrero (Stephanie Sigman) find herself in the grubby hands of the perpetrators. Dragged from one hideous predicament to another, her life becomes a blur Read more ...