Paris
aleks.sierz
Is it nostalgic to constantly revisit the history of the royal family? In this new play by Nicholas Wright, which opened last night, we travel back in time to 1980 when the aged Wallis Simpson - widow of the abdicated King Edward VIII - lived as a recluse in a mansion in the Bois de Boulogne, Paris. Despite the fact that a national treasure (Sheila Hancock) is starring in the play, is this a subject worth looking at again?OK, the story is intrinsically interesting. After the death of Edward in 1972, the Duchess lived in splendid isolation. Then, in 1980, The Sunday Times planned to publish a Read more ...
Peter Culshaw
We know (we have the analytics) that quite a few TAD readers are not averse to a bit of arty burlesque – our candid interview with striptease artist Ursula Martinez was read by many thousands. The latest contenders in the burgeoning titillation-as-art scene are Cabaret New Burlesque who finished a three night run last night at the Charing Cross Theatre in London (it will be back, they promise).They are a bunch of Americans of impressively varied sizes and shapes who made it in Paris, home of the art of the stripper. Their struggle to succeed was documented in Mathieu Read more ...
Jasper Rees
Waiting for Woody Allen to turn in a half-decent movie is bit like inching through a recession. The green shoots of recovery are constantly hoped for, but slow to show. Now and then the new one will come along and seem marginally less dire, but prove all too chimerical. How many of the films in the last decade does anyone remember for the right reasons? And don't say Vicky Cristina Barcelona with its atrocious voiceover and pervy lesbo snog. So unremittingly abject were Allen’s preceding European films set in London that anything would have looked like the Venus de Milo standing next to them. Read more ...
igor.toronyilalic
William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming Boulez's Domaines for setting off a panic attack. Her physical response was certainly a welcome corrective to the nonchalance with which the critical world increasingly greets Boulez's language, many of whom still insist that the days of serialism provoking anger or revulsion are in the distant past. Boulez can still upset. He even upset me a Read more ...
Ismene Brown
The star ballerina Sylvie Guillem was rehearsing in London when she heard about the cataclysmic Japanese earthquake last spring, and the devastating tsunami in its aftermath. It was an apocalyptic blow that she felt personally. Since her first visit there as a teenager, the internationally renowned dancer has been drawn back to Japan year after year, winning legions of friends and supporters, the culture’s aesthetic clarity and spareness influencing her taste, and complementing her own evolution from classical ballerina assoluta into contemporary dancer stupenda.Her current show, 6000 Miles Read more ...
fisun.guner
A beguiling shadow play greets and enchants on arrival: the silhouettes of three ballerinas, each performing an arabesque, are cast upon the wall as you enter. The effect, as their softly delineated forms dip and slowly rotate, is mesmerising. It’s also an apt opener to an exhibition devoted to exploring how Degas strove to achieve a sense of fluidity and movement in his paintings of dancers, a subject for which he is chiefly known.And yet these delightful silhouettes suggest the contradiction at the heart of Degas’s paintings: his charming images are, in fact, exposés. We witness the endless Read more ...
Matt Wolf
Warning to hunky French jazz pianists: beware a slim, raven-haired Englishwoman who looks like Anne Hathaway but goes by the name of Emma and will up and leave you the second her long-standing chum, Dex, crosses la Manche to extend rather more than a main by way of welcome. Sound unfair? Sure, but love - indeed life, as it is honestly and genuinely lived - hasn't a prayer up against the breathtakingly vacuous conceit that drives One Day, a film that makes zero sense except where these things matter most: the box office. I recognise that not all will share my scepticism, if the reaction Read more ...
theartsdesk
It’s not the first time we have showcased the work of Will Robson-Scott. Nearly two years ago we published a set of images from Crack & Shine, a portfolio which documented the nocturnal habits of a set of London street artists. Crack & Shine International takes the story beyond the UK to watch artists at work in other centres of street art culture - New York, Los Angeles, Paris, Berlin and Amsterdam. A photographer who specialises in shooting street artists at work, Robson-Scott incurs many of the same risks as his subjects. Unlike them, his work is in no danger of being erased or Read more ...
Kieron Tyler
There’s a strand of electro-assisted, dance-leaning French pop that’s captured the international consciousness. Phoenix and Justice are Grammy winners, while Air exemplify the cooler, more reflective end of it. The bands come from chi-chi burbs like Versailles or towns south of Paris, south of the Seine. And so it is for Housse de Racket, an outfit from Chaville, between Versailles and Paris. On the evidence of their second album, they’re potential border breakers.There’s a strand of electro-assisted, dance-leaning French pop that’s captured the international consciousness. Phoenix and Read more ...
ronald.bergan
When Jean Renoir returned to France at the end of 1953 after 13 years of exile, he felt as if he were beginning his career from scratch. His Hollywood films were not highly regarded, and neither The River (1951) nor The Golden Coach (1953), shot in India and Italy respectively, were successful enough to redeem his international standing among reviewers or at the box office. The critical consensus declared that he was an artist in decline. There were exceptions, of course, one of the most important being Cahiers du Cinéma, the magazine founded in 1951.Cahiers contradicted the received opinion Read more ...
fisun.guner
Who could argue that television isn’t a great medium for learning about art? In its pared-down, visually literate way it delivers what dull, theory-laden extrapolations often can’t (if only because artists don’t think that way when they make things, and we don’t think that way when we look at things). It can breathe renewed life and vigour into a subject we think we know well, and, as a medium for simplified, pocket-sized information, it can get straight to the heart of a matter. Perfect. Possibly. And so we come to The Impressionists: Painting and Revolution.Waldemar Januszczak gave us this Read more ...
Ismene Brown
Roland Petit died this morning aged 87, a world choreographer of chic and erotic theatricality who blew away the French classical ideal in a roar of post-war sexual liberation. He created an all-male corps of swans for Swan Lake long before Matthew Bourne, and his roles for his exquisite wife, Zizi Jeanmaire, repositioned ballet drama upon the femme fatale rather than the virgin. Arguably, though, for British ballet-goers he was above all the seducer who almost lured Margot Fonteyn away to France (and who got her to have a nose job) just as she was leading the Sadler’s Wells Ballet to Read more ...