Paris
Katie Colombus
Action film fans should stay away from this Roman Polanski duet. But those who like their sexual politics served in symbolic form will be delighted. Polanski's wife Emmanuelle Seigner stars as an actress, Vanda, and Polanski-lookalike Mathieu Amalric as the writer-director Thomas.It's not entirely an adaptation of the 1870 novella by Leopold von Sacher-Masoch (from whom the word masochism derives), but a version of the David Ives play about the link between sexual obsession, pleasure and pain. Venus in Fur is like a play: the entire 95 minute duration is set within the confines of a Read more ...
Hanna Weibye
Having a strong company style is usually no bad thing, especially if – as with San Francisco Ballet – the main component of it is a commitment to excellence. It has been impressive watching the gritty energy with which, night after night, the American visitors to Paris dish up meaty triple bills (most pieces coming in at 35 minutes or longer) and serve them with éclat. Polish and professionalism like this help dancers keep going through a gruelling tour, and ensure audiences go away happy. But you can have too much of a good thing.In my case, the good thing was lyrical contemporary ballets Read more ...
Hanna Weibye
In 2005, San Francisco Ballet were the first company to visit Paris as part of a new summer dance festival, Les Étés de la Danse. Helped not only by this auspicious start, but by the obvious demand for live dance in a month traditionally barren for the Parisian performing arts, the festival prospered, and in this its 10th year, has brought the Americans back with a stonking programme. Every night of the 17-date run at the Théâtre du Châtelet features a different triple bill, covering in total 18 pieces by twelve choreographers – and that’s not counting the opening gala. A treat indeed for Read more ...
Nick Hasted
A May-September relationship is given a winter chill here. When Matthew Morgan (Michael Caine), an American widower in Paris, meets pretty young dance instructor Pauline (Clemence Poesy) on a bus, the ageing male fantasy suggested by the title seems on the cards. A feel-good scene of grumpy, grieving Matthew joining in at Pauline’s dance class also prepares you for a lazy, age-gap romcom. But his puppyish looks towards Pauline as he dances are childishly needy as much as comic, and German writer-director Sandra Nettlebeck has more interesting, unpredictable ideas on old age, youth and Read more ...
Katie Colombus
Much has been said before about these two Leos Carax greats, but the beauty of these surrealist French films is that you can enjoy them again and again, each time finding something new to appreciate. It's been a while since Boy Meets Girl and Mauvais Sang (The Night Is Young) were first released, but that only makes them that little bit more iconic.Like blowing the dust off an old painting, we are re-introduced to the blanched faces and melancholic characters that remind us of a love that burns fast but lasts forever. With Carax, everyone is either in love, Read more ...
Katie Colombus
A pervading sense of melancholia runs through this film, and yet it is neither chilling, nor disaffecting. Akin to one of the key characters, watching it is a bit like having an out-of-body experience. The Past hovers somewhere between fight and flight, with characters in myriad sliding door moments. They dissect the past and analyse the future, but are stuck in an impossible limbo between the two. It is a labyrinthine tangle of what might have been - accidentally leaving your child on the metro as you head out of the station; a complete and happy marriage; an extra-marital affair; a Read more ...
Adam Sweeting
Alarm bells jangle when the first thing you see on the screen is a caption saying "CIA Headquarters, Langley, Virginia". It's the sum of all cliches, and therefore the perfect way to tee off this incoherent pseudo-thriller from director McG which can't decide whether it wants to laugh or cry. The viewer may not share its indecision.In a nutshell: veteran CIA hitman Ethan Renner (Kevin Costner) vows to give up his old job of committing international mass murder and try to re-establish relationships with his estranged wife and teenage daughter. However, before he can achieve this, his new CIA Read more ...
Matt Wolf
For an artist who famously can't travel to America, Roman Polanski would appear to have an unstoppable passion for filming small-cast Broadway hits. On the back of Death and the Maiden and Carnage, both of which diminished their stage sources, along comes Venus in Fur, adapted from the David Ives play that had no fewer than three separate New York runs, making a star of its husky-voiced young leading lady, Nina Arianda, who won a 2012 Tony for her work.And in that same role as an actress who gives her director considerably more than he bargained for, Emmanuelle Seigner (aka Mrs Polanski) Read more ...
emma.simmonds
This low-budget Parisian dramedy about doctor-patient relations is as odd, timid and well-intentioned as its socially maladjusted protagonists. Miss and the Doctors is writer-director Axelle Ropert's second feature after 2009's The Wolberg Family. It's the story of a woman who bewitches two practically conjoined GP brothers - no surprise perhaps, considering she's played by the statuesque and striking Louise Bourgoin, better known as the titular adventuress in Luc Besson's The Extraordinary Adventures of Adèle Blanc-Sec. Miss and the Doctors suffers from the surely curable affliction of a Read more ...
emma.simmonds
It's not often we're told to strap ourselves in for a drama - it takes quite some skill to make the everyday excite and to make ordinary lives seem extraordinary, but these are gifts that the Iranian director Asghar Farhadi has in abundance. His talent for meticulously structured, thriller-tense narratives, for coming at stories from an interesting angle (conducive to creating and capturing emotional charge) couldn't even be ignored by the Academy, who recognised 2011's A Separation outside the (niche) world cinema category, with an Oscar nomination for its screenplay alongside the gong Read more ...
David Nice
An orchestral musician recently told me that only one per cent of graduates from UK music colleges go on to take up a post in an established opera company or orchestra. You’d think, given such an alarming statistic, that there would be a lot of very good voices floating around trying to drum up work. Young talent is enterprisingly putting itself out there in a new wave of pub or site-specific fringe performances. I’ve shied away from pocket Verdi and Puccini stagings because I really wonder if those operas can take any but the most highly-trained, opulent voices; anything less is selling them Read more ...
Tom Birchenough
There really was astonishing talent on display in The Brits Who Built the Modern World (*****), as full a television panorama of the work of the five architects whose careers were under examination – Richard Rogers, Norman Foster, Nicholas Grimshaw, Michael Hopkins and Terry Farrell – as we’re ever likely to get. Peter Sweasey’s three-film series, fascinatingly rich in archive footage, was supported by the Open University and produced in partnership with the Royal Institute of British Architects (which has published an accompanying book), emphasising that it’s once-in-a-lifetime project.The Read more ...