Norway
Album: Permafrost - The Light Coming ThroughMonday, 07 October 2024
While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk outfit Magazine as much as it does their home country’s environment. “Permafrost” was a track on Magazine... Read more... |
Album: Susanna - Meditations on LoveWednesday, 21 August 2024
For a record whose subject matter involves unfaithfulness, ageing, loneliness, fear of death, darkness, sorrow, battles, haunting, sleeplessness and struggling to breathe, this is a lot of fun. But then Susanna Wallumrød has always leavened... Read more... |
Album: Pom Poko - ChampionWednesday, 14 August 2024
The musical equivalent of a firework display, the third album from Norwegian art-poppers Pom Poko is bright, energised and unstoppable. It is also considered; clearly the culmination of a careful creative process. Fusing the spontaneous and the... Read more... |
Album: Mari Kvien Brunvoll & Stein Urheim with Moskus - Barefoot in BryophyteMonday, 05 August 2024
Barefoot in Bryophyte is a collaboration between musicians embedded in Norway’s jazz and experimental music scenes. Some of it, though, sounds nothing like what might be expected. Take the fourth track, “Paper Fox.” Figuratively, it lies at the... Read more... |
theartsdesk Q&A: violinist and music director Pekka Kuusisto on staged Shostakovich, Sibelius, sound architecture and folk fiddlingMonday, 01 July 2024
Lilac time in Oslo, a mini heatwave in June 2023, a dazzling Sunday morning the day after the darkness transfigured of Concert Theatre DSCH, the Norwegian Chamber Orchestra’s from-memory Shostakovich music-drama. Pekka Kuusisto and I decide not to... Read more... |
Vossa Jazz 2024 review - Norwegian festival embraces William Parker’s spaciness, Karin Krog’s classicism and much moreWednesday, 27 March 2024
“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as “William Parker, bass” – is firm about the designation under which the three musicians on stage are... Read more... |
Ragnarok, Traverse Theatre, Edinburgh review - moving miniature apocalypseTuesday, 13 February 2024
In terms of conveying monumental events using small-scale means, Edinburgh’s Tortoise in a Nutshell visual theatre company has form. Their 2013 Feral, for example, depicted the social breakdown of an apparently idyllic seaside town using puppetry... Read more... |
Albums of the Year 2023: Cécile McLorin Salvant - MélusineThursday, 21 December 2023
If Mélusine is encountered without knowing its background or themes it would still be remarkable. There is no need to know anything about what frames this journey through Chanson Française, electronica, jazz and show-tune sensibilities with lyrics... Read more... |
The Witches, National Theatre review - fun and lively but where's the heart?Monday, 27 November 2023
The National Theatre these days seems to be going from hit-to-hit, with transfers aplenty and full houses at home. And there's every reason to expect that this fizzy adaptation of Roald Dahl's 1983 creep-out, The Witches, has the West End and... Read more... |
Classical CDs: Suits, serenades and flared trousersFriday, 13 October 2023
Bach: Goldberg Variations Víkingur Ólafsson (piano) (DG)Bach Goldberg Variations Reimagined Rachel Podger/Brecon Baroque (Channel Classics)It feels like ages since I’ve listened to Bach’s Goldberg Variations. I’m more team piano than team... Read more... |
Hardanger Musikkfest 2023 review - fertility, folk music and the supernatural unite along Norway’s fjordsThursday, 07 September 2023
The cows are scattered across the mountains. Without scrambling up the slopes, the only way to summon them is to call. Unni Løvlid is beckoning them. Instead of standing outdoors she is in the medieval Ullensvang Church, in the Norwegian village of... Read more... |
Wang, Oslo Philharmonic, Mäkelä, Edinburgh International Festival 2023 review - sparkling concertos, bleak ShostakovichThursday, 24 August 2023
Every time I have heard Ravel’s Piano Concerto for the Left Hand, some wiseacre in the bar afterwards trots out the predictable joke that it’s a cheap concert as the pianist gets only half the fee. For all that this is obviously nonsense, most... Read more... |
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