Netflix
Demetrios Matheou
If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when the practical and emotional conditions of doing anything at the moment – in lockdown – invariably become, in some way, the subject.Who knows how many lockdown shorts have been aired on social media? But with Homemade, we have 17 made by a cracking collection of professional filmmakers from around the world. Like any compendium, some are stronger than others, but for the most part it’s a remarkably consistent assembly.As you’d expect, these directors Read more ...
Davide Abbatescianni
After the success of the sci-fi crime drama 1983 (2018), another Polish original series has landed at Netflix. The Woods, directed by Leszek Dawid and Bartosz Konopka, is a six-part mystery thriller adapted from Harlan Coben’s novel, set in two main time spans: 1994 and 2019. The story centres on the Warsaw prosecutor Paweł Kopiński (Grzegorz Damięcki), who is still grieving the loss of his sister Kamila (Martyna Byczkowska) 25 years earlier, when she walked into the woods at a summer camp and was never seen again.In 2019, the discovery of a homicide victim – presumably Artur Perkowski, a boy Read more ...
Saskia Baron
Spike Lee’s ambitious tale of five American veterans returning to Vietnam to settle unfinished business, should have opened out of competition at Cannes last month. He was set to become the first African American film-maker to head the festival jury. Instead, coronavirus wiped out Da 5 Bloods cinema release and the film debuts on Netflix. Its 63-year-old director has had to self-isolate at home in New York, watching Covid-19's terrible impact on the BAME community and George Floyd’s murder rock the world. Under these circumstances, it would be great to be able to give Read more ...
Veronica Lee
Since Donald Trump's election as US President in 2016, I imagine satirists have slowly lost the will to live – as nothing they can write can outdo his buffoonery. But when Greg Daniels (creator of the American version of The Office) and Steve Carell (its star) announced they were inspired to write Space Force from one of his ideas, it augured well.Trump never appears in Space Force, but his presence is felt in odd nods to the tweeting president, or his command to get “boots on the Moon by 2024”, or “boobs on the Moon", as the fictional president here tweets (but it could have been Trump Read more ...
Owen Richards
Don’t do drugs, kids. For the past 50 years, that’s been the consistent message. But how much of what we know about psychedelics is just fearmongering? Do you really want to jump out of a window? Will you permanently lose your mind? To find out the truth behind the campaigns, writer Donick Cary dives into the real-life trips of a gaggle of famous faces for this multicoloured Netflix documentary.When you think of rock stars on drugs, you might imagine tragic scenes of excess and overdose. It’s unlikely you picture Sting birthing a cow while tripping on Mexican peyote. But this farcical tableau Read more ...
Adam Sweeting
Tina Fey and Robert Carlock’s hit comedy Unbreakable Kimmy Schmidt (Netflix) ended its fourth series in January last year, but this belated interactive special suggested there could be new life in it yet. Summarising Unbreakable… is possible but almost meaningless – “after 15 years imprisoned in an Indiana doomsday cult, Kimmy moves to New York, makes some very eccentric friends and becomes an inspirational children’s author” – but the infinite elasticity of the concept means that anything can happen.And so it proved here, as we rejoined Kimmy (Ellie Kemper) as she prepared to marry Prince Read more ...
Veronica Lee
Jerry Seinfeld said in a recent interview that this Netflix special – 23 Hours to Kill – may be his last stand-up show. That's a shame, as there's much to enjoy here, even if he is retreading some old ground.Much of this material he performed during UK dates last year (and some of it he had also performed when he previously visited the UK, in 2011), but that's OK as far as it goes – he's still a very funny man, and his grouchy, world-weary shtick can bear some repetition.The show starts with – unusually for Seinfeld – a surprisingly showbizzy sequence, a filmed skit in which he dives out of a Read more ...
Adam Sweeting
Meanwhile back in the Dark Ages, Uhtred (son of Uhtred) is still seeking to reclaim his ancestral seat of Bebbanburg and manoeuvre through the treacherous currents of Saxon politics. The big question was, how would this fourth season manage in the aftermath of the death of King Alfred?The king’s death has not only deprived us of David Dawson’s superb performance, but removes the yin and yang of the Alfred-Uhtred struggle which was one of the main drivers for the first three seasons. The exasperatingly pious and unforgiving Alfred was very difficult to like, and he could hardly stand up Read more ...
Nick Hasted
When not dipping into its bottomless debts to write Scorsese blank cheques, Netflix tends to favour old-school TV movie potboilers such as this slick, silly thriller, in which young couple Katie (Camila Mendes) and Adam (Jessie T Usher) have their moral flaws picked apart by financial temptation.Katie’s work as a Chicago waitress ends in a violent robbery, while her day-job working for rich old loner Leonard (Elliot Gould, pictured below) finds her inheriting not only his lakeside mansion, but a secret treasure chest of cash and diamonds. “I’m just sick of being poor,” impetuous Adam declares Read more ...
Veronica Lee
It's interesting to note that this Netflix series – the second of Ricky Gervais's study of bereavement, which he writes, directs and stars in – is broadcast during lockdown. We've quickly become used to a different pace of life – slower, less rooted in strict timeframes of work or family routines – so we should, in theory, be able to ease ourselves into the slowness. But there's slow, and there's “nothing much happening here, mate”.The first season of After Life, in which Gervais plays Tony, a journalist on a free local newspaper in the fictional town of Tambury, who lost his wife, Lisa ( Read more ...
Markie Robson-Scott
“Crying never solves anything. Be strong.” An admonishment from a stern grandmother haunts this low key first feature film by Alan Yang (Parks and Recreation, Master of None), loosely based on his father’s 1950s immigrant experience of leaving Taiwan and coming to New York City (his father does the voice-over in the film) and on Yang’s own recent trip to Taiwan with his father.No tigers in evidence here, kings, tails or otherwise. It’s a gentle, elegiac Asian-American story of lost love and emotional repression, told, in Mandarin and English, from the perspective of a disappointed middle-aged Read more ...
Adam Sweeting
While not the most headline-catching show on Netflix, Ozark has been steadily accruing critical accolades (including a couple of Emmys) and a devoted audience. Perhaps this superb third series will mark the tipping point where Ozark crosses over from cliqueishness to mass adulation.It all began back with the first season in 2017, when Marty Byrde’s Chicago-based financial services company fell foul of their client, a Mexican drug cartel. Marty’s partner made the insane blunder of skimming off $8m of the cartel’s funds, which their company were supposed to be laundering. Long story short, a Read more ...