Nazis
Tom Birchenough
Brilliantly played by Saskia Rosendahl, the eponymous teenage heroine of Lore (full name, Hannelore) faces a demanding double journey: both the physical slog through end-of-war Germany, a country fallen into chaos, and the more complicated process of acknowledging, like the nation itself, past Nazi complicity. On the cusp of adolescence, she's forced into adult responsibility for her younger siblings, just as her inner world of sexual feeling is awakening - everything pushes her towards maturity, and she must cope or perish.Australian director Cate Shortland’s second feature combines a Read more ...
Heather Neill
A little man takes on Authority and fails. A little man dons a colourful uniform, complete with boots and spiked helmet, and he becomes Authority. Carl Zuckmayer wrote Der Hauptmann von Köpenick in 1931, two years before Hitler came to power.Wilhelm Voigt, the real-life subject of the drama, had his moment of fame as the ersatz Captain of Grenadier Reserves in 1906. An anti-militarist aware of the growing Nazi threat and declared “half Jewish” because one of his grandfathers was Jewish, Zuckmayer was clearly writing about his own time as much as the early 1900s. He described his satire – in Read more ...
Nick Hasted
Australian Cate Shortland’s second film is a raw fairy tale about Nazi Germany, where indoctrinated, newly teenage Lore (Saskia Rosendahl) has always loved her war hero daddy. But when he returns from his SS unit’s long Belarus rampage in 1945, both parents are seized by the Allies, and she has to lead her abandoned siblings into the forest, to find their grandmother’s house.When Thomas (Kai Malina), bearing a concentration camp tattoo, offers help and erotic temptation, Jenny Agutter’s Walkabout odyssey with her brother and Aboriginal guide comes to mind. But for Lore, adolescent longing Read more ...
Matt Wolf
"All this hatred is exhausting," or so remarks Will Young's ceaselessly grimace-prone Emcee in Cabaret in a comment that encapsulates the evening as a whole. Returning to a show he directed to acclaim on the West End six years ago, the director Rufus Norris has reconsidered John Kander and Fred Ebb's song-and-dance classic with less nudity, stronger voices, and lots of stage business where its bite should be.Audiences will turn out for a show that features bigger names than were on offer on Shaftesbury Ave. in 2006, where musicals neophyte Anna Maxwell Martin played Sally Bowles opposite a Read more ...
Laura Silverman
The Kander and Ebb musical Cabaret, inspired by the Berlin stories of Christopher Isherwood, is soon to return to the West End with Will Young. Its less well-known source is John Van Druten's 1952 play I Am a Camera. The title comes from the opening page of Goodbye to Berlin, Isherwood's memoirs published in 1939 inspired by his years in the capital of a country reeling from the last war and suffering from the global Depression: “I am a camera with its shutter open, quite passive, recording, not thinking.”The play focuses on Christopher's relationships with the people he meets in the city: Read more ...
ronald.bergan
It was Lenin who realised early in the Russian Revolution that “of all the arts, film is for us the most important” and Hitler and Goebbels perceived the immense propaganda potential of the Olympics through the medium of film. The 1936 Olympic Games took place in Berlin a few months after Hitler’s armies occupied the Rhineland. Hitler spared no expense in making it the best organised and most efficiently equipped in the history of the Olympics.After Triumph of the Will (1935), the documentary of the 1934 Nuremberg Rally, the director Leni Riefenstahl became established as Germany’s foremost “ Read more ...
howard.male
Rather unjustly, this underrated 1976 thriller is best remembered for the dental torture scenes in which Laurence Olivier’s shiny-headed, shiny-spectacled Nazi, Dr Christian Szell, repeatedly asks Dustin Hoffman’s petrified and pain-crazed Levy if it’s safe or not, and Levy has no idea if the answer required is yes or no. But the rest of this movie is a much subtler, more involving affair than is suggested by a scene that is truly painful to watch . As an Olympic event, the marathon is about endurance as much as speed. For poor Levy the whole of John Schlesinger’s film is a test of Read more ...
Jasper Rees
Did Magda Goebbels do her children a favour by murdering all six of them in the bunker? Her rationale, as reported in the film Downfall, was the impossibility of imagining a life after Hitler for anyone called Goebbels.Most descendants of the Nazi top brass were not afforded this ghastly reprieve, and survived into a conflicted adulthood. Not long ago a son of Reinhard Heydrich offered to fund the restoration of the Prague castle, now ruined, from which his father terrorised the Protectorate of Bohemia and Moravia. The city government was suspicious of his motives. It was his childhood home, Read more ...
Adam Sweeting
This much-rumoured independent movie has been in the works since 2006, and is improbably billed as a Finnish-German-Australian co-production. It's also unusual for being a project that grew out of the online self-supporting film-making community, Wreck-a-Movie.The premise is almost irresistible, and is summed up in the marketing tagline: "In 1945 the Nazis went to the Moon. In 2018 they're coming back." The action commences with the American "Liberty" space mission landing on our nearest galactic neighbour, but it transpires that it's essentially a promotional visit to boost the re-election Read more ...
fisun.guner
Rainer Werner Fassbinder, the wunderkind of New German Cinema, worked at a prodigious rate. By the time of his death in 1982, aged just 37, he’d made over 40 feature films and directed over half as many stage plays. He also made films specially commissioned for television, something that was certainly looked down upon by both mainstream and avant-garde film-makers in the Seventies. Treating his television projects with no less commitment, Fassbinder was an arthouse film-maker who broke the mould in many ways, though his output must be said to be of vastly variable quality.I Only Want You to Read more ...
Jasper Rees
The world has heard of Schindler’s Jews, who were saved from the gas ovens by the patronage of an enlightened German industrialist. Socha’s Jews are not quite so celebrated. There are number of reasons for that. For a start, many fewer Jews were saved in this narrative, and their story has not found its own Thomas Kenneally - nor until now its Steven Spielberg. But most importantly their saviour would never be mistaken for any sort of moral pin-up, being a burglar and black marketer who stashed his booty in the sewers of Lvov.A non-fiction book called In the Sewers of Lvov tells of Socha's Read more ...
Emma Dibdin
You remember Upstairs Downstairs – the lavish 2010 period drama-cum-soap based around servants and their masters that had the misfortune of not being named Downton Abbey. Making its entrance some three months after ITV’s series despite being filmed first, Upstairs played like the indignant, overshadowed elder sibling to Downton’s effervescent, effortlessly successful young upstart. After all, in a drama war between the BBC and ITV, there can’t be many who were betting on the latter coming out on top in either ratings or critical terms, especially given the 40-year-old pedigree of the Upstairs Read more ...