mon 27/06/2022

melodrama

Blu-ray/DVD: The Invisible Life of Eurídice Gusmão

Karim Aïnouz’s Cannes Palme d’Or winner and Brazilian Oscar entry is advertised as “a tropical melodrama”, and its Rio seems barely to have left the jungle. We first meet sisters Eurídice (Carol Duarte) and Guida (Julia Stockler, pictured below)...

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A Christmas Carol, The Old Vic review - not quite a festive-season cracker

Four years and a Broadway run on from its Old Vic debut, director Matthew Warchus and writer,Jack Thorne are still throwing everything they can at one of the most familiar stories, and characters, in English literature. That may be to address the...

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Vanya and Sonia and Masha and Spike, Charing Cross Theatre review - Tony-winning play checks out Chekhov

Vanya and Sonia and Masha and Spike has taken eight years to reach the London stage, which is surprisingly long for the Tony Award winner for Best Play of 2013: the pandemic, unsurprisingly, didn't help. But in a burst of somewhat un-Chekhovian...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in...

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Nocturnal review - an impossible love

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis) and 17-year-old Laurie (Lauren Coe) gaze across a body of seawater to a miniature chemistry set – a tract of...

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The Old Guard review - serious silliness

It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare...

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Guest of Honour review – the grip of guilt

A master at bringing neurotics to bilious life on screen, David Thewlis shines as a peevish, corrupt health inspector in Guest of Honour. There’s a perverse pleasure to be had in watching his character, health inspector Jim, a British expat in...

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After the Wedding review - a high-tension gut punch

How long can one decision follow you? How long can you hide from it? This is what underpins After the Wedding, a remake of Susanne Bier’s Efter brylluppet. It’s a drama shaped like a thriller, driven by emotion rather than intrigue. We’re introduced...

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Sorry We Missed You review – Ken Loach's unapologetic assault on the gig economy

If the recent period of British history that has involved recession, austerity, the hostile environment and Brexit is to have chroniclers, who better than Ken Loach and his trusty screenwriter Paul Laverty. Their blend of carefully researched social...

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CD: Bat For Lashes - Lost Girls

There's no knowing what to expect from Natasha Khan. Her most recent output has been furiously intense Thai and Persian psyche rock covers (as SEXWITCH in 2015) followed by torch songs full of shadow and eeriness (Bat For Lashes' 2016 The Bride...

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The Aftermath review - it looks great but it lacks bite

Is it time for the rebirth of the old-fashioned wartime weepie? If so, this time next year The Aftermath will be dragging a clanking heap of statuettes round Hollywood, attached to the rear bumper of its 1940s army staff car. If not…A cynical person...

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An Impossible Love review - toxic romance across the years

This is a love that begins sweetly, turns terrible, and is told with unflinching directness. Directed by Catherine Corsini, An Impossible Love is based on a novel by Christine Angot (known in France, and increasingly elsewhere, for her powerful...

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